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Laura A Harris

Biographic Data

ID3612738
NAMELaura A Harris
GIVEN NAMESLaura A
FAMILY NAMEHarris
SIGNATUREHARRIS L A
VERIFIEDNo
TOTAL WORKS4
TOTAL CITATIONS0
WORKS AS AUTHOR4
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2002
LATEST PUBLICATION YEAR2009
H-INDEX0
  • "What's in a Name?" That Which We Call Brilliance by Any Other Name Would Read as Festus Claudius McKay

    Laura A Harris•ARTICLE•Radical History Review•2009

    Claude McKay, the canonically renowned Harlem Renaissance poet, has become a central subject in current sexuality, African diaspora, and postmodern Marxist studies. This review essay highlights the different contributions of four recent book-length studies specifically on McKay; it situates their theoretical contexts within larger critical dialogues and historical inquiries concerning black creative expression and transnational ideological spaces…

  • Hybrid Italians, Diasporic Africans

    Laura A Harris, Laura Harris•ARTICLE•Callaloo•2008

    Hybrid Italians, Diasporic AfricansWho's/Whose Meticcio?1 Laura A. Harris (bio) In this essay I examine discourses of race and nation in contemporary Italian representations of African-ness and cultural hybridity. In particular, I devote attention to an analysis of Erminia Dell'Oro's commercially successful Italian novel L'abbandono, Una Storia Eritrea (1991), which depicts Italy's colonial history in Eritrea primarily through protagonists of Eri…

  • Femme/Butch Family Romances

    Laura A Harris, Laura Harris•ARTICLE•Journal of Lesbian Studies•2002•References: 3

    My essay theorizes femme/butch family romances against the grain of dominant feminist and lesbian thought that desexualizes the space of mother/daughter desire. I do so through a reading/recoding of the infringing incestuous mommie-boy desires that surface in an archetypal lesbian novel, Jane Rule's Desert of the Heart

  • Black Feminism and Queer Families

    Laura A Harris, Laura Harris et al.•ARTICLE•African American Review•2002

    In Vintage: Families of Value (1995) Anita Jones proclaims, have chose to do like my mother and be a warrior... 'cause I'm a lesbian. My life has evolved around women being sensual, and I rather enjoy it. Speaking forthrightly to the camera, Jones identifies some of the larger challenges raised by black women's lived experiences and by black feminist paradigms working to disrupt the silences surrounding black female sexualities. In Thomas Allen H…

No prominent works on this page.

  • Femme/Butch Family Romances

    Laura A Harris, Laura Harris•ARTICLE•Journal of Lesbian Studies•2002•References: 3

    My essay theorizes femme/butch family romances against the grain of dominant feminist and lesbian thought that desexualizes the space of mother/daughter desire. I do so through a reading/recoding of the infringing incestuous mommie-boy desires that surface in an archetypal lesbian novel, Jane Rule's Desert of the Heart

  • Black Feminism and Queer Families

    Laura A Harris, Laura Harris et al.•ARTICLE•African American Review•2002

    In Vintage: Families of Value (1995) Anita Jones proclaims, have chose to do like my mother and be a warrior... 'cause I'm a lesbian. My life has evolved around women being sensual, and I rather enjoy it. Speaking forthrightly to the camera, Jones identifies some of the larger challenges raised by black women's lived experiences and by black feminist paradigms working to disrupt the silences surrounding black female sexualities. In Thomas Allen H…

  • Hybrid Italians, Diasporic Africans

    Laura A Harris, Laura Harris•ARTICLE•Callaloo•2008

    Hybrid Italians, Diasporic AfricansWho's/Whose Meticcio?1 Laura A. Harris (bio) In this essay I examine discourses of race and nation in contemporary Italian representations of African-ness and cultural hybridity. In particular, I devote attention to an analysis of Erminia Dell'Oro's commercially successful Italian novel L'abbandono, Una Storia Eritrea (1991), which depicts Italy's colonial history in Eritrea primarily through protagonists of Eri…

  • "What's in a Name?" That Which We Call Brilliance by Any Other Name Would Read as Festus Claudius McKay

    Laura A Harris•ARTICLE•Radical History Review•2009

    Claude McKay, the canonically renowned Harlem Renaissance poet, has become a central subject in current sexuality, African diaspora, and postmodern Marxist studies. This review essay highlights the different contributions of four recent book-length studies specifically on McKay; it situates their theoretical contexts within larger critical dialogues and historical inquiries concerning black creative expression and transnational ideological spaces…

Gender Studies (4 works) · Sociology (4 works) · Art (3 works) · Aesthetics (2 works) · Feminism (2 works) · Gender Studies (2 works) · History (2 works) · Law (2 works) · Lesbian (2 works) · Literature (2 works)

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