Chuck Jackson
Biographic Data
| ID | 3612831 |
|---|---|
| NAME | Chuck Jackson |
| GIVEN NAMES | Chuck |
| FAMILY NAME | Jackson |
| SIGNATURE | JACKSON C |
| VERIFIED | No |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 2 |
| AUTHOR COUNT | 4 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2000 |
| LATEST PUBLICATION YEAR | 2018 |
| H-INDEX | 1 |
The Touch of the “First” Black Cinematographer in North America: James E. Hinton, Ganja & Hess , and the NEA Films at the Harvard Film Archive
This essay develops scholarly knowledge of James E. Hinton as a unique contributor to African American filmmaking by recovering the set of his little-known, but aesthetically and historically significant, films about National Endowment for the Arts (NEA)– funded art communities (1975–1983) held at the Harvard Film Archive. Taking a cue from Hinton's proclamation that he was "the first Black director of photography in the history of North American…
Star Hole (for Courtney Love)
Research Article| September 01 2007 Star Hole (for Courtney Love) Chuck Jackson Chuck Jackson Search for other works by this author on: This Site Google Camera Obscura (2007) 22 (2 (65)): 154–157. https://doi.org/10.1215/02705346-2007-012 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site Citation Chuck Jackson; Star Hole (for Courtney Love). Camera Obscura 1 September 2007; 22 (2 (65)): 154–157. doi: https:/…
Little, Violent, White: The Bad Seed and the Matter of Children
Omen (1976)? Horror films that feature evil children or young teenagers, as Wheeler Dixon has pointed out, hit a peak in the 1970s: It's Alive (1973), Carrie (1976), The Little Girl Who Lives Down the Lane (1976), Damien: The Omen II (1978), The Changeling(1979) (80-81). Horror films from the 1970s and the early 1980s (Poltergeist [1982], Firestarter [1984], Children of the Corn [1984]) placed an emphasis on the possessed child, one whose powers …
Waste and Whiteness: Zora Neale Hurston and the Politics of Eugenics
Readings of Zora Neale Hurston's on the Suwanee (1948) have often focused on the text's racial and gender problems, either critiquing the text's failure to measure up to the racial consciousness and feminism evident in Their Eyes Were Watching God (1937) or reversing this critique by claiming that Seraph's power lies in its heavily coded championing of its protagonist, Arvay Meserve. [1] Janet St. Clair observes that Seraph on the Suwanee has bee…
Little, Violent, White: The Bad Seed and the Matter of Children
Omen (1976)? Horror films that feature evil children or young teenagers, as Wheeler Dixon has pointed out, hit a peak in the 1970s: It's Alive (1973), Carrie (1976), The Little Girl Who Lives Down the Lane (1976), Damien: The Omen II (1978), The Changeling(1979) (80-81). Horror films from the 1970s and the early 1980s (Poltergeist [1982], Firestarter [1984], Children of the Corn [1984]) placed an emphasis on the possessed child, one whose powers …
Waste and Whiteness: Zora Neale Hurston and the Politics of Eugenics
Readings of Zora Neale Hurston's on the Suwanee (1948) have often focused on the text's racial and gender problems, either critiquing the text's failure to measure up to the racial consciousness and feminism evident in Their Eyes Were Watching God (1937) or reversing this critique by claiming that Seraph's power lies in its heavily coded championing of its protagonist, Arvay Meserve. [1] Janet St. Clair observes that Seraph on the Suwanee has bee…
Little, Violent, White: The Bad Seed and the Matter of Children
Omen (1976)? Horror films that feature evil children or young teenagers, as Wheeler Dixon has pointed out, hit a peak in the 1970s: It's Alive (1973), Carrie (1976), The Little Girl Who Lives Down the Lane (1976), Damien: The Omen II (1978), The Changeling(1979) (80-81). Horror films from the 1970s and the early 1980s (Poltergeist [1982], Firestarter [1984], Children of the Corn [1984]) placed an emphasis on the possessed child, one whose powers …
Waste and Whiteness: Zora Neale Hurston and the Politics of Eugenics
Readings of Zora Neale Hurston's on the Suwanee (1948) have often focused on the text's racial and gender problems, either critiquing the text's failure to measure up to the racial consciousness and feminism evident in Their Eyes Were Watching God (1937) or reversing this critique by claiming that Seraph's power lies in its heavily coded championing of its protagonist, Arvay Meserve. [1] Janet St. Clair observes that Seraph on the Suwanee has bee…
Star Hole (for Courtney Love)
Research Article| September 01 2007 Star Hole (for Courtney Love) Chuck Jackson Chuck Jackson Search for other works by this author on: This Site Google Camera Obscura (2007) 22 (2 (65)): 154–157. https://doi.org/10.1215/02705346-2007-012 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site Citation Chuck Jackson; Star Hole (for Courtney Love). Camera Obscura 1 September 2007; 22 (2 (65)): 154–157. doi: https:/…
The Touch of the “First” Black Cinematographer in North America: James E. Hinton, Ganja & Hess , and the NEA Films at the Harvard Film Archive
This essay develops scholarly knowledge of James E. Hinton as a unique contributor to African American filmmaking by recovering the set of his little-known, but aesthetically and historically significant, films about National Endowment for the Arts (NEA)– funded art communities (1975–1983) held at the Harvard Film Archive. Taking a cue from Hinton's proclamation that he was "the first Black director of photography in the history of North American…
Art (4 works) · Art history (2 works) · History (2 works) · History (2 works) · Law (2 works) · Law (2 works) · Political science (2 works) · Sociology (2 works) · American and British Literature Analysis (1 works) · American Jewish Fiction Analysis (1 works)