Carme Manuel
Biographic Data
| ID | 3612865 |
|---|---|
| NAME | Carme Manuel |
| GIVEN NAMES | Carme |
| FAMILY NAME | Manuel |
| SIGNATURE | MANUEL C |
| AFFILIATIONS | Universitat de València |
| ORCID | 0000-0002-2776-7901 |
| VERIFIED | Yes |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 3 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2001 |
| LATEST PUBLICATION YEAR | 2021 |
| H-INDEX | 0 |
The House on Mango Street
Reading Charles Kingsley’s The Water-Babies (1863) makes it possible for Esperanza Cordero to imagine an idyllic site of empowered identity in The House on Mango Street. Yet, I argue that Esperanza’s transformed identity can only reside outside her original community and that her journey from the sad red house of Mango Street to her reconceived clean house at the end of the text is necessarily a trajectory of desired uprootedness that follows the…
Elizabeth Keckley's Behind the Scenes ; or, the "Colored Historian's" Resistance to the Technologies of Power in Postwar America
Elizabeth Keckley’s Behind the Scenes; or, the “Colored Historian’s” Resistance to the Technologies of Power in Postwar America Carme Manuel (bio) Behind the Scenes; or, Thirty Years a Slave and Four Years in the White House by Elizabeth Keckley, “an unabashed and often plainly self-congratulatory success story” (Andrews, “Changing” 234), encountered brutal hostility at its publication. The reasons for this were due mainly to the political events…
Mule Bone
There ought be Negro play written by Negro that no white could ever have conceived or executed. (Eugene O'Neill, 1925) Michael G. Cooke, in his study of Afro-American literature in twentieth century, notes that, whereas modernism in Anglo-American literature adapted form of artificial detachment from in Afro-American literature it took form of centering upon possibilities of human and emergent sense of intimacy predicated on human. Consequently, …
No prominent works on this page.
Mule Bone
There ought be Negro play written by Negro that no white could ever have conceived or executed. (Eugene O'Neill, 1925) Michael G. Cooke, in his study of Afro-American literature in twentieth century, notes that, whereas modernism in Anglo-American literature adapted form of artificial detachment from in Afro-American literature it took form of centering upon possibilities of human and emergent sense of intimacy predicated on human. Consequently, …
Elizabeth Keckley's Behind the Scenes ; or, the "Colored Historian's" Resistance to the Technologies of Power in Postwar America
Elizabeth Keckley’s Behind the Scenes; or, the “Colored Historian’s” Resistance to the Technologies of Power in Postwar America Carme Manuel (bio) Behind the Scenes; or, Thirty Years a Slave and Four Years in the White House by Elizabeth Keckley, “an unabashed and often plainly self-congratulatory success story” (Andrews, “Changing” 234), encountered brutal hostility at its publication. The reasons for this were due mainly to the political events…
The House on Mango Street
Reading Charles Kingsley’s The Water-Babies (1863) makes it possible for Esperanza Cordero to imagine an idyllic site of empowered identity in The House on Mango Street. Yet, I argue that Esperanza’s transformed identity can only reside outside her original community and that her journey from the sad red house of Mango Street to her reconceived clean house at the end of the text is necessarily a trajectory of desired uprootedness that follows the…
Art (3 works) · History (3 works) · Literature (3 works) · Aesthetics (2 works) · Art history (2 works) · Sociology (2 works) · American History and Culture (1 works) · Asian American and Pacific Histories (1 works) · Computer Science (1 works) · Cuban History and Society (1 works)