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Bryan Wagner

Biographic Data

ID3613041
NAMEBryan Wagner
GIVEN NAMESBryan
FAMILY NAMEWagner
SIGNATUREWAGNER B
AFFILIATIONSUniversity of California, Berkeley
VERIFIEDNo
TOTAL WORKS11
TOTAL CITATIONS2
AUTHOR COUNT11
EDITOR COUNT0
FIRST PUBLICATION YEAR2001
LATEST PUBLICATION YEAR2021
H-INDEX1
  • Black Lives Matter and Communications Technologies

    Bryan Wagner•ARTICLE•English Language Notes•2021

    It has been often noted that the history of Black American activism from slavery to the present has been catalyzed by developments in communications technology. This has been especially true in moments of crisis when activists and intellectuals have moved quickly to take advantage of sudden shifts in the media environment to convey their message and organize themselves. The posters and pamphlets that detonated the British movement against the tra…

  • The Tar Baby: A Global History

    Open Access•Bryan Wagner•BOOK•Tar Baby•2017

  • The tar baby: A Global History

    Bryan Wagner•BOOK•Tar Baby•2017

    Perhaps the best-known version of the tar baby story was published in 1880 by Joel Chandler Harris in Uncle Remus: His Songs and His Sayings, and popularized in Song of the South, the 1946 Disney movie. Other versions of the story, however, have surfaced in many other places throughout the world, including Nigeria, Brazil, Corsica, Jamaica, India, and the Philippines. The Tar Baby offers a fresh analysis of this deceptively simple story about a f…

  • Epilogue

    Open Access•Bryan Wagner•CHAPTER•The Tar Baby•2017

    This concluding chapter considers the tar baby story as the most celebrated, the most thickly documented, and the most historiographically significant case in the global trickster tradition. The established ethnographic approach to the tar baby has led people to misconstrue the ways in which the story seeks to resolve the problems it sets before them. Restored to its full range, the tar baby presents nothing less than a comprehensive philosophy o…

  • Slavery and Sentiment on the American Stage, 1787–1861: Lifting the Veil of Black (review)

    Bryan Wagner•ARTICLE•African American Review•2011

    Reviewed by: Slavery and Sentiment on the American Stage, 1787–1861: Lifting the Veil of Black Bryan Wagner Heather S. Nathans. Slavery and Sentiment on the American Stage, 1787–1861: Lifting the Veil of Black. Cambridge: Cambridge UP, 2009. 288 pp. $94.99. Ambitious in scope, Heather Nathans’s Slavery and Sentiment on the American Stage shows how public debates over slavery and black equality were represented in the theater during the decades be…

  • Global Souths

    Open Access•Bryan Wagner•ARTICLE•American Quarterly•2011

    Global Souths Bryan Wagner (bio) Our South: Geographic Fantasy and the Rise of National Literature. By Jennifer Rae Greeson. Cambridge, Mass.: Harvard University Press, 2010. 368 pages. $39.95 (cloth). American Mediterranean: Southern Slaveholders in the Age of Emancipation. By Matthew Pratt Guterl. Cambridge, Mass.: Harvard University Press, 2008. 250 pages. $41.50 (cloth). Alabama in Africa: Booker T. Washington, the German Empire, and the Glob…

  • Disturbing the Peace: Black Culture and the Police Power after Slavery

    Bryan Wagner•BOOK•Disturbing the Peace•2009

    W. C. Handy waking up to the blues on a train platform, Buddy Bolden eavesdropping on the drums at Congo Square, John Lomax taking his phonograph recorder into a southern penitentiary—Wagner gives a new account of black culture by reading these myths in the context of the black vernacular tradition's ongoing engagement with the law

  • Disarmed and Dangerous: The Strange Career of Bras-Coupé

    Bryan Wagner•ARTICLE•Representations•2005•Cited by: 1•References: 2

    This essay assesses the origin myths that have attached to Congo Square and its most famous dancer, Bras-Coupé, inorder to reflect upon their import within modern theories of blackness

  • Whispers on the Color Line: Rumor and Race in America; At Stake: Monsters and the Rhetoric of Fear in Public Culture

    Bryan Wagner•ARTICLE•American Literature•2003

  • Virtual Americas: Transnational Fictions and the Transatlantic Imaginary

    Bryan Wagner•ARTICLE•American Literature•2003

    Book Review| December 01 2003 Virtual Americas: Transnational Fictions and the Transatlantic Imaginary By Paul Giles. Durham, N.C.: Duke Univ. Press. 2002. xiii, 337 pp. Cloth,$64.95; paper, $21.95. Bryan Wagner Bryan Wagner Search for other works by this author on: This Site Google American Literature (2003) 75 (4): 901–903. https://doi.org/10.1215/00029831-75-4-901 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Sea…

  • Charles Chesnutt and the Epistemology of Racial Violence

    Bryan Wagner•ARTICLE•American Literature•2001•Cited by: 1

    American Literature - Volume 73, Number 2, June 2001

  • Disarmed and Dangerous: The Strange Career of Bras-Coupé

    Bryan Wagner•ARTICLE•Representations•2005•Cited by: 1•References: 2

    This essay assesses the origin myths that have attached to Congo Square and its most famous dancer, Bras-Coupé, inorder to reflect upon their import within modern theories of blackness

  • Charles Chesnutt and the Epistemology of Racial Violence

    Bryan Wagner•ARTICLE•American Literature•2001•Cited by: 1

    American Literature - Volume 73, Number 2, June 2001

  • Charles Chesnutt and the Epistemology of Racial Violence

    Bryan Wagner•ARTICLE•American Literature•2001•Cited by: 1

    American Literature - Volume 73, Number 2, June 2001

  • Whispers on the Color Line: Rumor and Race in America; At Stake: Monsters and the Rhetoric of Fear in Public Culture

    Bryan Wagner•ARTICLE•American Literature•2003

  • Virtual Americas: Transnational Fictions and the Transatlantic Imaginary

    Bryan Wagner•ARTICLE•American Literature•2003

    Book Review| December 01 2003 Virtual Americas: Transnational Fictions and the Transatlantic Imaginary By Paul Giles. Durham, N.C.: Duke Univ. Press. 2002. xiii, 337 pp. Cloth,$64.95; paper, $21.95. Bryan Wagner Bryan Wagner Search for other works by this author on: This Site Google American Literature (2003) 75 (4): 901–903. https://doi.org/10.1215/00029831-75-4-901 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Sea…

  • Disarmed and Dangerous: The Strange Career of Bras-Coupé

    Bryan Wagner•ARTICLE•Representations•2005•Cited by: 1•References: 2

    This essay assesses the origin myths that have attached to Congo Square and its most famous dancer, Bras-Coupé, inorder to reflect upon their import within modern theories of blackness

  • Disturbing the Peace: Black Culture and the Police Power after Slavery

    Bryan Wagner•BOOK•Disturbing the Peace•2009

    W. C. Handy waking up to the blues on a train platform, Buddy Bolden eavesdropping on the drums at Congo Square, John Lomax taking his phonograph recorder into a southern penitentiary—Wagner gives a new account of black culture by reading these myths in the context of the black vernacular tradition's ongoing engagement with the law

  • Slavery and Sentiment on the American Stage, 1787–1861: Lifting the Veil of Black (review)

    Bryan Wagner•ARTICLE•African American Review•2011

    Reviewed by: Slavery and Sentiment on the American Stage, 1787–1861: Lifting the Veil of Black Bryan Wagner Heather S. Nathans. Slavery and Sentiment on the American Stage, 1787–1861: Lifting the Veil of Black. Cambridge: Cambridge UP, 2009. 288 pp. $94.99. Ambitious in scope, Heather Nathans’s Slavery and Sentiment on the American Stage shows how public debates over slavery and black equality were represented in the theater during the decades be…

  • Global Souths

    Open Access•Bryan Wagner•ARTICLE•American Quarterly•2011

    Global Souths Bryan Wagner (bio) Our South: Geographic Fantasy and the Rise of National Literature. By Jennifer Rae Greeson. Cambridge, Mass.: Harvard University Press, 2010. 368 pages. $39.95 (cloth). American Mediterranean: Southern Slaveholders in the Age of Emancipation. By Matthew Pratt Guterl. Cambridge, Mass.: Harvard University Press, 2008. 250 pages. $41.50 (cloth). Alabama in Africa: Booker T. Washington, the German Empire, and the Glob…

  • The Tar Baby: A Global History

    Open Access•Bryan Wagner•BOOK•Tar Baby•2017

  • The tar baby: A Global History

    Bryan Wagner•BOOK•Tar Baby•2017

    Perhaps the best-known version of the tar baby story was published in 1880 by Joel Chandler Harris in Uncle Remus: His Songs and His Sayings, and popularized in Song of the South, the 1946 Disney movie. Other versions of the story, however, have surfaced in many other places throughout the world, including Nigeria, Brazil, Corsica, Jamaica, India, and the Philippines. The Tar Baby offers a fresh analysis of this deceptively simple story about a f…

  • Epilogue

    Open Access•Bryan Wagner•CHAPTER•The Tar Baby•2017

    This concluding chapter considers the tar baby story as the most celebrated, the most thickly documented, and the most historiographically significant case in the global trickster tradition. The established ethnographic approach to the tar baby has led people to misconstrue the ways in which the story seeks to resolve the problems it sets before them. Restored to its full range, the tar baby presents nothing less than a comprehensive philosophy o…

  • Black Lives Matter and Communications Technologies

    Bryan Wagner•ARTICLE•English Language Notes•2021

    It has been often noted that the history of Black American activism from slavery to the present has been catalyzed by developments in communications technology. This has been especially true in moments of crisis when activists and intellectuals have moved quickly to take advantage of sudden shifts in the media environment to convey their message and organize themselves. The posters and pamphlets that detonated the British movement against the tra…

History (8 works) · Political science (7 works) · Art (6 works) · Law (6 works) · Sociology (5 works) · Literature (4 works) · Media studies (4 works) · Politics (4 works) · African americans (3 works) · Computer Science (3 works)

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