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Christopher S Lewis

Biographic Data

ID3613117
NAMEChristopher S Lewis
GIVEN NAMESChristopher S
FAMILY NAMELewis
SIGNATURELEWIS C S
AFFILIATIONSOhio University
ORCID0009-0007-8654-9529
VERIFIEDYes
TOTAL WORKS5
TOTAL CITATIONS0
AUTHOR COUNT5
EDITOR COUNT0
FIRST PUBLICATION YEAR2013
LATEST PUBLICATION YEAR2019
H-INDEX0
  • Speculating on Jim Crow Queerness in African American Lesbian and Gay Life Writing

    Open Access•Christopher S Lewis•ARTICLE•MELUS Multi-Ethnic Literature of…•2019•References: 16

    The late twentieth-century life writing of Audre Lorde and Samuel Delany imagines black lesbian and gay experiences during the era of Jim Crow segregation and, in doing so, models a queer and speculative engagement with the tradition of African American life writing. By undermining the presumption that gender and sexual normativity worked as shields against racism during the Jim Crow era, Lorde and Delany, in Zami: A New Spelling of My Name: A Bi…

  • Neuter-Bound/Neuter-Freed

    Christopher S Lewis•ARTICLE•African American Review•2019

    This article highlights moments in William Craft's Running a Thousand Miles for Freedom and Harriet Jacobs's Incidents in the Life of a Slave Girl that feature black women using masculine performance, and black men using their own (knowledge of) same-gender desires, for the purposes of black liberation. Focusing on these moments broadens our understandings of queer gender during slavery, seeing queerness not solely as an imposition that some ensl…

  • Conjure Women, Root Men, and Normative Visions of Freedom in Antebellum Slave Narratives

    Christopher S Lewis•ARTICLE•Arizona quarterly/ The Arizona…•2018

    Arizona Quarterly: A Journal of American Literature, Culture, and Theory - Volume 74, Number 2, Summer 2018

  • Queering Personhood in the Neo-Slave Narrative

    Christopher S Lewis•ARTICLE•African American Review•2014

    This article uses the explorations of antebellum black gender and sexuality in Jewelle Gomez's neo-slave narrative The Gilda Stories (1991) to reconsider what Hortense Spillers has called the "neuter-bound" status of black gender and sexuality during slavery. Spillers's work finds whiteness to be enacted through penetration of the enslaved and blackness to be neuter/neutered, meaning both gender indeterminate and incapable of penetration. Unfortu…

  • Queer Beauty

    Christopher S Lewis•ARTICLE•The European Legacy•2013

No prominent works on this page.

  • Queer Beauty

    Christopher S Lewis•ARTICLE•The European Legacy•2013

  • Queering Personhood in the Neo-Slave Narrative

    Christopher S Lewis•ARTICLE•African American Review•2014

    This article uses the explorations of antebellum black gender and sexuality in Jewelle Gomez's neo-slave narrative The Gilda Stories (1991) to reconsider what Hortense Spillers has called the "neuter-bound" status of black gender and sexuality during slavery. Spillers's work finds whiteness to be enacted through penetration of the enslaved and blackness to be neuter/neutered, meaning both gender indeterminate and incapable of penetration. Unfortu…

  • Conjure Women, Root Men, and Normative Visions of Freedom in Antebellum Slave Narratives

    Christopher S Lewis•ARTICLE•Arizona quarterly/ The Arizona…•2018

    Arizona Quarterly: A Journal of American Literature, Culture, and Theory - Volume 74, Number 2, Summer 2018

  • Speculating on Jim Crow Queerness in African American Lesbian and Gay Life Writing

    Open Access•Christopher S Lewis•ARTICLE•MELUS Multi-Ethnic Literature of…•2019•References: 16

    The late twentieth-century life writing of Audre Lorde and Samuel Delany imagines black lesbian and gay experiences during the era of Jim Crow segregation and, in doing so, models a queer and speculative engagement with the tradition of African American life writing. By undermining the presumption that gender and sexual normativity worked as shields against racism during the Jim Crow era, Lorde and Delany, in Zami: A New Spelling of My Name: A Bi…

  • Neuter-Bound/Neuter-Freed

    Christopher S Lewis•ARTICLE•African American Review•2019

    This article highlights moments in William Craft's Running a Thousand Miles for Freedom and Harriet Jacobs's Incidents in the Life of a Slave Girl that feature black women using masculine performance, and black men using their own (knowledge of) same-gender desires, for the purposes of black liberation. Focusing on these moments broadens our understandings of queer gender during slavery, seeing queerness not solely as an imposition that some ensl…

Art (4 works) · Gender Studies (4 works) · Queer (4 works) · Race, History, and American Society (4 works) · Sociology (4 works) · African Sexualities and LGBTQ+ Issues (3 works) · Literature (3 works) · Narrative (3 works) · Aesthetics (2 works) · History (2 works)

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