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Jared Gardner

Biographic Data

ID3613207
NAMEJared Gardner
GIVEN NAMESJared
FAMILY NAMEGardner
SIGNATUREGARDNER J
AFFILIATIONSThe Ohio State University
ORCID0000-0003-4497-7385
VERIFIEDYes
TOTAL WORKS16
TOTAL CITATIONS9
AUTHOR COUNT16
EDITOR COUNT0
FIRST PUBLICATION YEAR1991
LATEST PUBLICATION YEAR2022
H-INDEX2
  • Out of Sync: Chronic Illness, Time, and Comics Memoir

    Jared Gardner•ARTICLE•Biography•2022

    Out of SyncChronic Illness, Time, and Comics Memoir Jared Gardner (bio) Time as we experience it does not hold up to close examination. Philosophers have known this for millennia—giving rise, for example, to the very different accounts of time offered by Parmenides and Heraclitus. For Parmenides, time is an illusion and only the now is real, while for Heraclitus, time is change and only change is real. However, both of these classical accounts we…

  • How Should a Stigmatized Diagnosis Be Conveyed? How What Went Wrong Is Represented in Swallow Me Whole

    Open Access•Jared Gardner•ARTICLE•The AMA Journal of Ethic•2018

    This essay considers the ethical problems raised by a scene of diagnosis presentation in Nate Powell's graphic novel Swallow Me Whole, in which the patient is not only not engaged by the physician, but also effectively marginalized from the moment that her condition is named and medicalized. Put in the context of the book as a whole and in relationship to the unique affordances of the comics form, however, we see that though the physician made a …

  • Transmedial Narratives in the Age of Mixed Media

    Jared Gardner, Jared Gardner Jared Gardner•ARTICLE•Narrative Culture•2017

    Media scholars, and especially for those of us working on transmedial narrative, invest heavily in the idea of media specificity. But what happens when we acknowledge that media itself is never a stable thing? This essay argues that as we continue our important inquiry into the phenomenon of transmedial storytelling we need open up both the category and the methods we use to study it, ultimately calling for a transdisciplinary laboratory approach…

  • Storylines

    Jared Gardner•ARTICLE•SubStance•2011•Cited by: 3

    Storylines Jared Gardner (bio) While many of the most influential models in narrative theory emerged out of the study of literary narrative, it has from the start been motivated by what James Phelan calls an "expansionist impulse" to direct its gaze to across media (Phelan 206). Such expansion is never without its tensions, of course. Given the profound differences between cinematic narrative and literary narrative, for example, one could have im…

  • Same Difference: Graphic Alterity in the Work of Gene Luen Yang, Adrian Tomine, and Derek Kirk Kim

    Jared Gardner•CHAPTER•Multicultural comics•2010

  • Autography's Biography, 1972-2007

    Jared Gardner•ARTICLE•Biography•2008•Cited by: 3

    This essay studies the development of the autobiographic comic, beginning in 1972 with the pioneering work of Justin Green, Aline Kominsky, Harvey Pekar, and Art Spiegelman, and culminating in the contemporary work of graphic autobiographers such as Alison Bechdel, Phoebe Gloeckner, and Lynda Barry

  • Master Plots: Race and the Founding of an American Literature, 1787-1845

    Susan V Donaldson, Jared Gardner et al.•ARTICLE•Journal of the Early Republic•2001

    Master Plots: Race and the Founding an American Literature, 1787-- 1845. By Jared Gardner. (Baltimore: Johns Hopkins University Press, 1998. Pp. xvii, 238. Illustrations. $45.00.) Nat Turner Before the Bar Judgment. Fictional Treatments the Southampton Slave Insurrection. By Mary Kemp Davis. (Baton Rouge: Louisiana State University Press, 1999. Pp. xiv, 298. $30.00.) Both Jared Gardner in Master Plots and Mary Kemp Davis in Nat Turner Before the …

  • On Racial Frontiers: The New Culture of Frederick Douglass, Ralph Ellison, and Bob Marley

    Jared Gardner, Gregory Stephens•ARTICLE•Journal of American History•2001

    Journal Article On Racial Frontiers: The New Culture of Frederick Douglass, Ralph Ellison, and Bob Marley. By Gregory Stephens. (New York: Cambridge University Press, 1999. xii, 329 pp. Cloth, $59.95, ISBN 0-521-64352-X. Paper, $19.95, ISBN 0-521-64393-7.) Get access Jared Gardner Jared Gardner Ohio State University, Columbus, Ohio Search for other works by this author on: Oxford Academic Google Scholar Journal of American History, Volume 87, Iss…

  • Patterns for America: Modernism and the Concept of Culture

    Jared Gardner•ARTICLE•American Literature•2001

    Book Review| June 01 2001 Patterns for America: Modernism and the Concept of Culture By Susan Hegeman. Princeton, N.J.: Princeton Univ. Press. 1999. x, 264 pp. Cloth, $55.00; paper, $17.95. Jared Gardner Jared Gardner Search for other works by this author on: This Site Google American Literature (2001) 73 (2): 423–424. https://doi.org/10.1215/00029831-73-2-423 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Sit…

  • Master Plots: Race and the Founding of American Literature

    Leonard Cassuto, Jared Gardner•ARTICLE•African American Review•2001

  • Master Plots: Race and the Founding of an American Literature, 1787-1845

    Dana D Nelson, Jared Gardner•ARTICLE•The William and Mary Quarterly•2001

    While it is well known that writers of the early national period were preoccupied with differentiating their work from European models, Jared Gardner argues that the national literature of the United States was equally motivated by the desire to differentiate white Americans from blacks and Indians. Early writers were drawn to fantasies of an American and an literature came to be defined not only by its desire for cultural uniqueness but also by …

  • Covered Wagons and Decalogues: Paramount's Myths of Origins

    Jared Gardner•ARTICLE•Yale journal of criticism/ The…•2000

  • Fathering the Nation: American Genealogies of Slavery and Freedom

    Jared Gardner, Russ Castronovo•ARTICLE•American Literature•1997

  • Alien Nation: Edgar Huntly's Savage Awakening

    Jared Gardner•ARTICLE•American Literature•1994•Cited by: 2

  • Our Native Clay: Racial and Sexual Identity and the Making of Americans in The Bridge

    Open Access•Jared Gardner•ARTICLE•American Quarterly•1992•Cited by: 1

    Hart Crane's THE BRIDGE

  • Hart Crane and the Homosexual Text: New Thresholds, New Anatomies

    Jared Gardner, Thomas E Yingling•ARTICLE•American Literature•1991

  • Storylines

    Jared Gardner•ARTICLE•SubStance•2011•Cited by: 3

    Storylines Jared Gardner (bio) While many of the most influential models in narrative theory emerged out of the study of literary narrative, it has from the start been motivated by what James Phelan calls an "expansionist impulse" to direct its gaze to across media (Phelan 206). Such expansion is never without its tensions, of course. Given the profound differences between cinematic narrative and literary narrative, for example, one could have im…

  • Autography's Biography, 1972-2007

    Jared Gardner•ARTICLE•Biography•2008•Cited by: 3

    This essay studies the development of the autobiographic comic, beginning in 1972 with the pioneering work of Justin Green, Aline Kominsky, Harvey Pekar, and Art Spiegelman, and culminating in the contemporary work of graphic autobiographers such as Alison Bechdel, Phoebe Gloeckner, and Lynda Barry

  • Alien Nation: Edgar Huntly's Savage Awakening

    Jared Gardner•ARTICLE•American Literature•1994•Cited by: 2

  • Our Native Clay: Racial and Sexual Identity and the Making of Americans in The Bridge

    Open Access•Jared Gardner•ARTICLE•American Quarterly•1992•Cited by: 1

    Hart Crane's THE BRIDGE

  • Hart Crane and the Homosexual Text: New Thresholds, New Anatomies

    Jared Gardner, Thomas E Yingling•ARTICLE•American Literature•1991

  • Our Native Clay: Racial and Sexual Identity and the Making of Americans in The Bridge

    Open Access•Jared Gardner•ARTICLE•American Quarterly•1992•Cited by: 1

    Hart Crane's THE BRIDGE

  • Alien Nation: Edgar Huntly's Savage Awakening

    Jared Gardner•ARTICLE•American Literature•1994•Cited by: 2

  • Fathering the Nation: American Genealogies of Slavery and Freedom

    Jared Gardner, Russ Castronovo•ARTICLE•American Literature•1997

  • Covered Wagons and Decalogues: Paramount's Myths of Origins

    Jared Gardner•ARTICLE•Yale journal of criticism/ The…•2000

  • Master Plots: Race and the Founding of an American Literature, 1787-1845

    Susan V Donaldson, Jared Gardner et al.•ARTICLE•Journal of the Early Republic•2001

    Master Plots: Race and the Founding an American Literature, 1787-- 1845. By Jared Gardner. (Baltimore: Johns Hopkins University Press, 1998. Pp. xvii, 238. Illustrations. $45.00.) Nat Turner Before the Bar Judgment. Fictional Treatments the Southampton Slave Insurrection. By Mary Kemp Davis. (Baton Rouge: Louisiana State University Press, 1999. Pp. xiv, 298. $30.00.) Both Jared Gardner in Master Plots and Mary Kemp Davis in Nat Turner Before the …

  • On Racial Frontiers: The New Culture of Frederick Douglass, Ralph Ellison, and Bob Marley

    Jared Gardner, Gregory Stephens•ARTICLE•Journal of American History•2001

    Journal Article On Racial Frontiers: The New Culture of Frederick Douglass, Ralph Ellison, and Bob Marley. By Gregory Stephens. (New York: Cambridge University Press, 1999. xii, 329 pp. Cloth, $59.95, ISBN 0-521-64352-X. Paper, $19.95, ISBN 0-521-64393-7.) Get access Jared Gardner Jared Gardner Ohio State University, Columbus, Ohio Search for other works by this author on: Oxford Academic Google Scholar Journal of American History, Volume 87, Iss…

  • Patterns for America: Modernism and the Concept of Culture

    Jared Gardner•ARTICLE•American Literature•2001

    Book Review| June 01 2001 Patterns for America: Modernism and the Concept of Culture By Susan Hegeman. Princeton, N.J.: Princeton Univ. Press. 1999. x, 264 pp. Cloth, $55.00; paper, $17.95. Jared Gardner Jared Gardner Search for other works by this author on: This Site Google American Literature (2001) 73 (2): 423–424. https://doi.org/10.1215/00029831-73-2-423 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Sit…

  • Master Plots: Race and the Founding of American Literature

    Leonard Cassuto, Jared Gardner•ARTICLE•African American Review•2001

  • Master Plots: Race and the Founding of an American Literature, 1787-1845

    Dana D Nelson, Jared Gardner•ARTICLE•The William and Mary Quarterly•2001

    While it is well known that writers of the early national period were preoccupied with differentiating their work from European models, Jared Gardner argues that the national literature of the United States was equally motivated by the desire to differentiate white Americans from blacks and Indians. Early writers were drawn to fantasies of an American and an literature came to be defined not only by its desire for cultural uniqueness but also by …

  • Autography's Biography, 1972-2007

    Jared Gardner•ARTICLE•Biography•2008•Cited by: 3

    This essay studies the development of the autobiographic comic, beginning in 1972 with the pioneering work of Justin Green, Aline Kominsky, Harvey Pekar, and Art Spiegelman, and culminating in the contemporary work of graphic autobiographers such as Alison Bechdel, Phoebe Gloeckner, and Lynda Barry

  • Same Difference: Graphic Alterity in the Work of Gene Luen Yang, Adrian Tomine, and Derek Kirk Kim

    Jared Gardner•CHAPTER•Multicultural comics•2010

  • Storylines

    Jared Gardner•ARTICLE•SubStance•2011•Cited by: 3

    Storylines Jared Gardner (bio) While many of the most influential models in narrative theory emerged out of the study of literary narrative, it has from the start been motivated by what James Phelan calls an "expansionist impulse" to direct its gaze to across media (Phelan 206). Such expansion is never without its tensions, of course. Given the profound differences between cinematic narrative and literary narrative, for example, one could have im…

  • Transmedial Narratives in the Age of Mixed Media

    Jared Gardner, Jared Gardner Jared Gardner•ARTICLE•Narrative Culture•2017

    Media scholars, and especially for those of us working on transmedial narrative, invest heavily in the idea of media specificity. But what happens when we acknowledge that media itself is never a stable thing? This essay argues that as we continue our important inquiry into the phenomenon of transmedial storytelling we need open up both the category and the methods we use to study it, ultimately calling for a transdisciplinary laboratory approach…

  • How Should a Stigmatized Diagnosis Be Conveyed? How What Went Wrong Is Represented in Swallow Me Whole

    Open Access•Jared Gardner•ARTICLE•The AMA Journal of Ethic•2018

    This essay considers the ethical problems raised by a scene of diagnosis presentation in Nate Powell's graphic novel Swallow Me Whole, in which the patient is not only not engaged by the physician, but also effectively marginalized from the moment that her condition is named and medicalized. Put in the context of the book as a whole and in relationship to the unique affordances of the comics form, however, we see that though the physician made a …

  • Out of Sync: Chronic Illness, Time, and Comics Memoir

    Jared Gardner•ARTICLE•Biography•2022

    Out of SyncChronic Illness, Time, and Comics Memoir Jared Gardner (bio) Time as we experience it does not hold up to close examination. Philosophers have known this for millennia—giving rise, for example, to the very different accounts of time offered by Parmenides and Heraclitus. For Parmenides, time is an illusion and only the now is real, while for Heraclitus, time is change and only change is real. However, both of these classical accounts we…

Art (9 works) · History (9 works) · Sociology (8 works) · Gender Studies (5 works) · American and British Literature Analysis (4 works) · Genealogy (4 works) · History (4 works) · Literature (4 works) · Psychology (4 works) · Art history (3 works)

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