Mae Henderson
Biographic Data
| ID | 3613399 |
|---|---|
| NAME | Mae Henderson |
| GIVEN NAMES | Mae |
| FAMILY NAME | Henderson |
| SIGNATURE | HENDERSON M |
| VERIFIED | No |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 3 |
| EDITOR COUNT | 1 |
| FIRST PUBLICATION YEAR | 1997 |
| LATEST PUBLICATION YEAR | 2013 |
| H-INDEX | 0 |
Borders, Boundaries, and Frames
The essays in this volume take up the challenge of working out -- or reworking -- the problematics of the borders, the boundaries and the frameworks that structure our various and multiple notions of identity -- textual, personal, collective, generic, and disciplinary. The contributors to this volume write about subjects (and are often themselves subjects) who "refuse to occupy a single territory" -- who cross geographical, cultural, national, li…
For Which It Stands
Callaloo - Volume 24, Number 1, Winter 2001
In Memory of Sherley Anne Williams: "Some One Sweet Angel Chile" 1944-1999
In Memory of Sherley Anne Williams: “Some One Sweet Angel Chile” 1944–1999 Mae Gwendolyn Henderson (bio) Click for larger view View full resolution Figure 1. Sherley Anne Williams August 26, 1999 This ain’t the beginnin; maybe it’s the end I’m not gon tell you my story; I know what you’ll say: sister, that’s where we all been. —Sherley Anne Williams No, I don’t know all the hearts I live in. But I do know the people who live in mine. And I want t…
Borders, Boundaries, and Frames: Cultural Studies and Cultural Criticism
No prominent works on this page.
Borders, Boundaries, and Frames: Cultural Studies and Cultural Criticism
In Memory of Sherley Anne Williams: "Some One Sweet Angel Chile" 1944-1999
In Memory of Sherley Anne Williams: “Some One Sweet Angel Chile” 1944–1999 Mae Gwendolyn Henderson (bio) Click for larger view View full resolution Figure 1. Sherley Anne Williams August 26, 1999 This ain’t the beginnin; maybe it’s the end I’m not gon tell you my story; I know what you’ll say: sister, that’s where we all been. —Sherley Anne Williams No, I don’t know all the hearts I live in. But I do know the people who live in mine. And I want t…
For Which It Stands
Callaloo - Volume 24, Number 1, Winter 2001
Borders, Boundaries, and Frames
The essays in this volume take up the challenge of working out -- or reworking -- the problematics of the borders, the boundaries and the frameworks that structure our various and multiple notions of identity -- textual, personal, collective, generic, and disciplinary. The contributors to this volume write about subjects (and are often themselves subjects) who "refuse to occupy a single territory" -- who cross geographical, cultural, national, li…
Latin American and Latino Studies (3 works) · Art (2 works) · Geography (2 works) · Literature (2 works) · Psychology (2 works) · Sociology (2 works) · Aesthetics (1 works) · American Constitutional Law and Politics (1 works) · Anthropology (1 works) · Art history (1 works)