Kimberly Banks
Biographic Data
| ID | 3613411 |
|---|---|
| NAME | Kimberly Banks |
| GIVEN NAMES | Kimberly |
| FAMILY NAME | Banks |
| SIGNATURE | BANKS K |
| VERIFIED | No |
| TOTAL WORKS | 1 |
| TOTAL CITATIONS | 1 |
| WORKS AS AUTHOR | 1 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2004 |
| LATEST PUBLICATION YEAR | 2004 |
| H-INDEX | 1 |
Like a Violin for the Wind to Play
Langston Hughes, W. E. B. Du Bois, and Jean Toomer experiment stylistically in their representations of lynching. event of lynching can be understood both an act existing within a symbolic system created by white people and a moment within a trajectory of advancement pursued by black people. Within a system where black people attempt to make sense of meaning of lynching, their symbolic understanding of event is very different from that of its whi…
Like a Violin for the Wind to Play
Langston Hughes, W. E. B. Du Bois, and Jean Toomer experiment stylistically in their representations of lynching. event of lynching can be understood both an act existing within a symbolic system created by white people and a moment within a trajectory of advancement pursued by black people. Within a system where black people attempt to make sense of meaning of lynching, their symbolic understanding of event is very different from that of its whi…
Like a Violin for the Wind to Play
Langston Hughes, W. E. B. Du Bois, and Jean Toomer experiment stylistically in their representations of lynching. event of lynching can be understood both an act existing within a symbolic system created by white people and a moment within a trajectory of advancement pursued by black people. Within a system where black people attempt to make sense of meaning of lynching, their symbolic understanding of event is very different from that of its whi…
American Political and Social Dynamics (1 work) · Art (1 work) · Art history (1 work) · Literature (1 work) · Race, History, and American Society (1 work)