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Sherley Anne Williams

Biographic Data

ID3613433
NAMESherley Anne Williams
GIVEN NAMESSherley Anne
FAMILY NAMEWilliams
SIGNATUREWILLIAMS S A
VERIFIEDNo
TOTAL WORKS15
TOTAL CITATIONS2
WORKS AS AUTHOR15
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1977
LATEST PUBLICATION YEAR2017
H-INDEX1
  • Remembering Prof. Sterling A. Brown, 1901–1989

    Sherley Anne Williams•ARTICLE•African American Review•2017

    747 African American Review 50.4 (Winter 2017): 747-749© 2018 Johns Hopkins University Press and Saint Louis University WilliamsSA_Williams 2/14/2018 5:21 PM Page 747 748 AFRICAN AMERICAN REVIEW WilliamsSA_Williams 2/14/2018 5:21 PM Page 748 SHERLEY ANNE WILLIAMS 749 WilliamsSA_Williams 2/14/2018 5:21 PM Page 749

  • From Meditations on History (1980)

    Sherley Anne Williams•ARTICLE•Callaloo•1999

    from Meditations On History (1980) Sherley Anne Williams* I think that what started me on the road to being a writer was searching for books about black people in the library of Edison Jr./Sr. High School in Fresno, California, in the ‘50’s and being too embarrassed, too shamed to ask for help from the librarian. I don’t remember precisely how old I was—I entered Edison as a twelve-year-old seventh-grader and graduated five years later in 1962 an…

  • Some Implications of Womanist Theory (1990)

    Sherley Anne Williams•CHAPTER•Within the Circle•1994

  • Returning to the Blues

    Sherley Anne Williams•ARTICLE•Callaloo•1991

  • Preface to a Poem

    Sherley Anne Williams•ARTICLE•Callaloo•1989

    I started this poem before the current campaign to make African-American the correct designation for people of African descent in the United States. I considered changing the title but upon reflection decided to stay with the more accurate designation. Africa, the continent, and America, the nation, no longer have equal weight in the cultural heritage of the people who were slaves. I know that nineteenth-century Christian missions to the continen…

  • An Afro-American Returns

    Sherley Anne Williams•ARTICLE•Callaloo•1989

  • And The Children May Know Their Names

    Elizabeth Schultz, Elizabeth M Schultz et al.•ARTICLE•Callaloo•1988

  • Some Implications of Womanist Theory

    Sherley Anne Williams•ARTICLE•Callaloo•1986•Cited by: 2

  • Oral History Project

    Sherley Anne Williams•ARTICLE•Callaloo•1986

  • D. C. Visions

    Sherley Anne Williams•ARTICLE•Callaloo•1982

  • "From "Chronicles of a Last Ice Age

    Sherley Anne Williams•ARTICLE•Callaloo•1982

  • Letters From a New England Negro

    Sherley Anne Williams•ARTICLE•Callaloo•1979

    Time: An early morning in ?ate summer

  • The Line Converges Here

    Frances Smith Foster, Sherley Anne Williams et al.•ARTICLE•Callaloo•1979

  • Anonymous in America

    Sherley Anne Williams•ARTICLE•boundary 2•1978

    This special Supplement welcomes Amiri Baraka, aka LeRoi Jones, back into the Euro-American avant-garde fold. Fifty years from now when negroes and others take English, that's what they'll read: LeRoi Jones (aka Amiri Baraka) was at the cutting edge of mid-twentieth century American literature. Black Arts and Black Consciousness and Black Liberation will be explained away in a footnote like Harlem (a Negro area in New York) in the Norton Antholog…

  • Poetry

    Sherley Anne Williams•ARTICLE•The Black Scholar•1977

  • Some Implications of Womanist Theory

    Sherley Anne Williams•ARTICLE•Callaloo•1986•Cited by: 2

  • Poetry

    Sherley Anne Williams•ARTICLE•The Black Scholar•1977

  • Anonymous in America

    Sherley Anne Williams•ARTICLE•boundary 2•1978

    This special Supplement welcomes Amiri Baraka, aka LeRoi Jones, back into the Euro-American avant-garde fold. Fifty years from now when negroes and others take English, that's what they'll read: LeRoi Jones (aka Amiri Baraka) was at the cutting edge of mid-twentieth century American literature. Black Arts and Black Consciousness and Black Liberation will be explained away in a footnote like Harlem (a Negro area in New York) in the Norton Antholog…

  • Letters From a New England Negro

    Sherley Anne Williams•ARTICLE•Callaloo•1979

    Time: An early morning in ?ate summer

  • The Line Converges Here

    Frances Smith Foster, Sherley Anne Williams et al.•ARTICLE•Callaloo•1979

  • D. C. Visions

    Sherley Anne Williams•ARTICLE•Callaloo•1982

  • "From "Chronicles of a Last Ice Age

    Sherley Anne Williams•ARTICLE•Callaloo•1982

  • Some Implications of Womanist Theory

    Sherley Anne Williams•ARTICLE•Callaloo•1986•Cited by: 2

  • Oral History Project

    Sherley Anne Williams•ARTICLE•Callaloo•1986

  • And The Children May Know Their Names

    Elizabeth Schultz, Elizabeth M Schultz et al.•ARTICLE•Callaloo•1988

  • Preface to a Poem

    Sherley Anne Williams•ARTICLE•Callaloo•1989

    I started this poem before the current campaign to make African-American the correct designation for people of African descent in the United States. I considered changing the title but upon reflection decided to stay with the more accurate designation. Africa, the continent, and America, the nation, no longer have equal weight in the cultural heritage of the people who were slaves. I know that nineteenth-century Christian missions to the continen…

  • An Afro-American Returns

    Sherley Anne Williams•ARTICLE•Callaloo•1989

  • Returning to the Blues

    Sherley Anne Williams•ARTICLE•Callaloo•1991

  • Some Implications of Womanist Theory (1990)

    Sherley Anne Williams•CHAPTER•Within the Circle•1994

  • From Meditations on History (1980)

    Sherley Anne Williams•ARTICLE•Callaloo•1999

    from Meditations On History (1980) Sherley Anne Williams* I think that what started me on the road to being a writer was searching for books about black people in the library of Edison Jr./Sr. High School in Fresno, California, in the ‘50’s and being too embarrassed, too shamed to ask for help from the librarian. I don’t remember precisely how old I was—I entered Edison as a twelve-year-old seventh-grader and graduated five years later in 1962 an…

  • Remembering Prof. Sterling A. Brown, 1901–1989

    Sherley Anne Williams•ARTICLE•African American Review•2017

    747 African American Review 50.4 (Winter 2017): 747-749© 2018 Johns Hopkins University Press and Saint Louis University WilliamsSA_Williams 2/14/2018 5:21 PM Page 747 748 AFRICAN AMERICAN REVIEW WilliamsSA_Williams 2/14/2018 5:21 PM Page 748 SHERLEY ANNE WILLIAMS 749 WilliamsSA_Williams 2/14/2018 5:21 PM Page 749

History (9 works) · Art (5 works) · History (5 works) · Race, History, and American Society (5 works) · Art history (3 works) · Political science (3 works) · Archaeology (2 works) · Gender Politics and Representation (2 works) · Historical Gender and Feminism Studies (2 works) · Law (2 works)

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