Douglas Fraser
Biographic Data
| ID | 3614219 |
|---|---|
| NAME | Douglas Fraser |
| GIVEN NAMES | Douglas |
| FAMILY NAME | Fraser |
| SIGNATURE | FRASER D |
| ORCID | 0000-0001-5313-1483 |
| VERIFIED | Yes |
| TOTAL WORKS | 24 |
| TOTAL CITATIONS | 32 |
| AUTHOR COUNT | 24 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1955 |
| LATEST PUBLICATION YEAR | 2002 |
| H-INDEX | 3 |
Well Suited: A History of the Leeds Clothing Industry, 1850-1990
Journal Article Well Suited: A History of the Leeds Clothing Industry, 1850–1990 Get access Derek Fraser Derek Fraser Search for other works by this author on: Oxford Academic Google Scholar The English Historical Review, Volume 117, Issue 470, February 2002, Page 217, https://doi.org/10.1093/ehr/117.470.217 Published: 01 February 2002
Rejoinder to Irwin Tunis
Treasures of Ancient Nigeria
African Traditional Architecture: An Historical and Geographical Perspective
Nigeria: Art and Everyday Life
Asiatic Influences in Pre-Columbian America
On Ladislas Segy
Islamic Studies
Journal Article ISLAMIC STUDIES Get access Islam and Tribal Art in West Africa (African Studies Series, no. 11). By RENÉ A. BRAVMANN. New York. Cambridge University Press, 1974. xiii+190 pages, 83 illustrations, 4 maps. $13.95. L.C No. 73-77262 DOUGLAS FRASER DOUGLAS FRASER Department of Art History, Columbia University Search for other works by this author on: Oxford Academic Google Scholar Journal of the American Academy of Religion, Volume XLI…
The Tsoede Bronzes and Owo Yoruba Art
Icon and Image: A Study of Sacred and Secular Forms of African Classical Art
The Traditional Artist in African Societies
seems to have been a different age. The problems, resources, funding and even the personnel have to a considerable extent changed since this volume was conceived in 1963. Its theme, now rather out of vogue, reflects the interest (illustrated in Marian Smith's work, The Artist in Tribal Societies, 1961) in raising the status of the non-Western artist by scrutinizing his every activity. With one or two exceptions, however, none of the participants …
African Art as Philosophy
African Art as Philosophy
African Art and Leadership
African Art and Leadership
Other: Architecture in Northern Ghana: A Study of Forms and Functions. Labelle PRUS-SIN
Art of Oceania, Africa, and the Americas from the Museum of Primitive Art: An Exhibition at the Metropolitan Museum of Art, May 10-August 17, 1969
General and Ethnology: The Decorative Arts of the New Zealand Maori. T. B arrow
The Many Faces of Primitive Art: A Critical Anthology
Tribes and Forms in African Art
General and Ethnology: Negerkunst und Negerkünstler. Hans Himmelheber
African Architecture
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
African Masks from an Unrecorded Style Province
Mundugamor Sculpture: Comments on the Art of a New Guinea Tribe
Mundugamor Sculpture: Comments on the Art of a New Guinea Tribe
African Masks from an Unrecorded Style Province
General and Ethnology: Negerkunst und Negerkünstler. Hans Himmelheber
African Architecture
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
Tribes and Forms in African Art
General and Ethnology: The Decorative Arts of the New Zealand Maori. T. B arrow
The Many Faces of Primitive Art: A Critical Anthology
Art of Oceania, Africa, and the Americas from the Museum of Primitive Art: An Exhibition at the Metropolitan Museum of Art, May 10-August 17, 1969
African Art and Leadership
Other: Architecture in Northern Ghana: A Study of Forms and Functions. Labelle PRUS-SIN
African Art and Leadership
The Tsoede Bronzes and Owo Yoruba Art
Icon and Image: A Study of Sacred and Secular Forms of African Classical Art
The Traditional Artist in African Societies
seems to have been a different age. The problems, resources, funding and even the personnel have to a considerable extent changed since this volume was conceived in 1963. Its theme, now rather out of vogue, reflects the interest (illustrated in Marian Smith's work, The Artist in Tribal Societies, 1961) in raising the status of the non-Western artist by scrutinizing his every activity. With one or two exceptions, however, none of the participants …
African Art as Philosophy
African Art as Philosophy
Islamic Studies
Journal Article ISLAMIC STUDIES Get access Islam and Tribal Art in West Africa (African Studies Series, no. 11). By RENÉ A. BRAVMANN. New York. Cambridge University Press, 1974. xiii+190 pages, 83 illustrations, 4 maps. $13.95. L.C No. 73-77262 DOUGLAS FRASER DOUGLAS FRASER Department of Art History, Columbia University Search for other works by this author on: Oxford Academic Google Scholar Journal of the American Academy of Religion, Volume XLI…
Asiatic Influences in Pre-Columbian America
On Ladislas Segy
African Traditional Architecture: An Historical and Geographical Perspective
Nigeria: Art and Everyday Life
Treasures of Ancient Nigeria
Rejoinder to Irwin Tunis
Well Suited: A History of the Leeds Clothing Industry, 1850-1990
Journal Article Well Suited: A History of the Leeds Clothing Industry, 1850–1990 Get access Derek Fraser Derek Fraser Search for other works by this author on: Oxford Academic Google Scholar The English Historical Review, Volume 117, Issue 470, February 2002, Page 217, https://doi.org/10.1093/ehr/117.470.217 Published: 01 February 2002
Art (16 works) · History (13 works) · Visual arts (11 works) · Geography (9 works) · Archaeology (8 works) · Computer Science (8 works) · History (8 works) · Sociology (7 works) · African history and culture studies (6 works) · Art history (5 works)