Tyson Stewart
Biographic Data
| ID | 3615196 |
|---|---|
| NAME | Tyson Stewart |
| GIVEN NAMES | Tyson |
| FAMILY NAME | Stewart |
| SIGNATURE | STEWART T |
| AFFILIATIONS | Laurentian University |
| ORCID | 0000-0003-1544-8134 |
| VERIFIED | Yes |
| TOTAL WORKS | 6 |
| TOTAL CITATIONS | 1 |
| WORKS AS AUTHOR | 6 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2013 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 1 |
Deconstructing land acknowledgements
What kinds of stories are we telling about ourselves in relation to the land? Indigenous cinema often challenges the habit of locating treaty agreements in utterly past contexts as the act of acknowledging the land where the film is set is front and centre
The Silent Enemy (1930) and n’Daki Menan
Paramount Pictures’ The Silent Enemy, released in 1930, is a fascinating cultural artifact made and released during the transition from silent to sound film. One of the last silent feature films made by the studio, this critically acclaimed film took three years to make and was shot in large part on location on n’Daki Menan, the traditional territory of the Teme Augama Anishnabai in northern Ontario. Like other silent films made in Indigenous com…
Reconciliation TV
Truth and reconciliation cinema
This article explores an important facet of the New Wave of Indigenous filmmaking in Canada: residential school system history and imagery, its place in the historical archive, and the way it is being retold and reclaimed in films like Rhymes for Young Ghouls (2013), Savage (2009), Sisters & Brothers (2015), Indian Horse (2017), and The Grizzlies (2018). While researching this topic, one unanswered question has left me feeling sometimes frustrate…
Black Television Travels
Those Girls
Those Girls
Black Television Travels
Reconciliation TV
Truth and reconciliation cinema
This article explores an important facet of the New Wave of Indigenous filmmaking in Canada: residential school system history and imagery, its place in the historical archive, and the way it is being retold and reclaimed in films like Rhymes for Young Ghouls (2013), Savage (2009), Sisters & Brothers (2015), Indian Horse (2017), and The Grizzlies (2018). While researching this topic, one unanswered question has left me feeling sometimes frustrate…
The Silent Enemy (1930) and n’Daki Menan
Paramount Pictures’ The Silent Enemy, released in 1930, is a fascinating cultural artifact made and released during the transition from silent to sound film. One of the last silent feature films made by the studio, this critically acclaimed film took three years to make and was shot in large part on location on n’Daki Menan, the traditional territory of the Teme Augama Anishnabai in northern Ontario. Like other silent films made in Indigenous com…
Deconstructing land acknowledgements
What kinds of stories are we telling about ourselves in relation to the land? Indigenous cinema often challenges the habit of locating treaty agreements in utterly past contexts as the act of acknowledging the land where the film is set is front and centre
Media studies (4 works) · Sociology (4 works) · Art (3 works) · History (3 works) · Psychology (3 works) · Canadian Identity and History (2 works) · Indigenous (2 works) · Indigenous Health, Education, and Rights (2 works) · Psychoanalysis (2 works) · Visual arts (2 works)