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Esther Jacobson

Biographic Data

ID3616173
NAMEEsther Jacobson
GIVEN NAMESEsther
FAMILY NAMEJacobson
SIGNATUREJACOBSON E
AFFILIATIONSUniversity of Oregon
VERIFIEDNo
TOTAL WORKS8
TOTAL CITATIONS11
AUTHOR COUNT8
EDITOR COUNT0
FIRST PUBLICATION YEAR1984
LATEST PUBLICATION YEAR2003
H-INDEX2
  • Ordos

    Esther Jacobson•CHAPTER•2003

  • The "bird-woman", the "birthing woman" and the "woman of the animals

    Esther Jacobson•ARTICLE•Arts asiatiques•1997•Cited by: 2

    Within the artistic traditions of South Siberia and northern Central Asia, significant representations of female figures did not disappear with the Paleolithic period. Rather, images of females who appear to have a "more-than-human" signification can be traced down through the Bronze Age and perhaps even into the period of the Early Nomads (first millennium B.C.E.). Using petroglyphs from Kalbak-Tash in the Altay Republic and from two major new s…

  • The Deer Goddess of Ancient Siberia

    Fujikawa Shigehiko, Esther Jacobson•ARTICLE•Asian Folklore Studies•1996•Cited by: 1

  • The Art of the Scythians

    Esther Jacobson•BOOK•The Art of the Scythians•1995•Cited by: 8

    This volume considers the art of the Scythians of the northern littoral of the Black Sea, as that art was expressed in gold, silver, bronze, and bone. Appearing by the seventh century B.C. at the edge of an expanding Hellenic world, the history and art of the Scythians must be considered within a context that recognizes the sources of Scythian culture in the Eurasian Steppe as well as the historical contingency of West Asia and the Greek colonies…

  • The Deer Goddess of Ancient Siberia. A Study in the Ecology of Belief

    Äke Hultkrantz, Esther Jacobson et al.•ARTICLE•Numen•1994

  • Beyond the Frontier

    Open Access•Esther Jacobson•ARTICLE•Early China•1988

    Archaeological finds of the last several decades in China, Mongolia, and South Siberia encourage a reconsideration of the nature and extent of cultural exchange between Zhou China and the early nomads. This paper considers a number of object types, artistic techniques, motifs, and stylistic characteristics that are frequently associated with a nomadic origin but that have not previously been carefully discussed. These include the use of inlay; th…

  • Archeology

    Open Access•Esther Jacobson•ARTICLE•American Anthropologist•1985

  • The Structure of Narrative in Early Chinese Pictorial Vessels

    Esther Jacobson•ARTICLE•Representations•1984

    I N M A N Y developed pictorial traditions, narrative art is bound to the existence of a prior text and necessitates consideration in terms of that originating source. To generalize, however, and to insist that a prior text is a condition for visual narration is mistaken. Indeed, it can be argued that the existence of a prior text should be of secondary significance in the viewing of narrative representation through pictorial forms. The assumptio…

  • The Art of the Scythians

    Esther Jacobson•BOOK•The Art of the Scythians•1995•Cited by: 8

    This volume considers the art of the Scythians of the northern littoral of the Black Sea, as that art was expressed in gold, silver, bronze, and bone. Appearing by the seventh century B.C. at the edge of an expanding Hellenic world, the history and art of the Scythians must be considered within a context that recognizes the sources of Scythian culture in the Eurasian Steppe as well as the historical contingency of West Asia and the Greek colonies…

  • The "bird-woman", the "birthing woman" and the "woman of the animals

    Esther Jacobson•ARTICLE•Arts asiatiques•1997•Cited by: 2

    Within the artistic traditions of South Siberia and northern Central Asia, significant representations of female figures did not disappear with the Paleolithic period. Rather, images of females who appear to have a "more-than-human" signification can be traced down through the Bronze Age and perhaps even into the period of the Early Nomads (first millennium B.C.E.). Using petroglyphs from Kalbak-Tash in the Altay Republic and from two major new s…

  • The Deer Goddess of Ancient Siberia

    Fujikawa Shigehiko, Esther Jacobson•ARTICLE•Asian Folklore Studies•1996•Cited by: 1

  • The Structure of Narrative in Early Chinese Pictorial Vessels

    Esther Jacobson•ARTICLE•Representations•1984

    I N M A N Y developed pictorial traditions, narrative art is bound to the existence of a prior text and necessitates consideration in terms of that originating source. To generalize, however, and to insist that a prior text is a condition for visual narration is mistaken. Indeed, it can be argued that the existence of a prior text should be of secondary significance in the viewing of narrative representation through pictorial forms. The assumptio…

  • Archeology

    Open Access•Esther Jacobson•ARTICLE•American Anthropologist•1985

  • Beyond the Frontier

    Open Access•Esther Jacobson•ARTICLE•Early China•1988

    Archaeological finds of the last several decades in China, Mongolia, and South Siberia encourage a reconsideration of the nature and extent of cultural exchange between Zhou China and the early nomads. This paper considers a number of object types, artistic techniques, motifs, and stylistic characteristics that are frequently associated with a nomadic origin but that have not previously been carefully discussed. These include the use of inlay; th…

  • The Deer Goddess of Ancient Siberia. A Study in the Ecology of Belief

    Äke Hultkrantz, Esther Jacobson et al.•ARTICLE•Numen•1994

  • The Art of the Scythians

    Esther Jacobson•BOOK•The Art of the Scythians•1995•Cited by: 8

    This volume considers the art of the Scythians of the northern littoral of the Black Sea, as that art was expressed in gold, silver, bronze, and bone. Appearing by the seventh century B.C. at the edge of an expanding Hellenic world, the history and art of the Scythians must be considered within a context that recognizes the sources of Scythian culture in the Eurasian Steppe as well as the historical contingency of West Asia and the Greek colonies…

  • The Deer Goddess of Ancient Siberia

    Fujikawa Shigehiko, Esther Jacobson•ARTICLE•Asian Folklore Studies•1996•Cited by: 1

  • The "bird-woman", the "birthing woman" and the "woman of the animals

    Esther Jacobson•ARTICLE•Arts asiatiques•1997•Cited by: 2

    Within the artistic traditions of South Siberia and northern Central Asia, significant representations of female figures did not disappear with the Paleolithic period. Rather, images of females who appear to have a "more-than-human" signification can be traced down through the Bronze Age and perhaps even into the period of the Early Nomads (first millennium B.C.E.). Using petroglyphs from Kalbak-Tash in the Altay Republic and from two major new s…

  • Ordos

    Esther Jacobson•CHAPTER•2003

Archaeology (6 works) · History (6 works) · Art (5 works) · Literature (4 works) · Ancient history (3 works) · China (3 works) · Chinese history and philosophy (3 works) · Geography (3 works) · History (3 works) · Biology (2 works)

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