Esther Jacobson
Biographic Data
| ID | 3616173 |
|---|---|
| NAME | Esther Jacobson |
| GIVEN NAMES | Esther |
| FAMILY NAME | Jacobson |
| SIGNATURE | JACOBSON E |
| AFFILIATIONS | University of Oregon |
| VERIFIED | No |
| TOTAL WORKS | 8 |
| TOTAL CITATIONS | 11 |
| AUTHOR COUNT | 8 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1984 |
| LATEST PUBLICATION YEAR | 2003 |
| H-INDEX | 2 |
Ordos
The "bird-woman", the "birthing woman" and the "woman of the animals
Within the artistic traditions of South Siberia and northern Central Asia, significant representations of female figures did not disappear with the Paleolithic period. Rather, images of females who appear to have a "more-than-human" signification can be traced down through the Bronze Age and perhaps even into the period of the Early Nomads (first millennium B.C.E.). Using petroglyphs from Kalbak-Tash in the Altay Republic and from two major new s…
The Deer Goddess of Ancient Siberia
The Art of the Scythians
This volume considers the art of the Scythians of the northern littoral of the Black Sea, as that art was expressed in gold, silver, bronze, and bone. Appearing by the seventh century B.C. at the edge of an expanding Hellenic world, the history and art of the Scythians must be considered within a context that recognizes the sources of Scythian culture in the Eurasian Steppe as well as the historical contingency of West Asia and the Greek colonies…
The Deer Goddess of Ancient Siberia. A Study in the Ecology of Belief
Beyond the Frontier
Archaeological finds of the last several decades in China, Mongolia, and South Siberia encourage a reconsideration of the nature and extent of cultural exchange between Zhou China and the early nomads. This paper considers a number of object types, artistic techniques, motifs, and stylistic characteristics that are frequently associated with a nomadic origin but that have not previously been carefully discussed. These include the use of inlay; th…
Archeology
The Structure of Narrative in Early Chinese Pictorial Vessels
I N M A N Y developed pictorial traditions, narrative art is bound to the existence of a prior text and necessitates consideration in terms of that originating source. To generalize, however, and to insist that a prior text is a condition for visual narration is mistaken. Indeed, it can be argued that the existence of a prior text should be of secondary significance in the viewing of narrative representation through pictorial forms. The assumptio…
The Art of the Scythians
This volume considers the art of the Scythians of the northern littoral of the Black Sea, as that art was expressed in gold, silver, bronze, and bone. Appearing by the seventh century B.C. at the edge of an expanding Hellenic world, the history and art of the Scythians must be considered within a context that recognizes the sources of Scythian culture in the Eurasian Steppe as well as the historical contingency of West Asia and the Greek colonies…
The "bird-woman", the "birthing woman" and the "woman of the animals
Within the artistic traditions of South Siberia and northern Central Asia, significant representations of female figures did not disappear with the Paleolithic period. Rather, images of females who appear to have a "more-than-human" signification can be traced down through the Bronze Age and perhaps even into the period of the Early Nomads (first millennium B.C.E.). Using petroglyphs from Kalbak-Tash in the Altay Republic and from two major new s…
The Deer Goddess of Ancient Siberia
The Structure of Narrative in Early Chinese Pictorial Vessels
I N M A N Y developed pictorial traditions, narrative art is bound to the existence of a prior text and necessitates consideration in terms of that originating source. To generalize, however, and to insist that a prior text is a condition for visual narration is mistaken. Indeed, it can be argued that the existence of a prior text should be of secondary significance in the viewing of narrative representation through pictorial forms. The assumptio…
Archeology
Beyond the Frontier
Archaeological finds of the last several decades in China, Mongolia, and South Siberia encourage a reconsideration of the nature and extent of cultural exchange between Zhou China and the early nomads. This paper considers a number of object types, artistic techniques, motifs, and stylistic characteristics that are frequently associated with a nomadic origin but that have not previously been carefully discussed. These include the use of inlay; th…
The Deer Goddess of Ancient Siberia. A Study in the Ecology of Belief
The Art of the Scythians
This volume considers the art of the Scythians of the northern littoral of the Black Sea, as that art was expressed in gold, silver, bronze, and bone. Appearing by the seventh century B.C. at the edge of an expanding Hellenic world, the history and art of the Scythians must be considered within a context that recognizes the sources of Scythian culture in the Eurasian Steppe as well as the historical contingency of West Asia and the Greek colonies…
The Deer Goddess of Ancient Siberia
The "bird-woman", the "birthing woman" and the "woman of the animals
Within the artistic traditions of South Siberia and northern Central Asia, significant representations of female figures did not disappear with the Paleolithic period. Rather, images of females who appear to have a "more-than-human" signification can be traced down through the Bronze Age and perhaps even into the period of the Early Nomads (first millennium B.C.E.). Using petroglyphs from Kalbak-Tash in the Altay Republic and from two major new s…
Ordos
Archaeology (6 works) · History (6 works) · Art (5 works) · Literature (4 works) · Ancient history (3 works) · China (3 works) · Chinese history and philosophy (3 works) · Geography (3 works) · History (3 works) · Biology (2 works)