Susan Mccabe
Biographic Data
| ID | 3617207 |
|---|---|
| NAME | Susan Mccabe |
| GIVEN NAMES | Susan |
| FAMILY NAME | Mccabe |
| SIGNATURE | MCCABE S |
| AFFILIATIONS | The Ohio State University |
| VERIFIED | No |
| TOTAL WORKS | 9 |
| TOTAL CITATIONS | 12 |
| WORKS AS AUTHOR | 9 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1983 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 2 |
Losing the Plot
Pardis Dabashi's Losing the Plot revises the way modernist plot can be conceived in conversation with narrative film, though the two are rarely linked. At first, the book's aim is to show the breakdown of plot in nineteenth-century “realism.” After locating itself through various theoretical underpinnings, the book reaches toward “Hollywood mainstream cinema” as necessarily “palliative” for the three writers discussed: Nella Larsen, Djuna Barnes,…
To Be and to Have, the Rise of Queer Historicism
Book Review| January 01 2005 TO BE AND TO HAVE, The Rise of Queer Historicism Deep Gossip Henry Abelove Minneapolis: University of Minnesota Press, 2003. xviii + 104 pp. Making Girls into Women: American Women's Writing and the Rise of Lesbian Identity Kathryn R. Kent Durham: Duke University Press, 2003. xi + 355 pp. Strangers: Homosexual Love in the Nineteenth Century Graham Robb London: Picador, 2003. viii + 341 pp. Susan McCabe Susan McCabe Se…
Basic concepts of psychiatric--mental health nursing
The Human Cost of Food
Borderline Modernism
The silent 1930 film Borderline has long attracted the archival interest of modernist scholars because it features Paul and Eslanda Robeson as well as the American expatriate poet Hilda Doolittle (or H.D. as she became known). However, the film has been largely sequestered in the vaults of the Museum of Modern Art, not available commercially and rarely screened. G.W. Pabst (the director H.D. most admired) called Borderline "the only real avant-ga…
The Body and the Song
Elizabeth Bishop
Elizabeth Bishop
Women, Possession Trance Cults, and the Extended Nutrient-Deficiency Hypothesis
To Be and to Have, the Rise of Queer Historicism
Book Review| January 01 2005 TO BE AND TO HAVE, The Rise of Queer Historicism Deep Gossip Henry Abelove Minneapolis: University of Minnesota Press, 2003. xviii + 104 pp. Making Girls into Women: American Women's Writing and the Rise of Lesbian Identity Kathryn R. Kent Durham: Duke University Press, 2003. xi + 355 pp. Strangers: Homosexual Love in the Nineteenth Century Graham Robb London: Picador, 2003. viii + 341 pp. Susan McCabe Susan McCabe Se…
Women, Possession Trance Cults, and the Extended Nutrient-Deficiency Hypothesis
Women, Possession Trance Cults, and the Extended Nutrient-Deficiency Hypothesis
Elizabeth Bishop
Elizabeth Bishop
The Body and the Song
Borderline Modernism
The silent 1930 film Borderline has long attracted the archival interest of modernist scholars because it features Paul and Eslanda Robeson as well as the American expatriate poet Hilda Doolittle (or H.D. as she became known). However, the film has been largely sequestered in the vaults of the Museum of Modern Art, not available commercially and rarely screened. G.W. Pabst (the director H.D. most admired) called Borderline "the only real avant-ga…
The Human Cost of Food
To Be and to Have, the Rise of Queer Historicism
Book Review| January 01 2005 TO BE AND TO HAVE, The Rise of Queer Historicism Deep Gossip Henry Abelove Minneapolis: University of Minnesota Press, 2003. xviii + 104 pp. Making Girls into Women: American Women's Writing and the Rise of Lesbian Identity Kathryn R. Kent Durham: Duke University Press, 2003. xi + 355 pp. Strangers: Homosexual Love in the Nineteenth Century Graham Robb London: Picador, 2003. viii + 341 pp. Susan McCabe Susan McCabe Se…
Basic concepts of psychiatric--mental health nursing
Losing the Plot
Pardis Dabashi's Losing the Plot revises the way modernist plot can be conceived in conversation with narrative film, though the two are rarely linked. At first, the book's aim is to show the breakdown of plot in nineteenth-century “realism.” After locating itself through various theoretical underpinnings, the book reaches toward “Hollywood mainstream cinema” as necessarily “palliative” for the three writers discussed: Nella Larsen, Djuna Barnes,…
Art (7 works) · History (5 works) · Literature (5 works) · French Literature and Poetry (3 works) · History (3 works) · Poetics (3 works) · Poetry (3 works) · Poetry Analysis and Criticism (3 works) · Art history (2 works) · Cinema and Media Studies (2 works)