Timothy Murray
Biographic Data
| ID | 3617706 |
|---|---|
| NAME | Timothy Murray |
| GIVEN NAMES | Timothy |
| FAMILY NAME | Murray |
| SIGNATURE | MURRAY T |
| ORCID | 0000-0002-3177-8646 |
| VERIFIED | Yes |
| TOTAL WORKS | 23 |
| TOTAL CITATIONS | 1 |
| WORKS AS AUTHOR | 23 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1981 |
| LATEST PUBLICATION YEAR | 2007 |
| H-INDEX | 1 |
Artistic Simulacra in the Age of Recombinant Bodies
Enveloped in the rhetoric of a brave new world of genomic application, surrounded by a culture enlivened by hopeful medical breakthroughs, and awash in media rumors of secret stock trades and biotech deals, a groundswell of artistic activity has been inhabiting the interface of technology and culture, biology and body, algorithmic computing and artistic creation for almost two decades. Of particular cultural and artistic importance is the combina…
Curatorial in-securities
Global developments enhanced by digital technology and the accompanying transfer from analogue to digital media and communication systems have enhanced the dialogue between activists for world peace and new media artists. At stake is an extensive transfer of media information from playful self-representations on the home video camera to widely circulating communications data stores being matched against both realistic and imagined terror database…
Digital Baroque
SubStance - Issue 98/99 (Volume 31, Number 2&3), 2002
Wounds of Repetition in the Age of the Digital
The disturbed relation with the dead-forgotten and embalmed-is one of the symptoms of the sickness of experience today.... History is eliminated in oneself and others out of a fear that it may remind the individual of the degeneration of his own existence. The respect for something that has no market value and runs contrary to all feelings is experienced most sharply by the person in mourning, in whose case not even the psychological restoration …
Animé d'un regard
Animé d'un regard": The Crisis of Televisual Speed in Racine Timothy Murray Si Ie Baroque a souvent été rapporté au capitalisme, c'est parce qu'il est lié à une crise de la propri été, qui apparaît à la fois avec la montée de nouvelles machines dans le champ social et la découverte de nouveaux vivants dans l'organisme. —Gilles Deleuze, Le Pli: Leibniz et le baroque WHAT WILL BECOME of Racine in the new digital age? Is it possible that the digital…
Et in Arcadia Video
MLN - Volume 112, Number 3, April 1997 (German Issue)
Between the Sign & the Gaze
Like a Film
Philosophical Antibodies
Timothy Murray, Philosophical Antibodies: Grotesque Fantasy in a French Stoic Fiction, Yale French Studies, No. 86, Corps Mystique, Corps Sacre: Textual Transfigurations of the Body From the Middle Ages to the Seventeenth Century (1994), pp. 143-163
American Shakespeare, or, the Bourgie-Woogie Blues
IT SEEMS ONLY FITTING THAT AMERICA SHOULD PROVIDE THE SCENE FOR Michael Bristol's sequel to Carnival and Theater: Plebeian Culture and Structure of Authority in Renaissance England.1 Picking up his earlier theme, Shakespeare's America, America's asserts that any true-blooded, American plebeian is likely to recognize as a common denominator of meaning of cultural authority. As Bristol states case in his introduction, Shakespeare enters into consci…
Televisual Fears and Warrior Myths
Research Article| September 01 1993 Televisual Fears and Warrior Myths: Mary Kelly Meets Dawn Dedeaux Timothy Murray Timothy Murray Search for other works by this author on: This Site Google Camera Obscura (1993) 11 (2 (32)): 124–160. https://doi.org/10.1215/02705346-11-2_32-124 Cite Icon Cite Share Icon Share Twitter Permissions Search Site Citation Timothy Murray; Televisual Fears and Warrior Myths: Mary Kelly Meets Dawn Dedeaux. Camera Obscura…
The Gendering of Melancholia
A History of Archaeological Thought . Bruce G. Trigger
Disowning Knowledge in Six Plays of Shakespeare
Criticism without Boundaries
Theatrical Legitimation
Theatrical Legitimation
The Theatricality of the Van-Guard
What's Happening
Terror and Judgment
Timothy Murray, Terror and Judgment: Consenting with Hassan, Graff (And Now Booth!), boundary 2, Vol. 12/13, Vol. 12, no. 3 - Vol. 13, no. 1, On Humanism and the University I: The Discourse of Humanism (Spring - Autumn, 1984), pp. 215-234
Patriarchal Panopticism, or the Seduction of a Bad Joke
Theatre places us right at the heart of what is religious-political: in the heart of absence, in negativity, in nihilisme as Nietzsche would say, therefore in the question of power. A theory of theatrical signs, a practice of theatrical signs (dramatic text, mise en scene, interpretation, architecture) are based on accepting the nihilisme inherent in a re-presentation. Not only accepting it: reinforcing it. For the sign, Peirce used to say, is so…
From Foul Sheets to Legitimate Model
YW ^rIHEN Philip Sidney praises dramatic poetry as an art of imitation, he speaks of it as representing, counterfeiting, or figuring forth whose dual purpose is teach and delight.1 Sidney is not unique, of course, in extolling poetic representation, figures, and counterfeits as didactic devices. He is speaking from within a tradition of texts by Aristotle, Horace, and Scaliger. Nor is Sidney's Apology for Poetry the sole treatise in Renaissance E…
The Antitheatrical Prejudice
Wounds of Repetition in the Age of the Digital
The disturbed relation with the dead-forgotten and embalmed-is one of the symptoms of the sickness of experience today.... History is eliminated in oneself and others out of a fear that it may remind the individual of the degeneration of his own existence. The respect for something that has no market value and runs contrary to all feelings is experienced most sharply by the person in mourning, in whose case not even the psychological restoration …
The Antitheatrical Prejudice
Patriarchal Panopticism, or the Seduction of a Bad Joke
Theatre places us right at the heart of what is religious-political: in the heart of absence, in negativity, in nihilisme as Nietzsche would say, therefore in the question of power. A theory of theatrical signs, a practice of theatrical signs (dramatic text, mise en scene, interpretation, architecture) are based on accepting the nihilisme inherent in a re-presentation. Not only accepting it: reinforcing it. For the sign, Peirce used to say, is so…
From Foul Sheets to Legitimate Model
YW ^rIHEN Philip Sidney praises dramatic poetry as an art of imitation, he speaks of it as representing, counterfeiting, or figuring forth whose dual purpose is teach and delight.1 Sidney is not unique, of course, in extolling poetic representation, figures, and counterfeits as didactic devices. He is speaking from within a tradition of texts by Aristotle, Horace, and Scaliger. Nor is Sidney's Apology for Poetry the sole treatise in Renaissance E…
The Theatricality of the Van-Guard
What's Happening
Terror and Judgment
Timothy Murray, Terror and Judgment: Consenting with Hassan, Graff (And Now Booth!), boundary 2, Vol. 12/13, Vol. 12, no. 3 - Vol. 13, no. 1, On Humanism and the University I: The Discourse of Humanism (Spring - Autumn, 1984), pp. 215-234
Theatrical Legitimation
Criticism without Boundaries
Theatrical Legitimation
Disowning Knowledge in Six Plays of Shakespeare
A History of Archaeological Thought . Bruce G. Trigger
Televisual Fears and Warrior Myths
Research Article| September 01 1993 Televisual Fears and Warrior Myths: Mary Kelly Meets Dawn Dedeaux Timothy Murray Timothy Murray Search for other works by this author on: This Site Google Camera Obscura (1993) 11 (2 (32)): 124–160. https://doi.org/10.1215/02705346-11-2_32-124 Cite Icon Cite Share Icon Share Twitter Permissions Search Site Citation Timothy Murray; Televisual Fears and Warrior Myths: Mary Kelly Meets Dawn Dedeaux. Camera Obscura…
The Gendering of Melancholia
Philosophical Antibodies
Timothy Murray, Philosophical Antibodies: Grotesque Fantasy in a French Stoic Fiction, Yale French Studies, No. 86, Corps Mystique, Corps Sacre: Textual Transfigurations of the Body From the Middle Ages to the Seventeenth Century (1994), pp. 143-163
American Shakespeare, or, the Bourgie-Woogie Blues
IT SEEMS ONLY FITTING THAT AMERICA SHOULD PROVIDE THE SCENE FOR Michael Bristol's sequel to Carnival and Theater: Plebeian Culture and Structure of Authority in Renaissance England.1 Picking up his earlier theme, Shakespeare's America, America's asserts that any true-blooded, American plebeian is likely to recognize as a common denominator of meaning of cultural authority. As Bristol states case in his introduction, Shakespeare enters into consci…
Between the Sign & the Gaze
Like a Film
Et in Arcadia Video
MLN - Volume 112, Number 3, April 1997 (German Issue)
Animé d'un regard
Animé d'un regard": The Crisis of Televisual Speed in Racine Timothy Murray Si Ie Baroque a souvent été rapporté au capitalisme, c'est parce qu'il est lié à une crise de la propri été, qui apparaît à la fois avec la montée de nouvelles machines dans le champ social et la découverte de nouveaux vivants dans l'organisme. —Gilles Deleuze, Le Pli: Leibniz et le baroque WHAT WILL BECOME of Racine in the new digital age? Is it possible that the digital…
Wounds of Repetition in the Age of the Digital
The disturbed relation with the dead-forgotten and embalmed-is one of the symptoms of the sickness of experience today.... History is eliminated in oneself and others out of a fear that it may remind the individual of the degeneration of his own existence. The respect for something that has no market value and runs contrary to all feelings is experienced most sharply by the person in mourning, in whose case not even the psychological restoration …
Digital Baroque
SubStance - Issue 98/99 (Volume 31, Number 2&3), 2002
Curatorial in-securities
Global developments enhanced by digital technology and the accompanying transfer from analogue to digital media and communication systems have enhanced the dialogue between activists for world peace and new media artists. At stake is an extensive transfer of media information from playful self-representations on the home video camera to widely circulating communications data stores being matched against both realistic and imagined terror database…
Artistic Simulacra in the Age of Recombinant Bodies
Enveloped in the rhetoric of a brave new world of genomic application, surrounded by a culture enlivened by hopeful medical breakthroughs, and awash in media rumors of secret stock trades and biotech deals, a groundswell of artistic activity has been inhabiting the interface of technology and culture, biology and body, algorithmic computing and artistic creation for almost two decades. Of particular cultural and artistic importance is the combina…
Art (17 works) · Art history (11 works) · Literature (10 works) · Computer Science (7 works) · History (7 works) · Philosophy (7 works) · Political science (5 works) · Psychology (5 works) · Sociology (5 works) · Aesthetics (4 works)