Stacy Wolf
Biographic Data
| ID | 3617721 |
|---|---|
| NAME | Stacy Wolf |
| GIVEN NAMES | Stacy |
| FAMILY NAME | Wolf |
| SIGNATURE | WOLF S |
| AFFILIATIONS | Stacy Wolf is Director of the Princeton Atelier and Professor in the Program in Theater at Princeton University. She is the author of A Problem Like Maria: Gender and Sexuality in the American Musical (University of Michigan Press, 2002) and Changed for Good: A Feminist History of the Broadway Musical (Oxford University Press, 2011). |
| VERIFIED | No |
| TOTAL WORKS | 14 |
| TOTAL CITATIONS | 11 |
| AUTHOR COUNT | 14 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1992 |
| LATEST PUBLICATION YEAR | 2018 |
| H-INDEX | 2 |
Identities and Audiences in the Musical: An Oxford Handbook of the American Musical, Volume III
Media and Performance in the Musical: An Oxford Handbook of the American Musical, Volume II
Histories of the Musical: An Oxford Handbook of the American Musical, Volume 1
Performing Desire
The concept of desire has been theoretically renewed and rewritten constantly in the academy, and yet, it continues to motivate our spectatorship, our scholarship, and our criticism. This issue represents an eclectic and powerful reminder of how desire remains an optic through which we see, feel, and think about performance
Performing Jewishness In and Out of the Classroom
Journal Article Performing Jewishness In and Out of the Classroom Get access Jill Dolan, Jill Dolan Princeton University Search for other works by this author on: Oxford Academic Google Scholar Stacy Wolf Stacy Wolf Princeton University Search for other works by this author on: Oxford Academic Google Scholar MELUS, Volume 37, Issue 2, June 2012, Pages 201–215, https://doi.org/10.1353/mel.2012.0017 Published: 01 June 2012
Jewish American Performance: An Introduction
September 01 2011 Jewish American Performance: An Introduction Jill Dolan, Jill Dolan Jill Dolan is the Annan Professor in English at Princeton University, where she is also Professor of Theater and Director of the Program in Gender and Sexuality Studies. She is the author of, most recently, Theatre & Sexuality (Palgrave Macmillan, 2010) and Utopia in Performance: Finding Hope at the Theatre (University of Michigan Press, 2005), and edited and wr…
Wicked Divas, Musical Theater, and Internet Girl Fans
Stacy Wolf is an associate professor in the Performance as Public Practice Program in the Department of Theatre and Dance at the University of Texas at Austin. She is the author of A Problem Like Maria: Gender and Sexuality in the American Musical (2002). Her essay “`We'll Always Be Bosom Buddies': Female Duets and the Queering of Broadway Musical Theatre” (GLQ 12 [2006]) won the Association for Theatre in Higher Education's 2007 award for Best E…
We'll Always Be Bosom Buddies
Research Article| June 01 2006 "WE'LL ALWAYS BE BOSOM BUDDIES": Female Duets and the Queering of Broadway Musical Theater Stacy Wolf Stacy Wolf Search for other works by this author on: This Site Google GLQ (2006) 12 (3): 351–376. https://doi.org/10.1215/10642684-2005-002 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Share Facebook Twitter LinkedIn Email Tools Icon Tools Permissions Cite …
Desire in evidence
This textual performance of research charts the writer's attempt to prove that Mary Martin was a lesbian. The writer uses her own “quest” to raise questions about gay and lesbian historiography, the status of evidence, and the usefulness of desire to biographical, critical work on performers
Imperialism and Theatre: Essays on World Theatre, Drama and Performance. J. Ellen Gainor
The queer performances of mary martin as woman and as star
(1996). The queer performances of mary martin as woman and as star. Women & Performance: a journal of feminist theory: Vol. 8, No. 2, pp. 225-239
Theatre and Cultural Interaction
Trinh Minh-ha's "difference" and a pedagogical metaphor
A Midsummer Night's Dream
Desire in evidence
This textual performance of research charts the writer's attempt to prove that Mary Martin was a lesbian. The writer uses her own “quest” to raise questions about gay and lesbian historiography, the status of evidence, and the usefulness of desire to biographical, critical work on performers
We'll Always Be Bosom Buddies
Research Article| June 01 2006 "WE'LL ALWAYS BE BOSOM BUDDIES": Female Duets and the Queering of Broadway Musical Theater Stacy Wolf Stacy Wolf Search for other works by this author on: This Site Google GLQ (2006) 12 (3): 351–376. https://doi.org/10.1215/10642684-2005-002 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Share Facebook Twitter LinkedIn Email Tools Icon Tools Permissions Cite …
Wicked Divas, Musical Theater, and Internet Girl Fans
Stacy Wolf is an associate professor in the Performance as Public Practice Program in the Department of Theatre and Dance at the University of Texas at Austin. She is the author of A Problem Like Maria: Gender and Sexuality in the American Musical (2002). Her essay “`We'll Always Be Bosom Buddies': Female Duets and the Queering of Broadway Musical Theatre” (GLQ 12 [2006]) won the Association for Theatre in Higher Education's 2007 award for Best E…
Theatre and Cultural Interaction
Trinh Minh-ha's "difference" and a pedagogical metaphor
A Midsummer Night's Dream
A Midsummer Night's Dream
Trinh Minh-ha's "difference" and a pedagogical metaphor
Theatre and Cultural Interaction
Imperialism and Theatre: Essays on World Theatre, Drama and Performance. J. Ellen Gainor
The queer performances of mary martin as woman and as star
(1996). The queer performances of mary martin as woman and as star. Women & Performance: a journal of feminist theory: Vol. 8, No. 2, pp. 225-239
Desire in evidence
This textual performance of research charts the writer's attempt to prove that Mary Martin was a lesbian. The writer uses her own “quest” to raise questions about gay and lesbian historiography, the status of evidence, and the usefulness of desire to biographical, critical work on performers
We'll Always Be Bosom Buddies
Research Article| June 01 2006 "WE'LL ALWAYS BE BOSOM BUDDIES": Female Duets and the Queering of Broadway Musical Theater Stacy Wolf Stacy Wolf Search for other works by this author on: This Site Google GLQ (2006) 12 (3): 351–376. https://doi.org/10.1215/10642684-2005-002 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Share Facebook Twitter LinkedIn Email Tools Icon Tools Permissions Cite …
Wicked Divas, Musical Theater, and Internet Girl Fans
Stacy Wolf is an associate professor in the Performance as Public Practice Program in the Department of Theatre and Dance at the University of Texas at Austin. She is the author of A Problem Like Maria: Gender and Sexuality in the American Musical (2002). Her essay “`We'll Always Be Bosom Buddies': Female Duets and the Queering of Broadway Musical Theatre” (GLQ 12 [2006]) won the Association for Theatre in Higher Education's 2007 award for Best E…
Jewish American Performance: An Introduction
September 01 2011 Jewish American Performance: An Introduction Jill Dolan, Jill Dolan Jill Dolan is the Annan Professor in English at Princeton University, where she is also Professor of Theater and Director of the Program in Gender and Sexuality Studies. She is the author of, most recently, Theatre & Sexuality (Palgrave Macmillan, 2010) and Utopia in Performance: Finding Hope at the Theatre (University of Michigan Press, 2005), and edited and wr…
Performing Jewishness In and Out of the Classroom
Journal Article Performing Jewishness In and Out of the Classroom Get access Jill Dolan, Jill Dolan Princeton University Search for other works by this author on: Oxford Academic Google Scholar Stacy Wolf Stacy Wolf Princeton University Search for other works by this author on: Oxford Academic Google Scholar MELUS, Volume 37, Issue 2, June 2012, Pages 201–215, https://doi.org/10.1353/mel.2012.0017 Published: 01 June 2012
Performing Desire
The concept of desire has been theoretically renewed and rewritten constantly in the academy, and yet, it continues to motivate our spectatorship, our scholarship, and our criticism. This issue represents an eclectic and powerful reminder of how desire remains an optic through which we see, feel, and think about performance
Identities and Audiences in the Musical: An Oxford Handbook of the American Musical, Volume III
Media and Performance in the Musical: An Oxford Handbook of the American Musical, Volume II
Histories of the Musical: An Oxford Handbook of the American Musical, Volume 1
Art (10 works) · Sociology (8 works) · Psychology (5 works) · Art history (4 works) · Gender Studies (4 works) · Literature (4 works) · Aesthetics (3 works) · Cinema and Media Studies (3 works) · History (3 works) · History and criticism (3 works)