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Allan Thomas

Biographic Data

ID3618249
NAMEAllan Thomas
GIVEN NAMESAllan
FAMILY NAMEThomas
SIGNATURETHOMAS A
AFFILIATIONSVictoria University of Wellington
ORCID0000-0002-6402-2909
VERIFIEDYes
TOTAL WORKS7
TOTAL CITATIONS0
WORKS AS AUTHOR7
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1972
LATEST PUBLICATION YEAR2008
H-INDEX0
  • The words stink and the music is just pathetic’

    Allan Thomas•ARTICLE•Musicology Australia•2008

    New Zealand's national anthem God Defend New Zealand is the subject of two studies that approach, in different ways, its history and popularity. Originating in the nineteenth century, the anthem has a hymn-like idiom and the grandiose concepts which are shared by many of the world's national anthems of the era. God Defend New Zealand has an intriguing history: although it was intended as a national anthem it was a full century from its compositio…

  • Pokarekare”

    Allan Thomas•ARTICLE•Journal of Folklore Research•2007

    Pokarekare" is one of a group of New Zealand songs that became popular in the first decades of the twentieth century. The songs combined Maori and Pakeha [European] features in what can be understood as an aspect of nation building and they contributed to New Zealand identity at the time. Several of the songs originated as folksongs (though they have not previously been recognised as such) but early on were caught up in publications and performan…

  • The Search for the Sound of the Putorino

    Open Access•Richard Nunns, Allan Thomas•ARTICLE•Yearbook for Traditional Music•2005

    The noted New Zealand Maori authority Te Rangi Hiroa declared that the rich heritage of traditional instruments was now silent, they were no longer played, they would be 'forever mute'(Buck 1949:270). Among the predominant flutes and trumpets of this instrumentarium were voice modifiers (jews harp, mouth bow), whizzers and whirlers, and percussion (rattlers, castanets, gong, and other 'found' instruments). Most enigmatic of all was the pūtωrino, …

  • Songs as history

    Allan Thomas•ARTICLE•Journal of Pacific History•1992

  • Social/Cultural Anthropology

    Open Access•Allan Thomas•ARTICLE•American Anthropologist•1992

  • Cultural/Ethnology

    Open Access•Allan Thomas•ARTICLE•American Anthropologist•1983

  • The Javanese gamelan of raffles

    Allan Thomas•ARTICLE•Asian Affairs•1972

No prominent works on this page.

  • The Javanese gamelan of raffles

    Allan Thomas•ARTICLE•Asian Affairs•1972

  • Cultural/Ethnology

    Open Access•Allan Thomas•ARTICLE•American Anthropologist•1983

  • Songs as history

    Allan Thomas•ARTICLE•Journal of Pacific History•1992

  • Social/Cultural Anthropology

    Open Access•Allan Thomas•ARTICLE•American Anthropologist•1992

  • The Search for the Sound of the Putorino

    Open Access•Richard Nunns, Allan Thomas•ARTICLE•Yearbook for Traditional Music•2005

    The noted New Zealand Maori authority Te Rangi Hiroa declared that the rich heritage of traditional instruments was now silent, they were no longer played, they would be 'forever mute'(Buck 1949:270). Among the predominant flutes and trumpets of this instrumentarium were voice modifiers (jews harp, mouth bow), whizzers and whirlers, and percussion (rattlers, castanets, gong, and other 'found' instruments). Most enigmatic of all was the pūtωrino, …

  • Pokarekare”

    Allan Thomas•ARTICLE•Journal of Folklore Research•2007

    Pokarekare" is one of a group of New Zealand songs that became popular in the first decades of the twentieth century. The songs combined Maori and Pakeha [European] features in what can be understood as an aspect of nation building and they contributed to New Zealand identity at the time. Several of the songs originated as folksongs (though they have not previously been recognised as such) but early on were caught up in publications and performan…

  • The words stink and the music is just pathetic’

    Allan Thomas•ARTICLE•Musicology Australia•2008

    New Zealand's national anthem God Defend New Zealand is the subject of two studies that approach, in different ways, its history and popularity. Originating in the nineteenth century, the anthem has a hymn-like idiom and the grandiose concepts which are shared by many of the world's national anthems of the era. God Defend New Zealand has an intriguing history: although it was intended as a national anthem it was a full century from its compositio…

History (7 works) · History (5 works) · Art (4 works) · Art history (3 works) · Literature (3 works) · Sociology (3 works) · Computer Science (2 works) · Island Studies and Pacific Affairs (2 works) · Pacific and Southeast Asian Studies (2 works) · Poetry (2 works)

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