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Karen Jean Martinson

Biographic Data

ID362194
NAMEKaren Jean Martinson
GIVEN NAMESKaren Jean
FAMILY NAMEMartinson
SIGNATUREMARTINSON K J
AFFILIATIONSArizona State University
ORCID0000-0001-8277-1615
VERIFIEDYes
TOTAL WORKS9
TOTAL CITATIONS1
AUTHOR COUNT9
EDITOR COUNT0
FIRST PUBLICATION YEAR2005
LATEST PUBLICATION YEAR2024
H-INDEX1
  • Devising Anthropocene

    Rachel Bowditch, Karen Jean Martinson•ARTICLE•Ecumenica•2024

    A conversation between Anthropocene Project Director Rachel Bowditch and Project Dramaturg Karen Jean Martinson about the multiyear devising process for Anthropocene, a high-impact, devised, physical theatre performance that examines how human progress has led to a new and dangerous geological age, which played at Arizona State University November 3–12, 2023

  • Crossing Collaborative Borders

    Open Access•Karen Jean Martinson, Julia E Chacón•ARTICLE•Theatre Survey•2024

    Your time has come to fly You have no borders —El Vez, “Órale,” sung to the tune of “Bridge over Troubled Waters” With brightly colored papel picado (cut paper banners), tissue flowers, and Latin American flags festooning the performance area at San Francisco's Z Space, David Herrera Performance Company's September 2023 event, ÓRALE!, promised fun and festivity. On its surface, the performance resembled a typical dance program, with an ensemble o…

  • May We Have Your Attention Please? Climate Change Is Urgent and Change Needs to Happen Now

    Rachel Bowditch, Karen Jean Martinson•ARTICLE•Leonardo•2023•References: 1

    Anthropocene, a high-impact original physical theater performance, examines how human progress has led to a new and dangerous geological age. The convergence of the global syndemic—the COVID-19 pandemic, the climate crisis, social justice unrest, and social systems pushed to their breaking point—indicates an imperative for real change. The topic of human-caused climate change is urgent. Indeed, in August 2021, the United Nations (UN) issued a rep…

  • Profiling El Vez, The Mexican Elvis

    Open Access•Karen Jean Martinson•ARTICLE•Pamiętnik Teatralny•2022

    This article discusses the critical practice the author uses in her writing about El Vez, The Mexican Elvis. After offering a brief introduction to El Vez, to the artist Robert Lopez who created him, and to the relationship between them and the icon of Elvis, the author presents the aims of Make the Dream Real, the monograph she is drafting about El Vez/Lopez, to consider how it draws on biographical writing and yet departs from it. The author ar…

  • The Reverend Billy Project

    Karen Jean Martinson•ARTICLE•Ecumenica•2021

  • Ameryka dir. by Nancy Keystone

    Karen Jean Martinson•ARTICLE•Theatre Journal•2016

  • Ain't That a Shame? Trayvon's Trauma Revealed Through the Theatre of TNT

    Open Access•Karen Jean Martinson, Gennifer Jackson•ARTICLE•Culture Studies ↔ Critical…•2015•Cited by: 1•References: 2

    Just days after the George Zimmerman verdict, the Truth N Trauma (TNT) Theatre Ensemble, comprised entirely of African American actors, performed the devised piece The Only Way Out Is the Way Through. Wearing a hoodie and holding a package of Skittles, the ensemble's only male actor delivered a monologue that spoke eloquently about the threats that young Black men face. By briefly embodying the figure of Trayvon Martin, this performance interroga…

  • Relic, Souvenir, or Just Hair?

    Karen Jean Martinson•CHAPTER•Performing Objects and Theatrical…•2014

  • Teatro Caliente! (review)

    Karen Jean Martinson•ARTICLE•Theatre Journal•2005

    Reviewed by: ¡Teatro Caliente! Karen Jean Martinson ¡Teatro Caliente!Theater in My Basement/SW Annex, Modified Arts, Phoenix. 30– 3110, 01112004. Despite its namesake, many assert that nothing new ever arises in Phoenix. Often assumed to be as culturally arid as its desert landscape, the city of Phoenix conjures images of relocated retirees, endless pavement, and the conservative politics of Barry Goldwater. Yet, original theatre is proving the e…

  • Ain't That a Shame? Trayvon's Trauma Revealed Through the Theatre of TNT

    Open Access•Karen Jean Martinson, Gennifer Jackson•ARTICLE•Culture Studies ↔ Critical…•2015•Cited by: 1•References: 2

    Just days after the George Zimmerman verdict, the Truth N Trauma (TNT) Theatre Ensemble, comprised entirely of African American actors, performed the devised piece The Only Way Out Is the Way Through. Wearing a hoodie and holding a package of Skittles, the ensemble's only male actor delivered a monologue that spoke eloquently about the threats that young Black men face. By briefly embodying the figure of Trayvon Martin, this performance interroga…

  • Teatro Caliente! (review)

    Karen Jean Martinson•ARTICLE•Theatre Journal•2005

    Reviewed by: ¡Teatro Caliente! Karen Jean Martinson ¡Teatro Caliente!Theater in My Basement/SW Annex, Modified Arts, Phoenix. 30– 3110, 01112004. Despite its namesake, many assert that nothing new ever arises in Phoenix. Often assumed to be as culturally arid as its desert landscape, the city of Phoenix conjures images of relocated retirees, endless pavement, and the conservative politics of Barry Goldwater. Yet, original theatre is proving the e…

  • Relic, Souvenir, or Just Hair?

    Karen Jean Martinson•CHAPTER•Performing Objects and Theatrical…•2014

  • Ain't That a Shame? Trayvon's Trauma Revealed Through the Theatre of TNT

    Open Access•Karen Jean Martinson, Gennifer Jackson•ARTICLE•Culture Studies ↔ Critical…•2015•Cited by: 1•References: 2

    Just days after the George Zimmerman verdict, the Truth N Trauma (TNT) Theatre Ensemble, comprised entirely of African American actors, performed the devised piece The Only Way Out Is the Way Through. Wearing a hoodie and holding a package of Skittles, the ensemble's only male actor delivered a monologue that spoke eloquently about the threats that young Black men face. By briefly embodying the figure of Trayvon Martin, this performance interroga…

  • Ameryka dir. by Nancy Keystone

    Karen Jean Martinson•ARTICLE•Theatre Journal•2016

  • The Reverend Billy Project

    Karen Jean Martinson•ARTICLE•Ecumenica•2021

  • Profiling El Vez, The Mexican Elvis

    Open Access•Karen Jean Martinson•ARTICLE•Pamiętnik Teatralny•2022

    This article discusses the critical practice the author uses in her writing about El Vez, The Mexican Elvis. After offering a brief introduction to El Vez, to the artist Robert Lopez who created him, and to the relationship between them and the icon of Elvis, the author presents the aims of Make the Dream Real, the monograph she is drafting about El Vez/Lopez, to consider how it draws on biographical writing and yet departs from it. The author ar…

  • May We Have Your Attention Please? Climate Change Is Urgent and Change Needs to Happen Now

    Rachel Bowditch, Karen Jean Martinson•ARTICLE•Leonardo•2023•References: 1

    Anthropocene, a high-impact original physical theater performance, examines how human progress has led to a new and dangerous geological age. The convergence of the global syndemic—the COVID-19 pandemic, the climate crisis, social justice unrest, and social systems pushed to their breaking point—indicates an imperative for real change. The topic of human-caused climate change is urgent. Indeed, in August 2021, the United Nations (UN) issued a rep…

  • Devising Anthropocene

    Rachel Bowditch, Karen Jean Martinson•ARTICLE•Ecumenica•2024

    A conversation between Anthropocene Project Director Rachel Bowditch and Project Dramaturg Karen Jean Martinson about the multiyear devising process for Anthropocene, a high-impact, devised, physical theatre performance that examines how human progress has led to a new and dangerous geological age, which played at Arizona State University November 3–12, 2023

  • Crossing Collaborative Borders

    Open Access•Karen Jean Martinson, Julia E Chacón•ARTICLE•Theatre Survey•2024

    Your time has come to fly You have no borders —El Vez, “Órale,” sung to the tune of “Bridge over Troubled Waters” With brightly colored papel picado (cut paper banners), tissue flowers, and Latin American flags festooning the performance area at San Francisco's Z Space, David Herrera Performance Company's September 2023 event, ÓRALE!, promised fun and festivity. On its surface, the performance resembled a typical dance program, with an ensemble o…

Art (7 works) · Sociology (5 works) · Visual arts (5 works) · Aesthetics (4 works) · Art history (4 works) · History (3 works) · Psychology (3 works) · Climate Change Communication and Perception (2 works) · Dance (2 works) · Latin American and Latino Studies (2 works)

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