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Kevin Dwyer

Biographic Data

ID3622009
NAMEKevin Dwyer
GIVEN NAMESKevin
FAMILY NAMEDwyer
SIGNATUREDWYER K
AFFILIATIONSNew York Proton Center
VERIFIEDNo
TOTAL WORKS23
TOTAL CITATIONS9
WORKS AS AUTHOR23
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1977
LATEST PUBLICATION YEAR2025
H-INDEX2
  • The Perils and Promise of Moroccan Cinema

    Open Access•Kevin Dwyer•BOOK•Perils and Promise of Moroccan…•2025

  • Introduction

    Open Access•Kevin Dwyer•CHAPTER•Perils and Promise of Moroccan…•2025

  • One Decade, Two Comedies, Two Filmmakers (M.A. Tazi, Hakim Noury) (2004–2007)

    Open Access•Kevin Dwyer•CHAPTER•Perils and Promise of Moroccan…•2025

  • The “Neo-Real,” the Social, and the Symbolic in the Films of M. A. Tazi (1998–2000)

    Open Access•Kevin Dwyer•CHAPTER•Perils and Promise of Moroccan…•2025

  • Perils and Promise of Moroccan Cinema

    Kevin Dwyer•BOOK•Perils and Promise of Moroccan…•2025

  • Life History in Anthropology and Moroccan Cinema (2005–2010)

    Open Access•Kevin Dwyer•CHAPTER•Perils and Promise of Moroccan…•2025

  • Toward institutionalization of responsible innovation in the contemporary research university

    Open Access•William B Dabars, Kevin Dwyer•ARTICLE•Journal of Responsible Innovation•2022

    A comprehensive organizational reconceptualization undertaken by Arizona State University (ASU) during the past two decades has been motivated in part by an explicit intent to institutionalize reflexive understandings of societal responsibility within a major public research university. In the process of operationalizing new models for the American research university, ASU embarked on an academic reorganization that institutionalized the conditio…

  • Anthropology, Film Industries, Modularity

    Steven Caton, Jessica Dickson et al.•BOOK•Anthropology, Film Industries,…•2021

  • The Moroccan Film Industry A Contre-Jour

    Open Access•Kevin Dwyer•CHAPTER•Anthropology, Film Industries,…•2021

  • Association of Covid-19 With Achieving Time-to-Surgery Benchmarks in Patients With Musculoskeletal Trauma

    Open Access•Ida Leah Gitajn, Paul M Werth et al.•ARTICLE•JAMA Health Forum•2021

    In this cohort study, there was no association between meeting time-to-surgery benchmarks in either open fracture or closed femur/hip fracture during the COVID-19 pandemic compared with before the pandemic. This is counter to concerns that the unprecedented challenges associated with managing the COVID-19 pandemic would be associated with clinically significant delays in acute management of urgent surgical cases and suggests that many hospital sy…

  • Family Resemblance

    Open Access•Kevin Dwyer•CHAPTER•Cinema of the Arab World•2020

  • Slaughter House Blues

    Kevin Dwyer•ARTICLE•Food Culture & Society•2014

    Compte rendu publié dans la revue Food, Culture & Society : An International Journal of Multidisciplinary Research, Routledge Taylor & Francis Group, Vol 17, n°1, pp.167-169

  • Encountering Morocco

    David Crawford, Kevin Dwyer et al.•BOOK•Encountering Morocco•2013

    Like the Public Cultures of the Middle East and North Africa series page on Facebook

  • Geertz, humour and Morocco

    Kevin Dwyer•BOOK•The Journal of North African…•2009•Cited by: 1•References: 11

    This article explores the complex relationship between Clifford Geertz's anthropological work, particularly his focus on "thick description" and interpretive analysis, and the cultural landscape of Morocco. It examines how Geertz's approach, while insightful, can be seen as reinforcing certain Orientalist tropes and potentially misrepresenting Moroccan society. The article argues for a more nuanced understanding of Moroccan culture, emphasizing t…

  • Moroccan Cinema and the Promotion of Culture

    Kevin Dwyer•ARTICLE•The Journal of North African…•2007•Cited by: 6

    Moroccan cinema constitutes an exception in the otherwise gloomy landscape of Third World cinemas. One of the characteristics of all these cinemas is that, with private capital so scarce, they would be unable to survive if this was their only financial support. Yet free-trade initiatives discourage supportive financial measures that might come from the state or from third-party public sources. In this context, UNESCO's Convention on the Protectio…

  • Europe and the Political Economy of Arab Cinema

    Garay Menicucci, Roy Armes et al.•ARTICLE•Middle East Report•2005

  • Beyond Casablanca

    Kevin Dwyer, M A Tazi•BOOK•Beyond Casablanca•2004

    A fascinating journey through the world of Moroccan cinema

  • The uses and misuses of 'culture' - a comment

    Kevin Dwyer•ARTICLE•The Journal of North African…•1998•References: 6

  • Beyond a Boundary

    Kevin Dwyer•ARTICLE•Anthropology Today•1997•Cited by: 2

    Les droits de l'homme ont une histoire et une structure complexes qui s'initierent a la fin de la deuxieme guerre mondiale lors de la fondation des Nations Unies et de l'assemblee generale pour la declaration universelle des droits de l'homme en 1948. Dans cet article, l'A. analyse les frontieres entre les droits universels (definis lors de la premiere generation des textes juridiques) et particuliers (initiatives issues de la seconde generation,…

  • Arab Voices

    Naseer H Aruri, Kevin Dwyer et al.•ARTICLE•Middle East Report•1992

  • Knowledge and Power in Morocco

    Open Access•Kevin Dwyer•ARTICLE•American Ethnologist•1987

  • The dialogic of ethnology

    Open Access•Kevin Dwyer•ARTICLE•Dialectical Anthropology•1979

  • On the dialogic of field work

    Open Access•Kevin Dwyer•ARTICLE•Dialectical Anthropology•1977

  • Moroccan Cinema and the Promotion of Culture

    Kevin Dwyer•ARTICLE•The Journal of North African…•2007•Cited by: 6

    Moroccan cinema constitutes an exception in the otherwise gloomy landscape of Third World cinemas. One of the characteristics of all these cinemas is that, with private capital so scarce, they would be unable to survive if this was their only financial support. Yet free-trade initiatives discourage supportive financial measures that might come from the state or from third-party public sources. In this context, UNESCO's Convention on the Protectio…

  • Beyond a Boundary

    Kevin Dwyer•ARTICLE•Anthropology Today•1997•Cited by: 2

    Les droits de l'homme ont une histoire et une structure complexes qui s'initierent a la fin de la deuxieme guerre mondiale lors de la fondation des Nations Unies et de l'assemblee generale pour la declaration universelle des droits de l'homme en 1948. Dans cet article, l'A. analyse les frontieres entre les droits universels (definis lors de la premiere generation des textes juridiques) et particuliers (initiatives issues de la seconde generation,…

  • Geertz, humour and Morocco

    Kevin Dwyer•BOOK•The Journal of North African…•2009•Cited by: 1•References: 11

    This article explores the complex relationship between Clifford Geertz's anthropological work, particularly his focus on "thick description" and interpretive analysis, and the cultural landscape of Morocco. It examines how Geertz's approach, while insightful, can be seen as reinforcing certain Orientalist tropes and potentially misrepresenting Moroccan society. The article argues for a more nuanced understanding of Moroccan culture, emphasizing t…

  • On the dialogic of field work

    Open Access•Kevin Dwyer•ARTICLE•Dialectical Anthropology•1977

  • The dialogic of ethnology

    Open Access•Kevin Dwyer•ARTICLE•Dialectical Anthropology•1979

  • Knowledge and Power in Morocco

    Open Access•Kevin Dwyer•ARTICLE•American Ethnologist•1987

  • Arab Voices

    Naseer H Aruri, Kevin Dwyer et al.•ARTICLE•Middle East Report•1992

  • Beyond a Boundary

    Kevin Dwyer•ARTICLE•Anthropology Today•1997•Cited by: 2

    Les droits de l'homme ont une histoire et une structure complexes qui s'initierent a la fin de la deuxieme guerre mondiale lors de la fondation des Nations Unies et de l'assemblee generale pour la declaration universelle des droits de l'homme en 1948. Dans cet article, l'A. analyse les frontieres entre les droits universels (definis lors de la premiere generation des textes juridiques) et particuliers (initiatives issues de la seconde generation,…

  • The uses and misuses of 'culture' - a comment

    Kevin Dwyer•ARTICLE•The Journal of North African…•1998•References: 6

  • Beyond Casablanca

    Kevin Dwyer, M A Tazi•BOOK•Beyond Casablanca•2004

    A fascinating journey through the world of Moroccan cinema

  • Europe and the Political Economy of Arab Cinema

    Garay Menicucci, Roy Armes et al.•ARTICLE•Middle East Report•2005

  • Moroccan Cinema and the Promotion of Culture

    Kevin Dwyer•ARTICLE•The Journal of North African…•2007•Cited by: 6

    Moroccan cinema constitutes an exception in the otherwise gloomy landscape of Third World cinemas. One of the characteristics of all these cinemas is that, with private capital so scarce, they would be unable to survive if this was their only financial support. Yet free-trade initiatives discourage supportive financial measures that might come from the state or from third-party public sources. In this context, UNESCO's Convention on the Protectio…

  • Geertz, humour and Morocco

    Kevin Dwyer•BOOK•The Journal of North African…•2009•Cited by: 1•References: 11

    This article explores the complex relationship between Clifford Geertz's anthropological work, particularly his focus on "thick description" and interpretive analysis, and the cultural landscape of Morocco. It examines how Geertz's approach, while insightful, can be seen as reinforcing certain Orientalist tropes and potentially misrepresenting Moroccan society. The article argues for a more nuanced understanding of Moroccan culture, emphasizing t…

  • Encountering Morocco

    David Crawford, Kevin Dwyer et al.•BOOK•Encountering Morocco•2013

    Like the Public Cultures of the Middle East and North Africa series page on Facebook

  • Slaughter House Blues

    Kevin Dwyer•ARTICLE•Food Culture & Society•2014

    Compte rendu publié dans la revue Food, Culture & Society : An International Journal of Multidisciplinary Research, Routledge Taylor & Francis Group, Vol 17, n°1, pp.167-169

  • Family Resemblance

    Open Access•Kevin Dwyer•CHAPTER•Cinema of the Arab World•2020

  • Anthropology, Film Industries, Modularity

    Steven Caton, Jessica Dickson et al.•BOOK•Anthropology, Film Industries,…•2021

  • The Moroccan Film Industry A Contre-Jour

    Open Access•Kevin Dwyer•CHAPTER•Anthropology, Film Industries,…•2021

  • Association of Covid-19 With Achieving Time-to-Surgery Benchmarks in Patients With Musculoskeletal Trauma

    Open Access•Ida Leah Gitajn, Paul M Werth et al.•ARTICLE•JAMA Health Forum•2021

    In this cohort study, there was no association between meeting time-to-surgery benchmarks in either open fracture or closed femur/hip fracture during the COVID-19 pandemic compared with before the pandemic. This is counter to concerns that the unprecedented challenges associated with managing the COVID-19 pandemic would be associated with clinically significant delays in acute management of urgent surgical cases and suggests that many hospital sy…

  • Toward institutionalization of responsible innovation in the contemporary research university

    Open Access•William B Dabars, Kevin Dwyer•ARTICLE•Journal of Responsible Innovation•2022

    A comprehensive organizational reconceptualization undertaken by Arizona State University (ASU) during the past two decades has been motivated in part by an explicit intent to institutionalize reflexive understandings of societal responsibility within a major public research university. In the process of operationalizing new models for the American research university, ASU embarked on an academic reorganization that institutionalized the conditio…

  • The Perils and Promise of Moroccan Cinema

    Open Access•Kevin Dwyer•BOOK•Perils and Promise of Moroccan…•2025

  • Introduction

    Open Access•Kevin Dwyer•CHAPTER•Perils and Promise of Moroccan…•2025

  • One Decade, Two Comedies, Two Filmmakers (M.A. Tazi, Hakim Noury) (2004–2007)

    Open Access•Kevin Dwyer•CHAPTER•Perils and Promise of Moroccan…•2025

  • The “Neo-Real,” the Social, and the Symbolic in the Films of M. A. Tazi (1998–2000)

    Open Access•Kevin Dwyer•CHAPTER•Perils and Promise of Moroccan…•2025

  • Perils and Promise of Moroccan Cinema

    Kevin Dwyer•BOOK•Perils and Promise of Moroccan…•2025

  • Life History in Anthropology and Moroccan Cinema (2005–2010)

    Open Access•Kevin Dwyer•CHAPTER•Perils and Promise of Moroccan…•2025

Sociology (12 works) · African history and culture studies (10 works) · Art (10 works) · History (9 works) · Political science (9 works) · Art history (7 works) · Movie theater (7 works) · Law (5 works) · Media studies (4 works) · Politics (4 works)

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