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Ron Welburn

Biographic Data

ID3622359
NAMERon Welburn
GIVEN NAMESRon
FAMILY NAMEWelburn
SIGNATUREWELBURN R
AFFILIATIONSUniversity of Massachusetts Amherst
VERIFIEDNo
TOTAL WORKS29
TOTAL CITATIONS5
WORKS AS AUTHOR29
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1975
LATEST PUBLICATION YEAR2018
H-INDEX1
  • Joe Skerrett and Melus at UMass Amherst

    Open Access•Ron Welburn•ARTICLE•MELUS Multi-Ethnic Literature of…•2018

    I must begin with Chester County, Pennsylvania (of which the city of West Chester is the county seat), for its coincidental role in my meeting Joe. As an undergraduate in the mid-1960s at Lincoln University in southern Chester County, I chanced to meet an elder referred to simply as “Mr. Skerrett.” He resided with one of the university employees whose house was walking distance from the campus on the narrow street through the tiny settlement we s…

  • Theorizing Native Studies in the Northeast

    Open Access•Ron Welburn•ARTICLE•American Indian Culture and…•2009

    Academic programs that focus on the histories, cultures, and contemporary issues of the peoples indigenous to North America, whether they are called American Indian studies, Native American studies, First Nations studies, or, for some as program ideologies evolve, indigenous studies, are not new pursuits. As Native studies continues to develop, administrators, faculties, staff, and students will face questions about theory and methodology and the…

  • The Demon of the Continent

    Ron Welburn, Joshua David Bellin•ARTICLE•The New England Quarterly•2002•Cited by: 4

    In recent years, the study and teaching of Native American oral and written art have flourished. During the same period, there has been a growing recognition among historians, anthropologists, and ethnohistorians that Indians must be seen not as the voiceless, nameless, faceless Other but as people who had a powerful impact on the historical development of the United States. Literary critics, however, have continued to overlook Indians as determi…

  • Yellow Wolf Spirit

    Ron Welburn•ARTICLE•Callaloo•2001

  • A Moon Accountability

    Ron Welburn•ARTICLE•Callaloo•2001

    Ron Welburn teaches American literatures at the University of Massachusetts in Amherst. His published works include Roanoke and Wampum: Topics in Native American Heritage and Literatures (2001), Council Decisions (1990), and Heartland: Selected Poems (1981)

  • Medicine River

    Ron Welburn, Thomas King•ARTICLE•MELUS Multi-Ethnic Literature of…•1996

    Journal Article Medicine River. Thomas King. Markham, Ontario: Penguin Books Canada, 1990. 261 pages. $18.95. Green Grass, Running Water. Thomas King. Boston: Houghton Mifflin, 1993. 360 pages. $21.95. Get access Medicine River. Thomas King. Markham, Ontario: Penguin Books Canada, 1990. 261 pages. $18.95.Green Grass, Running Water. Thomas King. Boston: Houghton Mifflin, 1993. 360 pages. $21.95. Ron Welburn Ron Welburn University of Massachusetts …

  • Skidoo" ("Yes, That's It)

    Ron Welburn•ARTICLE•Callaloo•1996

    “2300 Skidoo” (“Yes, That’s It”) Ron Welburn (bio) I listened to Herbie Nichols’ music: Then, when the old man said to me “ ” I now had to learn turning over. Ron Welburn Ron Welburn is an enrolled member of the Southeastern Cherokee Confederacy, a mentor for Wordcraft Circle, and chair of the Five Colleges, Inc., American Indian Studies Committee. He teaches American literatures at the University of Massachusetts in Amherst. His most recent coll…

  • Call and Remembrance

    Ron Welburn•ARTICLE•Callaloo•1996

    Callaloo - Volume 19, Number 4, Fall 1996

  • A New Time Native Diversity

    Ron Welburn•ARTICLE•Callaloo•1996

    Callaloo - Volume 19, Number 4, Fall 1996

  • Inuit Goggles 1957

    Ron Welburn•ARTICLE•Callaloo•1996

    Inuit Goggles 1957 Ron Welburn (bio) I heard in the Dead Lecturer’s “slits in the metal, for sun”* the resonance of Inuit goggles, my trope of resistance to the transatlantic endgame, impression from my ignorance of the cage with a heart beating, wishing it was somewhere else, when his someone else moved inside me. Snow storm and winter offer us the languages of survivance. The goggles frame reference to my wandering about with the rest of the pe…

  • A Dena'ina Legacy. K'tl'egh'i Sukdu

    Ron Welburn, James Kari et al.•ARTICLE•MELUS Multi-Ethnic Literature of…•1995

    Journal Article A Dena'ina Legacy. K'tl'egh'i Sukdu: The Collected Writings of Peter Kalifornsky. Edited by James Kari and Alan Borass. Fairbanks: Alaska Native Language Center, University of Alaska, 1991. xxxviii + 485 pages, maps, photos. $16.00 paper. Get access A Dena'ina Legacy. K'tl'egh'i Sukdu: The Collected Writings of Peter Kalifornsky. Edited by James Kari and Alan Borass. Fairbanks: Alaska Native Language Center, University of Alaska, …

  • The Braided Rug, Pennyroyal, and the Pathos of Almira Todd

    Open Access•Ron Welburn•ARTICLE•Journal of American Culture•1994

  • Yellow Wolf Spirit

    Ron Welburn•ARTICLE•Callaloo•1994

  • Wolfsong

    Ron Welburn, Louis Owens•ARTICLE•MELUS Multi-Ethnic Literature of…•1994

    Journal Article Wolfsong. Louis Owens. Albuquerque: West End Press, 1991. 256 pages. $12.95. Get access Wolfsong. Louis Owens. Albuquerque: West End Press, 1991. 256 pages. $12.95. Ron Welburn Ron Welburn University of Massachusetts at Amherst Search for other works by this author on: Oxford Academic Google Scholar MELUS, Volume 19, Issue 3, September 1994, Pages 139–141, https://doi.org/10.2307/467880 Published: 01 September 1994

  • Lone Dog's Winter Count

    Ron Welburn, Diane Glancy•ARTICLE•MELUS Multi-Ethnic Literature of…•1994

    Journal Article Lone Dog’s Winter Count. Diane Glancy. Albuquerque: West End Press, 1991. 80 pages. $9.95 paper. and Claiming Breath. Diane Glancy. Lincoln: University of Nebraska Press, 1992.115 pages. $15.95 cloth. Get access Lone Dog’s Winter Count. Diane Glancy. Albuquerque: West End Press, 1991. 80 pages. $9.95 paper.Claiming Breath. Diane Glancy. Lincoln: University of Nebraska Press, 1992. 115 pages. $15.95 cloth. Ron Welburn Ron Welburn U…

  • Peopling Winter

    Ron Welburn•ARTICLE•Callaloo•1994

  • Jay Wright's Poetics

    Ron Welburn•ARTICLE•MELUS Multi-Ethnic Literature of…•1993

    Jay Wright’s Poetics: An Appreciation Get access Ron Welburn Ron Welburn University of Massachusetts at Amherst Search for other works by this author on: Oxford Academic Google Scholar MELUS, Volume 18, Issue 3, September 1993, Pages 51–70, https://doi.org/10.2307/468066 Published: 01 September 1993

  • Removals

    Ron Welburn, Lucy Maddox•ARTICLE•MELUS Multi-Ethnic Literature of…•1993

    Journal Article Removals: Nineteenth-Century American Literature and the Politics of Indian Affairs. Lucy Maddox. New York: Oxford University Press, 1991.202 pages. $29.95. Get access Removals: Nineteenth-Century American Literature and the Politics of Indian Affairs. Lucy Maddox. New York: Oxford University Press, 1991. 202 pages. $29.95. Ron Welburn Ron Welburn University of Massachusetts at Amherst Search for other works by this author on: Oxf…

  • Jazz Magazines of the 1930s

    Ron Welburn•ARTICLE•American Music•1987

    Throughout its existence jazz has been attended by a great body of journalism, which, as a whole, contains more reportage and features on jazz artists than interpretive studies contributing to a comprehensive and effective aesthetic criticism. Yet there is a surprising regularity of analysis within magazines, newspapers, and periodicals, the distillation of which has produced a fascinating branch of American prose. Diffuse but descriptive comment…

  • James Reese Europe and the Infancy of Jazz Criticism

    Ron Welburn•ARTICLE•Black Music Research Journal•1987•Cited by: 1•References: 1

    During the second decade of the twentieth century, a new syncopated music for popular demand evolved that competed with the public attention to and popularity of ragtime. The music was jazz, and once the term became a means to describe this phenomenon, writers used it and freely and interchangeably until they fell into the habit of using the term almost exclusively, without being clear about what they meant. Of course, by 1917 the ragtime craze w…

  • Toward Theory and Method with the Jazz Oral History Project

    Ron Welburn•ARTICLE•Black Music Research Journal•1986•References: 2

    Oral history, as a relatively young field, offers pleasures and challenges as we try to learn something from the perspective, discursive style, and the reminiscences of a respondent and occasionally try to figure out the motivations of an interviewer. That oral history is so young is reflected in the discussions about what function it serves, what methodology it should follow, and whether or not it should be ascribed the status of a discipline an…

  • Bones and Drums

    Ron Welburn•ARTICLE•Callaloo•1986

  • Nigerian Music Review

    Eileen Southern, Akin Euba et al.•ARTICLE•The Black Perspective in Music•1978

  • Talk No Trash

    Ron Welburn•ARTICLE•Callaloo•1978

  • Conga

    Ron Welburn•ARTICLE•Callaloo•1978

Next
  • The Demon of the Continent

    Ron Welburn, Joshua David Bellin•ARTICLE•The New England Quarterly•2002•Cited by: 4

    In recent years, the study and teaching of Native American oral and written art have flourished. During the same period, there has been a growing recognition among historians, anthropologists, and ethnohistorians that Indians must be seen not as the voiceless, nameless, faceless Other but as people who had a powerful impact on the historical development of the United States. Literary critics, however, have continued to overlook Indians as determi…

  • James Reese Europe and the Infancy of Jazz Criticism

    Ron Welburn•ARTICLE•Black Music Research Journal•1987•Cited by: 1•References: 1

    During the second decade of the twentieth century, a new syncopated music for popular demand evolved that competed with the public attention to and popularity of ragtime. The music was jazz, and once the term became a means to describe this phenomenon, writers used it and freely and interchangeably until they fell into the habit of using the term almost exclusively, without being clear about what they meant. Of course, by 1917 the ragtime craze w…

  • The Last Days of Louisiana Red

    Ron Welburn, Ishmael Reed•ARTICLE•MELUS Multi-Ethnic Literature of…•1975

  • Outer Thoughts

    Ron Welburn, George Russell•ARTICLE•The Black Perspective in Music•1976

  • Heavy Spirits

    Ron Welburn, Oliver Lake•ARTICLE•The Black Perspective in Music•1977

  • Nigerian Music Review

    Eileen Southern, Akin Euba et al.•ARTICLE•The Black Perspective in Music•1978

  • Talk No Trash

    Ron Welburn•ARTICLE•Callaloo•1978

  • Conga

    Ron Welburn•ARTICLE•Callaloo•1978

  • The Assumed Ankh

    Ron Welburn•ARTICLE•Callaloo•1978

  • Toward Theory and Method with the Jazz Oral History Project

    Ron Welburn•ARTICLE•Black Music Research Journal•1986•References: 2

    Oral history, as a relatively young field, offers pleasures and challenges as we try to learn something from the perspective, discursive style, and the reminiscences of a respondent and occasionally try to figure out the motivations of an interviewer. That oral history is so young is reflected in the discussions about what function it serves, what methodology it should follow, and whether or not it should be ascribed the status of a discipline an…

  • Bones and Drums

    Ron Welburn•ARTICLE•Callaloo•1986

  • Jazz Magazines of the 1930s

    Ron Welburn•ARTICLE•American Music•1987

    Throughout its existence jazz has been attended by a great body of journalism, which, as a whole, contains more reportage and features on jazz artists than interpretive studies contributing to a comprehensive and effective aesthetic criticism. Yet there is a surprising regularity of analysis within magazines, newspapers, and periodicals, the distillation of which has produced a fascinating branch of American prose. Diffuse but descriptive comment…

  • James Reese Europe and the Infancy of Jazz Criticism

    Ron Welburn•ARTICLE•Black Music Research Journal•1987•Cited by: 1•References: 1

    During the second decade of the twentieth century, a new syncopated music for popular demand evolved that competed with the public attention to and popularity of ragtime. The music was jazz, and once the term became a means to describe this phenomenon, writers used it and freely and interchangeably until they fell into the habit of using the term almost exclusively, without being clear about what they meant. Of course, by 1917 the ragtime craze w…

  • Jay Wright's Poetics

    Ron Welburn•ARTICLE•MELUS Multi-Ethnic Literature of…•1993

    Jay Wright’s Poetics: An Appreciation Get access Ron Welburn Ron Welburn University of Massachusetts at Amherst Search for other works by this author on: Oxford Academic Google Scholar MELUS, Volume 18, Issue 3, September 1993, Pages 51–70, https://doi.org/10.2307/468066 Published: 01 September 1993

  • Removals

    Ron Welburn, Lucy Maddox•ARTICLE•MELUS Multi-Ethnic Literature of…•1993

    Journal Article Removals: Nineteenth-Century American Literature and the Politics of Indian Affairs. Lucy Maddox. New York: Oxford University Press, 1991.202 pages. $29.95. Get access Removals: Nineteenth-Century American Literature and the Politics of Indian Affairs. Lucy Maddox. New York: Oxford University Press, 1991. 202 pages. $29.95. Ron Welburn Ron Welburn University of Massachusetts at Amherst Search for other works by this author on: Oxf…

  • The Braided Rug, Pennyroyal, and the Pathos of Almira Todd

    Open Access•Ron Welburn•ARTICLE•Journal of American Culture•1994

  • Yellow Wolf Spirit

    Ron Welburn•ARTICLE•Callaloo•1994

  • Wolfsong

    Ron Welburn, Louis Owens•ARTICLE•MELUS Multi-Ethnic Literature of…•1994

    Journal Article Wolfsong. Louis Owens. Albuquerque: West End Press, 1991. 256 pages. $12.95. Get access Wolfsong. Louis Owens. Albuquerque: West End Press, 1991. 256 pages. $12.95. Ron Welburn Ron Welburn University of Massachusetts at Amherst Search for other works by this author on: Oxford Academic Google Scholar MELUS, Volume 19, Issue 3, September 1994, Pages 139–141, https://doi.org/10.2307/467880 Published: 01 September 1994

  • Lone Dog's Winter Count

    Ron Welburn, Diane Glancy•ARTICLE•MELUS Multi-Ethnic Literature of…•1994

    Journal Article Lone Dog’s Winter Count. Diane Glancy. Albuquerque: West End Press, 1991. 80 pages. $9.95 paper. and Claiming Breath. Diane Glancy. Lincoln: University of Nebraska Press, 1992.115 pages. $15.95 cloth. Get access Lone Dog’s Winter Count. Diane Glancy. Albuquerque: West End Press, 1991. 80 pages. $9.95 paper.Claiming Breath. Diane Glancy. Lincoln: University of Nebraska Press, 1992. 115 pages. $15.95 cloth. Ron Welburn Ron Welburn U…

  • Peopling Winter

    Ron Welburn•ARTICLE•Callaloo•1994

  • A Dena'ina Legacy. K'tl'egh'i Sukdu

    Ron Welburn, James Kari et al.•ARTICLE•MELUS Multi-Ethnic Literature of…•1995

    Journal Article A Dena'ina Legacy. K'tl'egh'i Sukdu: The Collected Writings of Peter Kalifornsky. Edited by James Kari and Alan Borass. Fairbanks: Alaska Native Language Center, University of Alaska, 1991. xxxviii + 485 pages, maps, photos. $16.00 paper. Get access A Dena'ina Legacy. K'tl'egh'i Sukdu: The Collected Writings of Peter Kalifornsky. Edited by James Kari and Alan Borass. Fairbanks: Alaska Native Language Center, University of Alaska, …

  • Medicine River

    Ron Welburn, Thomas King•ARTICLE•MELUS Multi-Ethnic Literature of…•1996

    Journal Article Medicine River. Thomas King. Markham, Ontario: Penguin Books Canada, 1990. 261 pages. $18.95. Green Grass, Running Water. Thomas King. Boston: Houghton Mifflin, 1993. 360 pages. $21.95. Get access Medicine River. Thomas King. Markham, Ontario: Penguin Books Canada, 1990. 261 pages. $18.95.Green Grass, Running Water. Thomas King. Boston: Houghton Mifflin, 1993. 360 pages. $21.95. Ron Welburn Ron Welburn University of Massachusetts …

  • Skidoo" ("Yes, That's It)

    Ron Welburn•ARTICLE•Callaloo•1996

    “2300 Skidoo” (“Yes, That’s It”) Ron Welburn (bio) I listened to Herbie Nichols’ music: Then, when the old man said to me “ ” I now had to learn turning over. Ron Welburn Ron Welburn is an enrolled member of the Southeastern Cherokee Confederacy, a mentor for Wordcraft Circle, and chair of the Five Colleges, Inc., American Indian Studies Committee. He teaches American literatures at the University of Massachusetts in Amherst. His most recent coll…

  • Call and Remembrance

    Ron Welburn•ARTICLE•Callaloo•1996

    Callaloo - Volume 19, Number 4, Fall 1996

  • A New Time Native Diversity

    Ron Welburn•ARTICLE•Callaloo•1996

    Callaloo - Volume 19, Number 4, Fall 1996

  • Inuit Goggles 1957

    Ron Welburn•ARTICLE•Callaloo•1996

    Inuit Goggles 1957 Ron Welburn (bio) I heard in the Dead Lecturer’s “slits in the metal, for sun”* the resonance of Inuit goggles, my trope of resistance to the transatlantic endgame, impression from my ignorance of the cage with a heart beating, wishing it was somewhere else, when his someone else moved inside me. Snow storm and winter offer us the languages of survivance. The goggles frame reference to my wandering about with the rest of the pe…

  • Yellow Wolf Spirit

    Ron Welburn•ARTICLE•Callaloo•2001

History (17 works) · Art (16 works) · Literature (9 works) · Art history (7 works) · Archaeology (6 works) · Law (6 works) · Political science (6 works) · Computer Science (5 works) · Sociology (5 works) · Visual arts (5 works)

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