Gretel Rodríguez
Biographic Data
| ID | 3622883 |
|---|---|
| NAME | Gretel Rodríguez |
| GIVEN NAMES | Gretel |
| FAMILY NAME | Rodríguez |
| SIGNATURE | RODRIGUEZ G |
| AFFILIATIONS | Brown University |
| VERIFIED | No |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 4 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2020 |
| LATEST PUBLICATION YEAR | 2023 |
| H-INDEX | 0 |
The Design and Reception of the Roman Arch at Orange
The Arch at Orange is well known among the Roman remains of southern France for its good preservation and exuberant visual program. Previous studies have focused on the meanings behind its martial iconography, considering the structure exclusively as the result of Roman intervention. A reconsideration of the Arch at Orange from a postcolonial perspective, looking at issues of placement, design, and viewership, situates the monument as a product o…
The myth of Iphigenia in fourth-century funerary vases of southern Italy
Historians Respond to Whitehouse et al. (2019), “Complex Societies Precede Moralizing Gods Throughout World History”
As historians, archaeologists, and database analysts affiliated with the Database of Religious History (DRH; religiondatabase.org), we share with the Seshat: Global History Databank team, authors of a recent study published in Nature, an excitement about the potential for deep and sustained collaborations between historians and analysts to answer big questions about human history. We have serious concerns, however, by the approach to the quantita…
Before and After Rome
The art of ancient Gallia Narbonensis constitutes a coherent corpus thanks to a number of shared visual characteristics. Prominent among them is a carving technique that consisted of deeply incising the contours of figures in sculpted reliefs, a trend that was rare in Roman art elsewhere. This paper investigates the presence of incised contours in monuments erected between the late first century BC and the early decades of the first century AD at…
No prominent works on this page.
Historians Respond to Whitehouse et al. (2019), “Complex Societies Precede Moralizing Gods Throughout World History”
As historians, archaeologists, and database analysts affiliated with the Database of Religious History (DRH; religiondatabase.org), we share with the Seshat: Global History Databank team, authors of a recent study published in Nature, an excitement about the potential for deep and sustained collaborations between historians and analysts to answer big questions about human history. We have serious concerns, however, by the approach to the quantita…
Before and After Rome
The art of ancient Gallia Narbonensis constitutes a coherent corpus thanks to a number of shared visual characteristics. Prominent among them is a carving technique that consisted of deeply incising the contours of figures in sculpted reliefs, a trend that was rare in Roman art elsewhere. This paper investigates the presence of incised contours in monuments erected between the late first century BC and the early decades of the first century AD at…
The myth of Iphigenia in fourth-century funerary vases of southern Italy
The Design and Reception of the Roman Arch at Orange
The Arch at Orange is well known among the Roman remains of southern France for its good preservation and exuberant visual program. Previous studies have focused on the meanings behind its martial iconography, considering the structure exclusively as the result of Roman intervention. A reconsideration of the Arch at Orange from a postcolonial perspective, looking at issues of placement, design, and viewership, situates the monument as a product o…
History (4 works) · Art (3 works) · Ancient Mediterranean Archaeology and History (2 works) · Archaeological Research and Protection (2 works) · Archaeology (2 works) · Art history (2 works) · Classical Antiquity Studies (2 works) · Visual arts (2 works) · Aesthetics (1 works) · Ancient and Medieval Archaeology Studies (1 works)