Lisa A Hughes
Biographic Data
| ID | 3623389 |
|---|---|
| NAME | Lisa A Hughes |
| GIVEN NAMES | Lisa A |
| FAMILY NAME | Hughes |
| SIGNATURE | HUGHES L A |
| AFFILIATIONS | University of Calgary |
| VERIFIED | No |
| TOTAL WORKS | 10 |
| TOTAL CITATIONS | 4 |
| WORKS AS AUTHOR | 10 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1997 |
| LATEST PUBLICATION YEAR | 2021 |
| H-INDEX | 1 |
Sensing Hermaphroditus in the Dionysian Theatre Garden
CHAPTER 10. Performing Blurred Gender Lines
A computational investigation of the thermal environment of the caldarium in a replica Roman bath
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
The Roman Wedding
Reviewed by: The Roman Wedding: Ritual and Meaning in Antiquity Lisa A. Hughes Karen K. Hersch . The Roman Wedding: Ritual and Meaning in Antiquity. Cambridge/New York: Cambridge University Press, 2010. Pp. xii + 341. CDN $27.99. ISBN 9780521124270. What rituals were performed at the Roman wedding? Who took part in the ceremony? How did the conjugal couple dress? The answers that handbooks or general reference works provide to these questions are…
Morals, piety, and representations of veiled women in augustan rome
(2010). Morals, piety, and representations of veiled women in augustan rome. Material Religion: Vol. 6, No. 3, pp. 377-378
Unveiling the veil
To corroborate that the veil was the standard mode of dress that symbolized pudicitia (virtue or chastity) for Roman matrons during the Augustan period (27 BCE—CE 14), scholars have frequently turned to the ancient material record, especially funerary monuments depicting freedwomen. In this article I demonstrate that there are several difficulties with the evidence and methodological approaches applied to this corpus of evidence. I offer a new ap…
Dillon, John M. Morality and Custom in Ancient Greece . Bloomington and Indianapolis
"Dillon, John M. MORALITY AND CUSTOM IN ANCIENT GREECE. Bloomington and Indianapolis: Indiana University Press." Journal of Comparative Family Studies, 37(3), pp. 490–491
More Than Just Another Piece of Pretty Portraiture
Nouvelle lecture du relief de la famille Gessius (Musée des Beaux-Arts de Boston, fond Archibald Cary Coolidge 37.100). Sur cette stèle, la position prééminente, c’est-à-dire les premiers nom et portrait que l’on voit lorsque le relief est lu de gauche à droite, est occupée par une femme. Plus encore, cette femme serait une d’affranchie. Cette place prééminente d’une affranchie sur une stèle éclairent les facteurs qui influençaient l’ordre des no…
Can International Law Protect Child Soldiers
(2000). Can International Law Protect Child Soldiers? Peace Review: Vol. 12, No. 3, pp. 399-405
Vergil's Creusa and Iliad 6
Unveiling the veil
To corroborate that the veil was the standard mode of dress that symbolized pudicitia (virtue or chastity) for Roman matrons during the Augustan period (27 BCE—CE 14), scholars have frequently turned to the ancient material record, especially funerary monuments depicting freedwomen. In this article I demonstrate that there are several difficulties with the evidence and methodological approaches applied to this corpus of evidence. I offer a new ap…
Sensing Hermaphroditus in the Dionysian Theatre Garden
More Than Just Another Piece of Pretty Portraiture
Nouvelle lecture du relief de la famille Gessius (Musée des Beaux-Arts de Boston, fond Archibald Cary Coolidge 37.100). Sur cette stèle, la position prééminente, c’est-à-dire les premiers nom et portrait que l’on voit lorsque le relief est lu de gauche à droite, est occupée par une femme. Plus encore, cette femme serait une d’affranchie. Cette place prééminente d’une affranchie sur une stèle éclairent les facteurs qui influençaient l’ordre des no…
Vergil's Creusa and Iliad 6
Can International Law Protect Child Soldiers
(2000). Can International Law Protect Child Soldiers? Peace Review: Vol. 12, No. 3, pp. 399-405
More Than Just Another Piece of Pretty Portraiture
Nouvelle lecture du relief de la famille Gessius (Musée des Beaux-Arts de Boston, fond Archibald Cary Coolidge 37.100). Sur cette stèle, la position prééminente, c’est-à-dire les premiers nom et portrait que l’on voit lorsque le relief est lu de gauche à droite, est occupée par une femme. Plus encore, cette femme serait une d’affranchie. Cette place prééminente d’une affranchie sur une stèle éclairent les facteurs qui influençaient l’ordre des no…
Dillon, John M. Morality and Custom in Ancient Greece . Bloomington and Indianapolis
"Dillon, John M. MORALITY AND CUSTOM IN ANCIENT GREECE. Bloomington and Indianapolis: Indiana University Press." Journal of Comparative Family Studies, 37(3), pp. 490–491
Unveiling the veil
To corroborate that the veil was the standard mode of dress that symbolized pudicitia (virtue or chastity) for Roman matrons during the Augustan period (27 BCE—CE 14), scholars have frequently turned to the ancient material record, especially funerary monuments depicting freedwomen. In this article I demonstrate that there are several difficulties with the evidence and methodological approaches applied to this corpus of evidence. I offer a new ap…
The Roman Wedding
Reviewed by: The Roman Wedding: Ritual and Meaning in Antiquity Lisa A. Hughes Karen K. Hersch . The Roman Wedding: Ritual and Meaning in Antiquity. Cambridge/New York: Cambridge University Press, 2010. Pp. xii + 341. CDN $27.99. ISBN 9780521124270. What rituals were performed at the Roman wedding? Who took part in the ceremony? How did the conjugal couple dress? The answers that handbooks or general reference works provide to these questions are…
Morals, piety, and representations of veiled women in augustan rome
(2010). Morals, piety, and representations of veiled women in augustan rome. Material Religion: Vol. 6, No. 3, pp. 377-378
A computational investigation of the thermal environment of the caldarium in a replica Roman bath
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
CHAPTER 10. Performing Blurred Gender Lines
Sensing Hermaphroditus in the Dionysian Theatre Garden
Art (7 works) · Classical Antiquity Studies (6 works) · History (5 works) · Law (4 works) · Philosophy (4 works) · Sociology (4 works) · Classics (3 works) · Classics (3 works) · History (3 works) · Law (3 works)