Eva Chen
Biographic Data
| ID | 3624802 |
|---|---|
| NAME | Eva Chen |
| GIVEN NAMES | Eva |
| FAMILY NAME | Chen |
| SIGNATURE | CHEN E |
| AFFILIATIONS | National Cheng-Chi University, Taipei |
| VERIFIED | No |
| TOTAL WORKS | 7 |
| TOTAL CITATIONS | 36 |
| WORKS AS AUTHOR | 7 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2013 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 1 |
The New Woman and the Witch
Race by Law for Asian Americans
Pretty Women Don’t Drive
“Ladies will not give up motoring, and they certainly will not give up smart frocks.” –Daily Telegraph & Courier (2 July 1905) “Why don’t pretty women drive?” In a 1906 letter to The Autocar, a mal
Freedom or Constraint
In this passage , quoted from Grant Allen's 1897 bestseller The Type-writer Girl , the New-Woman-turned-typist Juliet Appleton decides to quit typing in a London law office where she is forced to “click, click, click all day like a machine.” As an alternative and a release, she jumps on her bicycle and rides for an “idyllic” anarchic farm in the countryside (11). There across the Weald of Sussex and Surrey, the bicycling Juliet encounters two oth…
Rather Above Her Station”
Neoliberalism and popular women’s culture
‘Choice’, ‘freedom’ and ‘agency’ are terms liberally appropriated in recent years by popular women’s cultural genres to advance an image of the new, empowered woman confidently embracing patriarchal heterosexuality and commodity culture. Critics such as Rosalind Gill have linked this image to the influence of contemporary neoliberalism. This article extends these claims in order to argue that with the rise of this new female subject that reflects…
Fashioning the Cosmopolitan Girl
This article focuses on the bestselling Du Lala novel series portraying the career rise and love life of a “foreign corporate white collar woman” in contemporary China. It argues that on top of the books’ popular image as career novels that offer useful tips on office politics and desirable Western business practices for young, educated, upwardly mobile urban women, they also inculcate sartorial and consuming practices as a crucial technology to …
Neoliberalism and popular women’s culture
‘Choice’, ‘freedom’ and ‘agency’ are terms liberally appropriated in recent years by popular women’s cultural genres to advance an image of the new, empowered woman confidently embracing patriarchal heterosexuality and commodity culture. Critics such as Rosalind Gill have linked this image to the influence of contemporary neoliberalism. This article extends these claims in order to argue that with the rise of this new female subject that reflects…
Race by Law for Asian Americans
Pretty Women Don’t Drive
“Ladies will not give up motoring, and they certainly will not give up smart frocks.” –Daily Telegraph & Courier (2 July 1905) “Why don’t pretty women drive?” In a 1906 letter to The Autocar, a mal
Fashioning the Cosmopolitan Girl
This article focuses on the bestselling Du Lala novel series portraying the career rise and love life of a “foreign corporate white collar woman” in contemporary China. It argues that on top of the books’ popular image as career novels that offer useful tips on office politics and desirable Western business practices for young, educated, upwardly mobile urban women, they also inculcate sartorial and consuming practices as a crucial technology to …
Neoliberalism and popular women’s culture
‘Choice’, ‘freedom’ and ‘agency’ are terms liberally appropriated in recent years by popular women’s cultural genres to advance an image of the new, empowered woman confidently embracing patriarchal heterosexuality and commodity culture. Critics such as Rosalind Gill have linked this image to the influence of contemporary neoliberalism. This article extends these claims in order to argue that with the rise of this new female subject that reflects…
Fashioning the Cosmopolitan Girl
This article focuses on the bestselling Du Lala novel series portraying the career rise and love life of a “foreign corporate white collar woman” in contemporary China. It argues that on top of the books’ popular image as career novels that offer useful tips on office politics and desirable Western business practices for young, educated, upwardly mobile urban women, they also inculcate sartorial and consuming practices as a crucial technology to …
Rather Above Her Station”
Freedom or Constraint
In this passage , quoted from Grant Allen's 1897 bestseller The Type-writer Girl , the New-Woman-turned-typist Juliet Appleton decides to quit typing in a London law office where she is forced to “click, click, click all day like a machine.” As an alternative and a release, she jumps on her bicycle and rides for an “idyllic” anarchic farm in the countryside (11). There across the Weald of Sussex and Surrey, the bicycling Juliet encounters two oth…
Pretty Women Don’t Drive
“Ladies will not give up motoring, and they certainly will not give up smart frocks.” –Daily Telegraph & Courier (2 July 1905) “Why don’t pretty women drive?” In a 1906 letter to The Autocar, a mal
Race by Law for Asian Americans
The New Woman and the Witch
Law (4 works) · Political science (4 works) · Sociology (4 works) · Art (3 works) · Gender Studies (3 works) · Law (3 works) · Aesthetics (2 works) · Agency (philosophy (2 works) · Art history (2 works) · Decadence, Literature, and Society (2 works)