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Albert Boime

Biographic Data

ID362481
NAMEAlbert Boime
GIVEN NAMESAlbert
FAMILY NAMEBoime
SIGNATUREBOIME A
AFFILIATIONSUniversity of California, Los Angeles
VERIFIEDNo
TOTAL WORKS27
TOTAL CITATIONS10
AUTHOR COUNT27
EDITOR COUNT0
FIRST PUBLICATION YEAR1979
LATEST PUBLICATION YEAR2003
H-INDEX2
  • Couture, Thomas

    Albert Boime•CHAPTER•2003

  • John James Audubon

    Open Access•Albert Boime•ARTICLE•Art History•1999

    John James Audubon, the bird‐lover of America, has never been submitted to the critical art‐historical analysis his career and production deserve. This essay attempts to redress the situation by showing that his ornithologically correct imagery is steeped in the predominant ideological formations of his time and place. A foreigner whose birth occurred in ambiguous circumstances, Audubon ventured into the forests of the New World to escape his ori…

  • Art and the French Commune

    Albert Boime•BOOK•Art and the French Commune•1995

    In this bold exploration of the political forces that shaped Impressionism, Albert Boime proposes that at the heart of the modern is a "guilty secret"--the need of the dominant, mainly bourgeois, classes in Paris to expunge from historical memory the haunting nightmare of the Commune and its socialist ideology. The Commune of 1871 emerged after the Prussian war when the Paris militia chased the central government to Versailles, enabling the worki…

  • Magisterial Visions

    Open Access•Angela Miller, Albert Boime et al.•ARTICLE•American Quarterly•1995

    THE STUDY OF THE REPRESENTED LANDSCAPE-IN TEXT AND IMAGE-IS currently in its glory days. Yet few traditionally minded scholars of landscape art would recognize their subject in much recent work. In the past few years, numerous British and American studies have considered the cultural meanings of Anglo-American landscape representation from widely varied perspectives.' The topic has proved a meeting ground for transatlantic collaborators wielding …

  • Maria Deraismes and Eva Gonzales

    Albert Boime•ARTICLE•Woman s Art Journal•1994

  • The Postwar Redefinition of Self

    Albert Boime•ARTICLE•American Art•1993

  • The Magisterial Gaze

    Kenneth J Myers, Albert Boime•ARTICLE•Journal of American History•1993

    Journal Article The Magisterial Gaze: Manifest Destiny and American Landscape Painting, c. 1830–1865. By Albert Boime. (Washington: Smithsonian Institution Press, 1991. xii + 188 pp. $24.95, ISBN 1-56098-095-8.) Get access Kenneth John Myers Kenneth John Myers Middlebury College Search for other works by this author on: Oxford Academic Google Scholar Journal of American History, Volume 79, Issue 4, March 1993, Pages 1603–1604, https://doi.org/10.…

  • American Landscape

    Elizabeth Johns, Albert Boime et al.•ARTICLE•The Journal of Interdisciplinary…•1993

  • The Magisterial Gaze

    Joni L Kinsey, Albert Boime•ARTICLE•Journal of the Early Republic•1992•Cited by: 4

  • The Magisterial Gaze

    Mark Thistlethwaite, Albert Boime•ARTICLE•Western Historical Quarterly•1992

    Journal Article The Magisterial Gaze: Manifest Destiny and American Landscape Painting c. 1830–1865 Get access The Magisterial Gaze: Manifest Destiny and American Landscape Painting c. 1830–1865. By Boime Albert. (Washington, DC: Smithsonian Institution Press, 1991. xi + 188 pp. Illustrations, notes, index. $24.95.) Mark Thistlethwaite Mark Thistlethwaite Texas Christian University Search for other works by this author on: Oxford Academic Google …

  • Patriarchy Fixed in Stone

    Albert Boime•ARTICLE•American Art•1991

  • Portraying Monomaniacs to Service the Alienist's Monomania

    Albert Boime•ARTICLE•Oxford Art Journal•1991

    Journal Article Portraying Monomaniacs to Service the Alienist's Monomania: Géricault and Georget Get access ALBERT BOIME ALBERT BOIME Search for other works by this author on: Oxford Academic Google Scholar Oxford Art Journal, Volume 14, Issue 1, 1991, Pages 79–91, https://doi.org/10.1093/oxartj/14.1.79 Published: 01 March 1991

  • The Art of Exclusion

    Karen C Chambers Dalton, Albert Boime•ARTICLE•The Journal of Southern History•1991

  • White Artists, Black History

    Open Access•Peter H Wood, Albert Boime•ARTICLE•American Quarterly•1991

  • Waving the Red Flag and Reconstituting Old Glory

    Albert Boime•ARTICLE•American Art•1990

  • Waving the Red Flag and Reconstituting Old Glory

    Albert Boime•ARTICLE•Smithsonian Studies in American Art•1990•Cited by: 2

  • Social Identity and Political Authority in the Response of Two Prussian Painters to the Revolution of 1848

    Open Access•Albert Boime•ARTICLE•Art History•1990

  • Hollow Icons

    William B Cohen, Albert Boime•ARTICLE•The American Historical Review•1989

    An examination of the relationships between sculptural production and the ideologies of those who commissioned it. The author argues that aesthetics counted for less in this production than the particular political and social orientation of the patron working closely with the sculptor. This integration of culture and political ideology is most strikingly revealed in 19th-century French sculpture, which played a major role in projecting the public…

  • Art in an Age of Revolution, 1750-1800

    Kathleen R Nicholson, Kathleen Nicholson et al.•ARTICLE•Eighteenth-Century Studies•1989

  • Blacks in Shark-Infested Waters

    Albert Boime•ARTICLE•American Art•1989•Cited by: 1

  • A Social History of Modern Art

    K A Cerulo, Albert Boime•ARTICLE•Contemporary Sociology A Journal…•1988

  • La statue de la Liberté

    Albert Boime•ARTICLE•Le Débat•1987

  • Declassicizing the Academic

    Open Access•Albert Boime•ARTICLE•Art History•1985

  • Thomas Couture and the Eclectic Vision

    Eugen Weber, Albert Boime•ARTICLE•The Journal of Interdisciplinary…•1982

  • The Case of Rosa Bonheur

    Open Access•Albert Boime•ARTICLE•Art History•1981•Cited by: 2

Next
  • The Magisterial Gaze

    Joni L Kinsey, Albert Boime•ARTICLE•Journal of the Early Republic•1992•Cited by: 4

  • Waving the Red Flag and Reconstituting Old Glory

    Albert Boime•ARTICLE•Smithsonian Studies in American Art•1990•Cited by: 2

  • The Case of Rosa Bonheur

    Open Access•Albert Boime•ARTICLE•Art History•1981•Cited by: 2

  • Blacks in Shark-Infested Waters

    Albert Boime•ARTICLE•American Art•1989•Cited by: 1

  • Les hommes d'affaires et les arts en France au XIXème siècle

    Albert Boime•ARTICLE•Actes de la recherche en sciences…•1979•Cited by: 1

    Das Mäzenatentum von Geschäftsleuten im 19. Jahrhundert Die Sammlungen der Finanzleute und Industriellen, Anfang des 19. Jahrhunderts zu einem Moment des sozialen Status werdend und in der ersten Hälfte des Jahrhunderts noch weniger Ausdruck persönlichen Geschmacks als vielmehr Mittel zur Nachahmung der Aristokratie, wurde in der Folge zum wesentlichen Vermittlungsglied bei der Einflußnahme der Geschäftsleute auf die Künstler. Zwar fînden sich un…

  • Les hommes d'affaires et les arts en France au XIXème siècle

    Albert Boime•ARTICLE•Actes de la recherche en sciences…•1979•Cited by: 1

    Das Mäzenatentum von Geschäftsleuten im 19. Jahrhundert Die Sammlungen der Finanzleute und Industriellen, Anfang des 19. Jahrhunderts zu einem Moment des sozialen Status werdend und in der ersten Hälfte des Jahrhunderts noch weniger Ausdruck persönlichen Geschmacks als vielmehr Mittel zur Nachahmung der Aristokratie, wurde in der Folge zum wesentlichen Vermittlungsglied bei der Einflußnahme der Geschäftsleute auf die Künstler. Zwar fînden sich un…

  • Marmontel's Belisaire and the Pre‐revolutionary Progressivism of David

    Open Access•Albert Boime•ARTICLE•Art History•1980

  • The Case of Rosa Bonheur

    Open Access•Albert Boime•ARTICLE•Art History•1981•Cited by: 2

  • Thomas Couture and the Eclectic Vision

    Eugen Weber, Albert Boime•ARTICLE•The Journal of Interdisciplinary…•1982

  • Declassicizing the Academic

    Open Access•Albert Boime•ARTICLE•Art History•1985

  • La statue de la Liberté

    Albert Boime•ARTICLE•Le Débat•1987

  • A Social History of Modern Art

    K A Cerulo, Albert Boime•ARTICLE•Contemporary Sociology A Journal…•1988

  • Hollow Icons

    William B Cohen, Albert Boime•ARTICLE•The American Historical Review•1989

    An examination of the relationships between sculptural production and the ideologies of those who commissioned it. The author argues that aesthetics counted for less in this production than the particular political and social orientation of the patron working closely with the sculptor. This integration of culture and political ideology is most strikingly revealed in 19th-century French sculpture, which played a major role in projecting the public…

  • Art in an Age of Revolution, 1750-1800

    Kathleen R Nicholson, Kathleen Nicholson et al.•ARTICLE•Eighteenth-Century Studies•1989

  • Blacks in Shark-Infested Waters

    Albert Boime•ARTICLE•American Art•1989•Cited by: 1

  • Waving the Red Flag and Reconstituting Old Glory

    Albert Boime•ARTICLE•American Art•1990

  • Waving the Red Flag and Reconstituting Old Glory

    Albert Boime•ARTICLE•Smithsonian Studies in American Art•1990•Cited by: 2

  • Social Identity and Political Authority in the Response of Two Prussian Painters to the Revolution of 1848

    Open Access•Albert Boime•ARTICLE•Art History•1990

  • Patriarchy Fixed in Stone

    Albert Boime•ARTICLE•American Art•1991

  • Portraying Monomaniacs to Service the Alienist's Monomania

    Albert Boime•ARTICLE•Oxford Art Journal•1991

    Journal Article Portraying Monomaniacs to Service the Alienist's Monomania: Géricault and Georget Get access ALBERT BOIME ALBERT BOIME Search for other works by this author on: Oxford Academic Google Scholar Oxford Art Journal, Volume 14, Issue 1, 1991, Pages 79–91, https://doi.org/10.1093/oxartj/14.1.79 Published: 01 March 1991

  • The Art of Exclusion

    Karen C Chambers Dalton, Albert Boime•ARTICLE•The Journal of Southern History•1991

  • White Artists, Black History

    Open Access•Peter H Wood, Albert Boime•ARTICLE•American Quarterly•1991

  • The Magisterial Gaze

    Joni L Kinsey, Albert Boime•ARTICLE•Journal of the Early Republic•1992•Cited by: 4

  • The Magisterial Gaze

    Mark Thistlethwaite, Albert Boime•ARTICLE•Western Historical Quarterly•1992

    Journal Article The Magisterial Gaze: Manifest Destiny and American Landscape Painting c. 1830–1865 Get access The Magisterial Gaze: Manifest Destiny and American Landscape Painting c. 1830–1865. By Boime Albert. (Washington, DC: Smithsonian Institution Press, 1991. xi + 188 pp. Illustrations, notes, index. $24.95.) Mark Thistlethwaite Mark Thistlethwaite Texas Christian University Search for other works by this author on: Oxford Academic Google …

  • The Postwar Redefinition of Self

    Albert Boime•ARTICLE•American Art•1993

  • The Magisterial Gaze

    Kenneth J Myers, Albert Boime•ARTICLE•Journal of American History•1993

    Journal Article The Magisterial Gaze: Manifest Destiny and American Landscape Painting, c. 1830–1865. By Albert Boime. (Washington: Smithsonian Institution Press, 1991. xii + 188 pp. $24.95, ISBN 1-56098-095-8.) Get access Kenneth John Myers Kenneth John Myers Middlebury College Search for other works by this author on: Oxford Academic Google Scholar Journal of American History, Volume 79, Issue 4, March 1993, Pages 1603–1604, https://doi.org/10.…

  • American Landscape

    Elizabeth Johns, Albert Boime et al.•ARTICLE•The Journal of Interdisciplinary…•1993

  • Maria Deraismes and Eva Gonzales

    Albert Boime•ARTICLE•Woman s Art Journal•1994

  • Art and the French Commune

    Albert Boime•BOOK•Art and the French Commune•1995

    In this bold exploration of the political forces that shaped Impressionism, Albert Boime proposes that at the heart of the modern is a "guilty secret"--the need of the dominant, mainly bourgeois, classes in Paris to expunge from historical memory the haunting nightmare of the Commune and its socialist ideology. The Commune of 1871 emerged after the Prussian war when the Paris militia chased the central government to Versailles, enabling the worki…

  • Magisterial Visions

    Open Access•Angela Miller, Albert Boime et al.•ARTICLE•American Quarterly•1995

    THE STUDY OF THE REPRESENTED LANDSCAPE-IN TEXT AND IMAGE-IS currently in its glory days. Yet few traditionally minded scholars of landscape art would recognize their subject in much recent work. In the past few years, numerous British and American studies have considered the cultural meanings of Anglo-American landscape representation from widely varied perspectives.' The topic has proved a meeting ground for transatlantic collaborators wielding …

Art (23 works) · History (20 works) · Art history (13 works) · Political science (10 works) · Sociology (9 works) · History (8 works) · Law (8 works) · Historical Art and Culture Studies (7 works) · Art History and Market Analysis (6 works) · Computer Science (6 works)

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