Albert Boime
Biographic Data
| ID | 362481 |
|---|---|
| NAME | Albert Boime |
| GIVEN NAMES | Albert |
| FAMILY NAME | Boime |
| SIGNATURE | BOIME A |
| AFFILIATIONS | University of California, Los Angeles |
| VERIFIED | No |
| TOTAL WORKS | 27 |
| TOTAL CITATIONS | 10 |
| AUTHOR COUNT | 27 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1979 |
| LATEST PUBLICATION YEAR | 2003 |
| H-INDEX | 2 |
Couture, Thomas
John James Audubon
John James Audubon, the bird‐lover of America, has never been submitted to the critical art‐historical analysis his career and production deserve. This essay attempts to redress the situation by showing that his ornithologically correct imagery is steeped in the predominant ideological formations of his time and place. A foreigner whose birth occurred in ambiguous circumstances, Audubon ventured into the forests of the New World to escape his ori…
Art and the French Commune
In this bold exploration of the political forces that shaped Impressionism, Albert Boime proposes that at the heart of the modern is a "guilty secret"--the need of the dominant, mainly bourgeois, classes in Paris to expunge from historical memory the haunting nightmare of the Commune and its socialist ideology. The Commune of 1871 emerged after the Prussian war when the Paris militia chased the central government to Versailles, enabling the worki…
Magisterial Visions
THE STUDY OF THE REPRESENTED LANDSCAPE-IN TEXT AND IMAGE-IS currently in its glory days. Yet few traditionally minded scholars of landscape art would recognize their subject in much recent work. In the past few years, numerous British and American studies have considered the cultural meanings of Anglo-American landscape representation from widely varied perspectives.' The topic has proved a meeting ground for transatlantic collaborators wielding …
Maria Deraismes and Eva Gonzales
The Postwar Redefinition of Self
The Magisterial Gaze
Journal Article The Magisterial Gaze: Manifest Destiny and American Landscape Painting, c. 1830–1865. By Albert Boime. (Washington: Smithsonian Institution Press, 1991. xii + 188 pp. $24.95, ISBN 1-56098-095-8.) Get access Kenneth John Myers Kenneth John Myers Middlebury College Search for other works by this author on: Oxford Academic Google Scholar Journal of American History, Volume 79, Issue 4, March 1993, Pages 1603–1604, https://doi.org/10.…
American Landscape
The Magisterial Gaze
The Magisterial Gaze
Journal Article The Magisterial Gaze: Manifest Destiny and American Landscape Painting c. 1830–1865 Get access The Magisterial Gaze: Manifest Destiny and American Landscape Painting c. 1830–1865. By Boime Albert. (Washington, DC: Smithsonian Institution Press, 1991. xi + 188 pp. Illustrations, notes, index. $24.95.) Mark Thistlethwaite Mark Thistlethwaite Texas Christian University Search for other works by this author on: Oxford Academic Google …
Patriarchy Fixed in Stone
Portraying Monomaniacs to Service the Alienist's Monomania
Journal Article Portraying Monomaniacs to Service the Alienist's Monomania: Géricault and Georget Get access ALBERT BOIME ALBERT BOIME Search for other works by this author on: Oxford Academic Google Scholar Oxford Art Journal, Volume 14, Issue 1, 1991, Pages 79–91, https://doi.org/10.1093/oxartj/14.1.79 Published: 01 March 1991
The Art of Exclusion
White Artists, Black History
Waving the Red Flag and Reconstituting Old Glory
Waving the Red Flag and Reconstituting Old Glory
Social Identity and Political Authority in the Response of Two Prussian Painters to the Revolution of 1848
Hollow Icons
An examination of the relationships between sculptural production and the ideologies of those who commissioned it. The author argues that aesthetics counted for less in this production than the particular political and social orientation of the patron working closely with the sculptor. This integration of culture and political ideology is most strikingly revealed in 19th-century French sculpture, which played a major role in projecting the public…
Art in an Age of Revolution, 1750-1800
Blacks in Shark-Infested Waters
A Social History of Modern Art
La statue de la Liberté
Declassicizing the Academic
Thomas Couture and the Eclectic Vision
The Case of Rosa Bonheur
The Magisterial Gaze
Waving the Red Flag and Reconstituting Old Glory
The Case of Rosa Bonheur
Blacks in Shark-Infested Waters
Les hommes d'affaires et les arts en France au XIXème siècle
Das Mäzenatentum von Geschäftsleuten im 19. Jahrhundert Die Sammlungen der Finanzleute und Industriellen, Anfang des 19. Jahrhunderts zu einem Moment des sozialen Status werdend und in der ersten Hälfte des Jahrhunderts noch weniger Ausdruck persönlichen Geschmacks als vielmehr Mittel zur Nachahmung der Aristokratie, wurde in der Folge zum wesentlichen Vermittlungsglied bei der Einflußnahme der Geschäftsleute auf die Künstler. Zwar fînden sich un…
Les hommes d'affaires et les arts en France au XIXème siècle
Das Mäzenatentum von Geschäftsleuten im 19. Jahrhundert Die Sammlungen der Finanzleute und Industriellen, Anfang des 19. Jahrhunderts zu einem Moment des sozialen Status werdend und in der ersten Hälfte des Jahrhunderts noch weniger Ausdruck persönlichen Geschmacks als vielmehr Mittel zur Nachahmung der Aristokratie, wurde in der Folge zum wesentlichen Vermittlungsglied bei der Einflußnahme der Geschäftsleute auf die Künstler. Zwar fînden sich un…
Marmontel's Belisaire and the Pre‐revolutionary Progressivism of David
The Case of Rosa Bonheur
Thomas Couture and the Eclectic Vision
Declassicizing the Academic
La statue de la Liberté
A Social History of Modern Art
Hollow Icons
An examination of the relationships between sculptural production and the ideologies of those who commissioned it. The author argues that aesthetics counted for less in this production than the particular political and social orientation of the patron working closely with the sculptor. This integration of culture and political ideology is most strikingly revealed in 19th-century French sculpture, which played a major role in projecting the public…
Art in an Age of Revolution, 1750-1800
Blacks in Shark-Infested Waters
Waving the Red Flag and Reconstituting Old Glory
Waving the Red Flag and Reconstituting Old Glory
Social Identity and Political Authority in the Response of Two Prussian Painters to the Revolution of 1848
Patriarchy Fixed in Stone
Portraying Monomaniacs to Service the Alienist's Monomania
Journal Article Portraying Monomaniacs to Service the Alienist's Monomania: Géricault and Georget Get access ALBERT BOIME ALBERT BOIME Search for other works by this author on: Oxford Academic Google Scholar Oxford Art Journal, Volume 14, Issue 1, 1991, Pages 79–91, https://doi.org/10.1093/oxartj/14.1.79 Published: 01 March 1991
The Art of Exclusion
White Artists, Black History
The Magisterial Gaze
The Magisterial Gaze
Journal Article The Magisterial Gaze: Manifest Destiny and American Landscape Painting c. 1830–1865 Get access The Magisterial Gaze: Manifest Destiny and American Landscape Painting c. 1830–1865. By Boime Albert. (Washington, DC: Smithsonian Institution Press, 1991. xi + 188 pp. Illustrations, notes, index. $24.95.) Mark Thistlethwaite Mark Thistlethwaite Texas Christian University Search for other works by this author on: Oxford Academic Google …
The Postwar Redefinition of Self
The Magisterial Gaze
Journal Article The Magisterial Gaze: Manifest Destiny and American Landscape Painting, c. 1830–1865. By Albert Boime. (Washington: Smithsonian Institution Press, 1991. xii + 188 pp. $24.95, ISBN 1-56098-095-8.) Get access Kenneth John Myers Kenneth John Myers Middlebury College Search for other works by this author on: Oxford Academic Google Scholar Journal of American History, Volume 79, Issue 4, March 1993, Pages 1603–1604, https://doi.org/10.…
American Landscape
Maria Deraismes and Eva Gonzales
Art and the French Commune
In this bold exploration of the political forces that shaped Impressionism, Albert Boime proposes that at the heart of the modern is a "guilty secret"--the need of the dominant, mainly bourgeois, classes in Paris to expunge from historical memory the haunting nightmare of the Commune and its socialist ideology. The Commune of 1871 emerged after the Prussian war when the Paris militia chased the central government to Versailles, enabling the worki…
Magisterial Visions
THE STUDY OF THE REPRESENTED LANDSCAPE-IN TEXT AND IMAGE-IS currently in its glory days. Yet few traditionally minded scholars of landscape art would recognize their subject in much recent work. In the past few years, numerous British and American studies have considered the cultural meanings of Anglo-American landscape representation from widely varied perspectives.' The topic has proved a meeting ground for transatlantic collaborators wielding …
Art (23 works) · History (20 works) · Art history (13 works) · Political science (10 works) · Sociology (9 works) · History (8 works) · Law (8 works) · Historical Art and Culture Studies (7 works) · Art History and Market Analysis (6 works) · Computer Science (6 works)