Scott Saul
Biographic Data
| ID | 3624835 |
|---|---|
| NAME | Scott Saul |
| GIVEN NAMES | Scott |
| FAMILY NAME | Saul |
| SIGNATURE | SAUL S |
| VERIFIED | No |
| TOTAL WORKS | 6 |
| TOTAL CITATIONS | 5 |
| WORKS AS AUTHOR | 6 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1968 |
| LATEST PUBLICATION YEAR | 2008 |
| H-INDEX | 1 |
Freedom Sounds
This DOI is not currently attached to any metadata records. DOIs can’t actually ever be deleted (they’re persistent), but sometimes our members create DOIs in error. We do have a process to approximate deletion which we follow only in rare cases where the DOI has been genuinely created in error, and most crucially, if the DOI has never been published anywhere online or in print and never otherwise distributed to or communicated with anyone (autho…
Blows like a Horn
Book Review| December 01 2005 Blows like a Horn: Beat Writing, Jazz, Style, and Markets in the Transformation of U.S. Culture; Notes to Make the Sound Come Right: Four Innovators of Jazz Poetry Scott Saul Scott Saul Search for other works by this author on: This Site Google American Literature (2005) 77 (4): 862–864. https://doi.org/10.1215/00029831-77-4-862 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site …
The Visionary Moment
Book Review| December 01 2003 The Visionary Moment: A Postmodern Critique; The Post-Utopian Imagination: American Culture in the Long 1950s; This Is the Beat Generation:New York, San Francisco, Paris By Paul Maltby. Albany: SUNY Press. 2002. xi, 176 pp. Cloth, $54.50; paper,$17.95.By M. Keith Booker. Westport, Conn.: Greenwood. 2002. 226 pp. $59.95.By James Campbell. London: Secker & Warburg, 1999; reprint, Berkeley and Los Angeles: Univ. of Cali…
Shlammer
First, a little quiz. Dan Froot's Shlammer is: (a) A bar mitzvah disguised as performance art; (b) An exercise in Brechtian alienation that, strangely, never fails to entertain; (c) An unsettling look at the sadomasochistic comedy that goes by the name of slapstick; (d) A feminist warning against the sins of the fathers becoming the sins of the sons. The answer of course is (e), or all of the above, and much of Shlammer's force comes from its shr…
Outrageous Freedom
Where Did the "Free" in Free Jazz Come From? The music was arguably born on 30 January 1956, a well-nigh apocalyptic moment when jazz composer Charles Mingus set in motion a novel but durable experiment in musical orchestration and simultaneously unveiled a menacing critique of modernist authority. Mingus had assembled his Jazz Workshop in the Atlantic studios to record "Pithecanthropus Erectus," a "jazz tone-poem" that was simple in the primordi…
The British Patent System, I. Administration
Outrageous Freedom
Where Did the "Free" in Free Jazz Come From? The music was arguably born on 30 January 1956, a well-nigh apocalyptic moment when jazz composer Charles Mingus set in motion a novel but durable experiment in musical orchestration and simultaneously unveiled a menacing critique of modernist authority. Mingus had assembled his Jazz Workshop in the Atlantic studios to record "Pithecanthropus Erectus," a "jazz tone-poem" that was simple in the primordi…
The British Patent System, I. Administration
The British Patent System, I. Administration
Outrageous Freedom
Where Did the "Free" in Free Jazz Come From? The music was arguably born on 30 January 1956, a well-nigh apocalyptic moment when jazz composer Charles Mingus set in motion a novel but durable experiment in musical orchestration and simultaneously unveiled a menacing critique of modernist authority. Mingus had assembled his Jazz Workshop in the Atlantic studios to record "Pithecanthropus Erectus," a "jazz tone-poem" that was simple in the primordi…
Shlammer
First, a little quiz. Dan Froot's Shlammer is: (a) A bar mitzvah disguised as performance art; (b) An exercise in Brechtian alienation that, strangely, never fails to entertain; (c) An unsettling look at the sadomasochistic comedy that goes by the name of slapstick; (d) A feminist warning against the sins of the fathers becoming the sins of the sons. The answer of course is (e), or all of the above, and much of Shlammer's force comes from its shr…
The Visionary Moment
Book Review| December 01 2003 The Visionary Moment: A Postmodern Critique; The Post-Utopian Imagination: American Culture in the Long 1950s; This Is the Beat Generation:New York, San Francisco, Paris By Paul Maltby. Albany: SUNY Press. 2002. xi, 176 pp. Cloth, $54.50; paper,$17.95.By M. Keith Booker. Westport, Conn.: Greenwood. 2002. 226 pp. $59.95.By James Campbell. London: Secker & Warburg, 1999; reprint, Berkeley and Los Angeles: Univ. of Cali…
Blows like a Horn
Book Review| December 01 2005 Blows like a Horn: Beat Writing, Jazz, Style, and Markets in the Transformation of U.S. Culture; Notes to Make the Sound Come Right: Four Innovators of Jazz Poetry Scott Saul Scott Saul Search for other works by this author on: This Site Google American Literature (2005) 77 (4): 862–864. https://doi.org/10.1215/00029831-77-4-862 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site …
Freedom Sounds
This DOI is not currently attached to any metadata records. DOIs can’t actually ever be deleted (they’re persistent), but sometimes our members create DOIs in error. We do have a process to approximate deletion which we follow only in rare cases where the DOI has been genuinely created in error, and most crucially, if the DOI has never been published anywhere online or in print and never otherwise distributed to or communicated with anyone (autho…
Art (5 works) · Literature (4 works) · Art history (3 works) · Citation (2 works) · Computer Science (2 works) · History (2 works) · Icon (2 works) · Jazz (2 works) · Law (2 works) · Law (2 works)