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Glen Macleod

Biographic Data

ID3624841
NAMEGlen Macleod
GIVEN NAMESGlen
FAMILY NAMEMacleod
SIGNATUREMACLEOD G
AFFILIATIONSUniversity of Connecticut, Waterbury
ORCID0000-0002-6987-5783
VERIFIEDYes
TOTAL WORKS7
TOTAL CITATIONS1
WORKS AS AUTHOR7
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1987
LATEST PUBLICATION YEAR2015
H-INDEX1
  • The French Face of Nathaniel Hawthorne

    Glen Macleod•ARTICLE•Comparative Literature Studies•2015

    This book collects—and translates into English for the first time—six substantial review essays about Nathaniel Hawthorne that were published in France during his lifetime. Hawthorne's fanciful French nom de plume, Monsieur de l'Aubépine, the imaginary author of “Rappaccini's Daughter” and other works, steps unexpectedly into reality in the composite French impression of Hawthorne that results.The French Face of Nathaniel Hawthorne contributes to…

  • The Poet Mumbles and the Painter Sees

    Dean Rader, Glen Macleod•ARTICLE•Poetics Today•1996

  • Wallace Stevens and Modern Art

    Lewis Klausner, Glen Macleod•ARTICLE•American Literature•1994

  • Wallace Stevens and the Actual World

    Glen Macleod, Alan Filreis•ARTICLE•American Literature•1992

  • Poetry, Word-Play, and Word-War in Wallace Stevens

    Glen Macleod, Eleanor Cook•ARTICLE•American Literature•1989

  • Poet and Painter

    Glen Macleod, Milton A Cohen•ARTICLE•American Literature•1988

  • Stevens and Surrealism

    Glen Macleod•ARTICLE•American Literature•1987•Cited by: 1

    HE 1930S mark the major transition in Wallace Stevens' poetic career, from the exuberant variety of Harmonium (1923) to the theoretical coherence and stylistic virtuosity of his later years. social upheaval of this decade forced Stevens to reevaluate his aesthetic stance, to evolve a poetic voice that would at once be socially responsible and allow full play to his highly cultivated talent. Stevens' most extended effort to establish his relation …

  • Stevens and Surrealism

    Glen Macleod•ARTICLE•American Literature•1987•Cited by: 1

    HE 1930S mark the major transition in Wallace Stevens' poetic career, from the exuberant variety of Harmonium (1923) to the theoretical coherence and stylistic virtuosity of his later years. social upheaval of this decade forced Stevens to reevaluate his aesthetic stance, to evolve a poetic voice that would at once be socially responsible and allow full play to his highly cultivated talent. Stevens' most extended effort to establish his relation …

  • Stevens and Surrealism

    Glen Macleod•ARTICLE•American Literature•1987•Cited by: 1

    HE 1930S mark the major transition in Wallace Stevens' poetic career, from the exuberant variety of Harmonium (1923) to the theoretical coherence and stylistic virtuosity of his later years. social upheaval of this decade forced Stevens to reevaluate his aesthetic stance, to evolve a poetic voice that would at once be socially responsible and allow full play to his highly cultivated talent. Stevens' most extended effort to establish his relation …

  • Poet and Painter

    Glen Macleod, Milton A Cohen•ARTICLE•American Literature•1988

  • Poetry, Word-Play, and Word-War in Wallace Stevens

    Glen Macleod, Eleanor Cook•ARTICLE•American Literature•1989

  • Wallace Stevens and the Actual World

    Glen Macleod, Alan Filreis•ARTICLE•American Literature•1992

  • Wallace Stevens and Modern Art

    Lewis Klausner, Glen Macleod•ARTICLE•American Literature•1994

  • The Poet Mumbles and the Painter Sees

    Dean Rader, Glen Macleod•ARTICLE•Poetics Today•1996

  • The French Face of Nathaniel Hawthorne

    Glen Macleod•ARTICLE•Comparative Literature Studies•2015

    This book collects—and translates into English for the first time—six substantial review essays about Nathaniel Hawthorne that were published in France during his lifetime. Hawthorne's fanciful French nom de plume, Monsieur de l'Aubépine, the imaginary author of “Rappaccini's Daughter” and other works, steps unexpectedly into reality in the composite French impression of Hawthorne that results.The French Face of Nathaniel Hawthorne contributes to…

Art (6 works) · French Literature and Poetry (5 works) · Poetry Analysis and Criticism (5 works) · Philosophy (4 works) · Art history (3 works) · History (3 works) · Aesthetics (2 works) · American and British Literature Analysis (2 works) · Literature (2 works) · Painting (2 works)

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