Marcie Frank
Biographic Data
| ID | 3624911 |
|---|---|
| NAME | Marcie Frank |
| GIVEN NAMES | Marcie |
| FAMILY NAME | Frank |
| SIGNATURE | FRANK M |
| AFFILIATIONS | Concordia University |
| VERIFIED | No |
| TOTAL WORKS | 11 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 11 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1992 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 0 |
Media and environment in elemental melodrama: Afterword
The essays assembled here forge a way to think about melodrama that sidelines the hoary problem of defining it – a remarkable achievement because its appearance across performance, print, screen, a
Introduction [in English]
Introduction [en français]
Situation: A Narrative Concept
This article draws upon the rich and diverse history of situation to develop a new tool for narrative analysis across media and form. The term has played a role in theater, creative writing, and screenwriting; as situatedness, it has been linked to the categories of identity; and it has been used to chart relations between social and aesthetic experience. Seizing upon the way situation emphasizes emergent dynamics, we theorize it as a narrative c…
The Other Sides of Stonewall
Book Review| January 01 2021 The Other Sides of Stonewall One Dimensional Queer. Ferguson, Roderick A.. Cambridge: Polity, 2019. v + 168 pp.Buying Gay: How Physique Entrepreneurs Sparked a Movement. Johnson, David K.. New York: Columbia University Press, 2019. xvi + 308 pp.Categorically Famous: Literary Celebrity and Sexual Liberation in 1960s America. Davidson, Guy. Palo Alto, CA: Stanford University Press, 2019. xii + 227 pp. Marcie Frank Marci…
Liking, Likeness, Alikeness
Research Article| January 01 2020 Liking, Likeness, Alikeness Marcie Frank Marcie Frank Marcie Frank is professor of English at Concordia University in Montreal. Search for other works by this author on: This Site Google GLQ (2020) 26 (1): 203–205. https://doi.org/10.1215/10642684-7929272 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site Citation Marcie Frank; Liking, Likeness, Alikeness. GLQ 1 January 2020;…
Cooper's Queer Objects
Queer objects are crucial to the narrative strategies of Dennis Cooper’s George Miles cycle where they support his exhaustive inventory of what it means to have (in all senses) a sexual type. In Frisk (1991), Cooper transforms some objects into media to blur the boundaries between the writing subject and the objects he desires. The snuff photos, seen at too young an age, form the point of reference for Dennis the narrator’s erotic life but they a…
Drama Theory, the Division of Knowledge, and the Emergence of the Aesthetic
In The Secret History of Domesticity, Michael McKeon provides a new account of the development of the aesthetic in the eighteenth century. He characterizes the contribution of debates about neoclassical dramatic theory to the division of knowledge into the categories of science and art when they separate the pleasures of the understanding from the pleasures of the imagination. Unlike other accounts of the aesthetic that treat 18th‐century theatri…
Gender, Theatre, and the Origins of Criticism: From Dryden to Manley
Gender, Theatre, and the Origins of Criticism from Dryden to Manley: From Dryden to Manley
Stevens and the Interpersonal
No prominent works on this page.
Stevens and the Interpersonal
Gender, Theatre, and the Origins of Criticism from Dryden to Manley: From Dryden to Manley
Gender, Theatre, and the Origins of Criticism: From Dryden to Manley
Drama Theory, the Division of Knowledge, and the Emergence of the Aesthetic
In The Secret History of Domesticity, Michael McKeon provides a new account of the development of the aesthetic in the eighteenth century. He characterizes the contribution of debates about neoclassical dramatic theory to the division of knowledge into the categories of science and art when they separate the pleasures of the understanding from the pleasures of the imagination. Unlike other accounts of the aesthetic that treat 18th‐century theatri…
Cooper's Queer Objects
Queer objects are crucial to the narrative strategies of Dennis Cooper’s George Miles cycle where they support his exhaustive inventory of what it means to have (in all senses) a sexual type. In Frisk (1991), Cooper transforms some objects into media to blur the boundaries between the writing subject and the objects he desires. The snuff photos, seen at too young an age, form the point of reference for Dennis the narrator’s erotic life but they a…
Liking, Likeness, Alikeness
Research Article| January 01 2020 Liking, Likeness, Alikeness Marcie Frank Marcie Frank Marcie Frank is professor of English at Concordia University in Montreal. Search for other works by this author on: This Site Google GLQ (2020) 26 (1): 203–205. https://doi.org/10.1215/10642684-7929272 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site Citation Marcie Frank; Liking, Likeness, Alikeness. GLQ 1 January 2020;…
The Other Sides of Stonewall
Book Review| January 01 2021 The Other Sides of Stonewall One Dimensional Queer. Ferguson, Roderick A.. Cambridge: Polity, 2019. v + 168 pp.Buying Gay: How Physique Entrepreneurs Sparked a Movement. Johnson, David K.. New York: Columbia University Press, 2019. xvi + 308 pp.Categorically Famous: Literary Celebrity and Sexual Liberation in 1960s America. Davidson, Guy. Palo Alto, CA: Stanford University Press, 2019. xii + 227 pp. Marcie Frank Marci…
Introduction [in English]
Introduction [en français]
Situation: A Narrative Concept
This article draws upon the rich and diverse history of situation to develop a new tool for narrative analysis across media and form. The term has played a role in theater, creative writing, and screenwriting; as situatedness, it has been linked to the categories of identity; and it has been used to chart relations between social and aesthetic experience. Seizing upon the way situation emphasizes emergent dynamics, we theorize it as a narrative c…
Media and environment in elemental melodrama: Afterword
The essays assembled here forge a way to think about melodrama that sidelines the hoary problem of defining it – a remarkable achievement because its appearance across performance, print, screen, a
Art (5 works) · History (5 works) · Literature (4 works) · Sociology (4 works) · Computer Science (3 works) · Epistemology (3 works) · Philosophy (3 works) · Philosophy (3 works) · Psychology (3 works) · 17th century (2 works)