Cristanne Miller

Biographic Data

ID3625082
NAMECristanne Miller
GIVEN NAMESCristanne
FAMILY NAMEMiller
SIGNATUREMILLER C
AFFILIATIONSPomona College
VERIFIEDNo
TOTAL WORKS18
TOTAL CITATIONS2
WORKS AS AUTHOR17
WORKS AS EDITOR1
FIRST PUBLICATION YEAR1984
LATEST PUBLICATION YEAR2022
H-INDEX1

  • The Oxford Handbook of Emily Dickinson

    Karen Sanchez-Eppler, Cristanne MillerEDITORBOOKOxford Handbook of Emily Dickinson2022

    The Oxford Handbook of Emily Dickinson is designed to engage, inform, interest, and delight students and scholars of Emily Dickinson, of nineteenth-century US literature and cultural studies, of American poetry, and of the lyric. It also aims to establish potential agendas for future work in the field of Dickinson studies. This is the first essay collection on Dickinson to foreground the material and social culture of her time while opening new w…

  • Oxford Handbook of Emily Dickinson

    Cristanne Miller, Karen Sanchez-EpplerBOOKOxford Handbook of Emily Dickinson2022

  • Distrusting

    Cristanne MillerARTICLEAmerican Literature2008Cited by: 2

    Marianne Moore's war poems of the 1940s, and in particular "In Distrust of Merits," have frequently been read as a compendium of didactic, clichéd, pious, overstated public pronouncements brought on by the immediate urgency of the war, "show[ing] too much the pressure of news." Work with Moore's drafts, notebooks, and uncollected poems, however, makes it clear that the genesis of these poems is broad and deep, not a matter of impulsive response t…

  • The Incidental Dickinson

    Mary Loeffelholz, R W Franklin et al.ARTICLEThe New England Quarterly1999

  • Marianne Moore

    Mary Loeffelholz, Cristanne MillerARTICLEThe New England Quarterly1997

  • Marianne Moore

    Celeste Goodridge, Cristanne MillerARTICLEAmerican Literature1996

    Preface Abbreviations 1. Introduction 2. Inquisitive Intensity in Marianne Moore 3. An Unintelligible Vernacular: Questions of Voice 4. Your Thorns Are the Best Part of You: Gender Politics in the Nongendered Poem 5. The Labors of Hercules: Celebrating and Overcoming Race 6. Quotation, Community, and Correspondences 7. Questioning Authority in the Late Twentieth Century Notes Index

  • Marianne Moore

    Cristanne MillerBOOKMarianne Moore1995

  • Marianne Moore

    Bonnie Costello, Cristanne MillerBOOKMarianne Moore1995

  • Comic Power in Emily Dickinson

    Gary Lee Stonum, Suzanne Juhasz et al.ARTICLEAmerican Literature1995

  • Bishop Studies

    Cristanne Miller, Brett C Millier et al.ARTICLEThe New England Quarterly1994

  • Emily Dickinson

    Joanne Feit Diehl, Cristanne MillerARTICLETulsa Studies in Women s Literature1989

  • A Very Serious Thing

    Cristanne Miller, Nancy A Walker et al.ARTICLETulsa Studies in Women s Literature1989

  • Approaches to reading Dickinson

    Cristanne MillerARTICLEWomen s Studies1989

  • Workshop Six

    Joanne Feit Diehl, Cristanne Miller et al.ARTICLEWomen s Studies1989

    (1989). Workshop Six: Poem 1651, “A word made flesh is seldom”. Women's Studies: Vol. 16, Emily Dickinson: A Celebretion for Readers, pp. 175-187

  • Emily Dickinson

    Jack L Capps, Cristanne MillerARTICLEAmerican Literature1988

    Letters to the World A Grammar Texts of the Poems Compression Disjunction Repetition Syntax Speech Reading the Poems He fumbles at your Soul This was a Poet--It Is That My Life had stood -- a Loaded Gun To pile like Thunder to it's close Names and Verbs: Influences on the Poets Language The Language of the Bible Seventeenth-Century Stylists The Hymns of Isaac Watts The American Plain Style Emerson's Theories of Language Noah Webster and Lexicogra…

  • Who Talks Like a Women's Magazine? Language and Gender in Popular Women's and Men's Magazines

    Open AccessCristanne MillerARTICLEJournal of American Culture1987

  • Communications

    Carole Kiler Doreski, Lynn Keller et al.ARTICLEThe New England Quarterly1985

  • Emily Dickinson, Elizabeth Bishop, and the Rewards of Indirection

    Lynn Keller, Cristanne MillerARTICLEThe New England Quarterly1984

    TRADITIONALLY, women have voiced radical conceptions of themselves and their world in code form, under a guise of obedience, respectability, or triviality; the claim that women have had to speak and write indirectly has become a commonplace in feminist criticism.1 Studies have documented that, when speaking, women employ a broader range in voice, pronunciation, and vocabulary and typically adapt their speech to their situations more than men do; …