Jeffrey Andrew Weinstock
Biographic Data
| ID | 3625151 |
|---|---|
| NAME | Jeffrey Andrew Weinstock |
| GIVEN NAMES | Jeffrey Andrew |
| FAMILY NAME | Weinstock |
| SIGNATURE | WEINSTOCK J A |
| AFFILIATIONS | English and Foreign Languages University |
| ORCID | 0000-0002-9251-7087 |
| VERIFIED | Yes |
| TOTAL WORKS | 13 |
| TOTAL CITATIONS | 1 |
| WORKS AS AUTHOR | 9 |
| WORKS AS EDITOR | 4 |
| FIRST PUBLICATION YEAR | 2007 |
| LATEST PUBLICATION YEAR | 2023 |
| H-INDEX | 1 |
Cult Behaviors
The cult science fiction (sf) film is one that, in various ways, is excessive in relation to common understandings of the genre. It is typically weirder, stranger, quirkier, and/or of lesser quality than other sf films. This chapter defines that difference and focuses specifically on a cult subcategory—the quirky dystopian film. With particular attention to Terry Gilliam’s Brazil, Alex Cox’s Repo Man, Yorgos Lanthimos’s The Lobster, and Boots Ril…
Gothic Things
Giving the Devil His Due
Invisible Monsters
The Monster Theory Reader
Monster Theory Reader
Return to Twin Peaks
Blasphemous Knowledge
The Cambridge Companion to American Gothic
American Gothic of whatever stripe is arguably at its most interesting in games where it departs from stable and melodramatic locations of good and evil and moves toward a secular, dislocative “Weird” that is focused, like Mary Shelley’s Frankenstein (1818), in upon our dislocated selves. Like Penny Dreadful’s Nathan Chandler, the player of such games is no longer an innocent bystander or the hero of the day, putting wrongs to rights, but is inst…
The Queer Time of Lively Matter
Wondrous and Strange
A fish in a percolator. An ominous swaying traffic light. A sublime vista of neatly stacked doughnuts. A log that conveys secrets. A Dictaphone (possibly named Diane). Not one but two diaries. A human chess piece. A man who reminds another of a lapdog. Much of the strangeness of the world of David Lynch and Mark Frost's Twin Peaks, its glorious and disorienting off-kilterness, inheres in its uncanny representation of matter—things out of place, t…
The Vampire Film
This introductory volume offers an elegant analysis of the enduring appeal of the cinematic vampire. From Georges Méliès' early cinematic experiments to "Twilight" and "Let the Right One In", the history of vampires in cinema can be organised by a handful of governing principles that help make sense of this movie monster's remarkable fecundity [...] (source: éditeur)
Queer Haunting Spaces
Research Article| September 01 2007 Queer Haunting Spaces: Madeline Yale Wynne's “The Little Room” and Elia Wilkinson Peattie's “The House That Was Not” Jeffrey Andrew Weinstock Jeffrey Andrew Weinstock Search for other works by this author on: This Site Google American Literature (2007) 79 (3): 501–525. https://doi.org/10.1215/00029831-2007-018 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Ic…
Queer Haunting Spaces
Research Article| September 01 2007 Queer Haunting Spaces: Madeline Yale Wynne's “The Little Room” and Elia Wilkinson Peattie's “The House That Was Not” Jeffrey Andrew Weinstock Jeffrey Andrew Weinstock Search for other works by this author on: This Site Google American Literature (2007) 79 (3): 501–525. https://doi.org/10.1215/00029831-2007-018 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Ic…
Queer Haunting Spaces
Research Article| September 01 2007 Queer Haunting Spaces: Madeline Yale Wynne's “The Little Room” and Elia Wilkinson Peattie's “The House That Was Not” Jeffrey Andrew Weinstock Jeffrey Andrew Weinstock Search for other works by this author on: This Site Google American Literature (2007) 79 (3): 501–525. https://doi.org/10.1215/00029831-2007-018 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Ic…
The Vampire Film
This introductory volume offers an elegant analysis of the enduring appeal of the cinematic vampire. From Georges Méliès' early cinematic experiments to "Twilight" and "Let the Right One In", the history of vampires in cinema can be organised by a handful of governing principles that help make sense of this movie monster's remarkable fecundity [...] (source: éditeur)
Wondrous and Strange
A fish in a percolator. An ominous swaying traffic light. A sublime vista of neatly stacked doughnuts. A log that conveys secrets. A Dictaphone (possibly named Diane). Not one but two diaries. A human chess piece. A man who reminds another of a lapdog. Much of the strangeness of the world of David Lynch and Mark Frost's Twin Peaks, its glorious and disorienting off-kilterness, inheres in its uncanny representation of matter—things out of place, t…
Blasphemous Knowledge
The Cambridge Companion to American Gothic
American Gothic of whatever stripe is arguably at its most interesting in games where it departs from stable and melodramatic locations of good and evil and moves toward a secular, dislocative “Weird” that is focused, like Mary Shelley’s Frankenstein (1818), in upon our dislocated selves. Like Penny Dreadful’s Nathan Chandler, the player of such games is no longer an innocent bystander or the hero of the day, putting wrongs to rights, but is inst…
The Queer Time of Lively Matter
Return to Twin Peaks
Invisible Monsters
The Monster Theory Reader
Monster Theory Reader
Giving the Devil His Due
Cult Behaviors
The cult science fiction (sf) film is one that, in various ways, is excessive in relation to common understandings of the genre. It is typically weirder, stranger, quirkier, and/or of lesser quality than other sf films. This chapter defines that difference and focuses specifically on a cult subcategory—the quirky dystopian film. With particular attention to Terry Gilliam’s Brazil, Alex Cox’s Repo Man, Yorgos Lanthimos’s The Lobster, and Boots Ril…
Gothic Things
Art (10 works) · Computer Science (5 works) · Gothic Literature and Media Analysis (5 works) · Literature (5 works) · Art history (4 works) · Sociology (4 works) · Aesthetics (3 works) · Cinema and Media Studies (3 works) · Crime and Detective Fiction Studies (3 works) · History (3 works)