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Miriam Fuchs

Biographic Data

ID3625424
NAMEMiriam Fuchs
GIVEN NAMESMiriam
FAMILY NAMEFuchs
SIGNATUREFUCHS M
VERIFIEDNo
TOTAL WORKS11
TOTAL CITATIONS5
AUTHOR COUNT11
EDITOR COUNT0
FIRST PUBLICATION YEAR1983
LATEST PUBLICATION YEAR2019
H-INDEX1
  • Modernist Lives

    Miriam Fuchs•ARTICLE•Biography•2019

    Reviewed by: Modernist Lives: Biography and Autobiography at Leonard and Virginia Woolf's Hogarth Press by Claire Battershill Miriam Fuchs (bio) Modernist Lives: Biography and Autobiography at Leonard and Virginia Woolf's Hogarth Press Claire Battershill Bloomsbury Academic, 2018, 248 pp. ISBN 978-1350043817, $114.00 hardback, $39.95 paperback. Claire Battershill's Modernist Lives: Biography and Autobiography at Leonard and Virginia Woolf's Hogar…

  • Shifting Ground

    C Franklin, Cynthia G Franklin et al.•ARTICLE•Biography•2009

    We open the Winter 2009 issue of Biography by calling attention to "Pacific People," an evening of oli, mele, hula, theatre, poetry, autobiography, and biography, to articulate the significance of Hawai'i as the location of the Sixth Biennial IABA Conference. For the contributors to this volume, translation is, in the broadest terms, a form of representation and action that mediates-inevitably by coming between-cultures and languages in genres th…

  • The Text is Myself

    Miriam Fuchs•BOOK•The text is myself•2004

    Queen Lili'uokalani, the last monarch of Hawai'i, was forced to abdicate and her homeland was annexed. American poet H.D. wrote through the London blitz. Italian novelist and art critic Anna Banti lost the manuscript of her novel about Artemisia Gentileschi but survived the war's devastation to rewrite it. German-Jewish novelist Grete Weil fled to Holland, but her husband was arrested there and murdered by the Nazis. Chilean novelist Isabel Allen…

  • Autobiography & Geography

    Miriam Fuchs•ARTICLE•Biography•2002•Cited by: 4

    When the cottage that housed the Center for Biographical Research and Biography was demolished last year (and the offices relocated), surprising details of our own history were revealed. The building had a more complicated history than we had ever considered (though admittedly we hadn't given the matter much thought). We learned that it had never been just a funky cottage, nor just a picturesque corner of the university campus. The most extreme n…

  • The French New Autobiographies

    Miriam Fuchs, Raylene Ramsay et al.•ARTICLE•South Atlantic Review•1997

    This work explores the new autobiographical genre, the auto-fictions, that emerged from France in the 1980s. It focuses on three figures of French avant-garde writing, whose autobiographies fall between fact and fiction, and examines the conventions of traditional autobiographies

  • Autobiography and Postmodernism

    Miriam Fuchs, Kathleen Ashley•REVIEW•American Literature•1995

  • Reading toward the Indigenous Pacific

    Miriam Fuchs•ARTICLE•boundary 2•1994•Cited by: 1

    The phrase cultural has been used to characterize recent modes of cross-cultural inquiry. According to Betty Jean Craige, holistic scholars are like ecologists, investigating the diverse parts of ecosystems for patterns of interactivity and reciprocal change. No single organism (or population group) within the environment (or global community) is superior, and each supports the workings of the larger system. Writing in the guest column of the May…

  • Djuna Barnes and T. S. Eliot

    Miriam Fuchs•ARTICLE•Tulsa Studies in Women s Literature•1993

    Cet examen de la correspondance entre T. S. Eliot et D. Barnes revele comment leur collaboration editoriale et le jugement litteraire du poete sur Nightwood et The Antiphon prirent la forme d'une re-appropriation de l'autorite de la romanciere, effectuee aux depens de sa creativite et de sa propre production litteraire

  • Touching the World

    Miriam Fuchs, Paul John Eakin•ARTICLE•American Literature•1993

  • Fabricating Lives

    Miriam Fuchs, Herbert Leibowitz•ARTICLE•American Literature•1990

  • Dr. Matthew O'Connor

    Miriam Fuchs•ARTICLE•Literature and medicine•1983

    Dr. Matthew O'Connor: the unhealthy healer of Djuna Barnes's Nightwood Miriam Fuchs Nearly fifty years after the publication of Nightwood, critics are still arguing over the merits of this strange and powerful novel. Many agree with T. S. Eliot, who was Djuna Barnes's editor at Faber and Faber, that "beauty of phrasing" and "brilliance of wit and characterisation" are two of the qualities that make Nightwood an important American novel.1 Other cr…

  • Autobiography & Geography

    Miriam Fuchs•ARTICLE•Biography•2002•Cited by: 4

    When the cottage that housed the Center for Biographical Research and Biography was demolished last year (and the offices relocated), surprising details of our own history were revealed. The building had a more complicated history than we had ever considered (though admittedly we hadn't given the matter much thought). We learned that it had never been just a funky cottage, nor just a picturesque corner of the university campus. The most extreme n…

  • Reading toward the Indigenous Pacific

    Miriam Fuchs•ARTICLE•boundary 2•1994•Cited by: 1

    The phrase cultural has been used to characterize recent modes of cross-cultural inquiry. According to Betty Jean Craige, holistic scholars are like ecologists, investigating the diverse parts of ecosystems for patterns of interactivity and reciprocal change. No single organism (or population group) within the environment (or global community) is superior, and each supports the workings of the larger system. Writing in the guest column of the May…

  • Dr. Matthew O'Connor

    Miriam Fuchs•ARTICLE•Literature and medicine•1983

    Dr. Matthew O'Connor: the unhealthy healer of Djuna Barnes's Nightwood Miriam Fuchs Nearly fifty years after the publication of Nightwood, critics are still arguing over the merits of this strange and powerful novel. Many agree with T. S. Eliot, who was Djuna Barnes's editor at Faber and Faber, that "beauty of phrasing" and "brilliance of wit and characterisation" are two of the qualities that make Nightwood an important American novel.1 Other cr…

  • Fabricating Lives

    Miriam Fuchs, Herbert Leibowitz•ARTICLE•American Literature•1990

  • Djuna Barnes and T. S. Eliot

    Miriam Fuchs•ARTICLE•Tulsa Studies in Women s Literature•1993

    Cet examen de la correspondance entre T. S. Eliot et D. Barnes revele comment leur collaboration editoriale et le jugement litteraire du poete sur Nightwood et The Antiphon prirent la forme d'une re-appropriation de l'autorite de la romanciere, effectuee aux depens de sa creativite et de sa propre production litteraire

  • Touching the World

    Miriam Fuchs, Paul John Eakin•ARTICLE•American Literature•1993

  • Reading toward the Indigenous Pacific

    Miriam Fuchs•ARTICLE•boundary 2•1994•Cited by: 1

    The phrase cultural has been used to characterize recent modes of cross-cultural inquiry. According to Betty Jean Craige, holistic scholars are like ecologists, investigating the diverse parts of ecosystems for patterns of interactivity and reciprocal change. No single organism (or population group) within the environment (or global community) is superior, and each supports the workings of the larger system. Writing in the guest column of the May…

  • Autobiography and Postmodernism

    Miriam Fuchs, Kathleen Ashley•REVIEW•American Literature•1995

  • The French New Autobiographies

    Miriam Fuchs, Raylene Ramsay et al.•ARTICLE•South Atlantic Review•1997

    This work explores the new autobiographical genre, the auto-fictions, that emerged from France in the 1980s. It focuses on three figures of French avant-garde writing, whose autobiographies fall between fact and fiction, and examines the conventions of traditional autobiographies

  • Autobiography & Geography

    Miriam Fuchs•ARTICLE•Biography•2002•Cited by: 4

    When the cottage that housed the Center for Biographical Research and Biography was demolished last year (and the offices relocated), surprising details of our own history were revealed. The building had a more complicated history than we had ever considered (though admittedly we hadn't given the matter much thought). We learned that it had never been just a funky cottage, nor just a picturesque corner of the university campus. The most extreme n…

  • The Text is Myself

    Miriam Fuchs•BOOK•The text is myself•2004

    Queen Lili'uokalani, the last monarch of Hawai'i, was forced to abdicate and her homeland was annexed. American poet H.D. wrote through the London blitz. Italian novelist and art critic Anna Banti lost the manuscript of her novel about Artemisia Gentileschi but survived the war's devastation to rewrite it. German-Jewish novelist Grete Weil fled to Holland, but her husband was arrested there and murdered by the Nazis. Chilean novelist Isabel Allen…

  • Shifting Ground

    C Franklin, Cynthia G Franklin et al.•ARTICLE•Biography•2009

    We open the Winter 2009 issue of Biography by calling attention to "Pacific People," an evening of oli, mele, hula, theatre, poetry, autobiography, and biography, to articulate the significance of Hawai'i as the location of the Sixth Biennial IABA Conference. For the contributors to this volume, translation is, in the broadest terms, a form of representation and action that mediates-inevitably by coming between-cultures and languages in genres th…

  • Modernist Lives

    Miriam Fuchs•ARTICLE•Biography•2019

    Reviewed by: Modernist Lives: Biography and Autobiography at Leonard and Virginia Woolf's Hogarth Press by Claire Battershill Miriam Fuchs (bio) Modernist Lives: Biography and Autobiography at Leonard and Virginia Woolf's Hogarth Press Claire Battershill Bloomsbury Academic, 2018, 248 pp. ISBN 978-1350043817, $114.00 hardback, $39.95 paperback. Claire Battershill's Modernist Lives: Biography and Autobiography at Leonard and Virginia Woolf's Hogar…

Art (10 works) · History (8 works) · Literature (8 works) · Biography (6 works) · Philosophy (5 works) · Political science (5 works) · Art history (4 works) · Law (4 works) · Sociology (4 works) · Politics (3 works)

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