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Gustavus Stadler

Biographic Data

ID3625532
NAMEGustavus Stadler
GIVEN NAMESGustavus
FAMILY NAMEStadler
SIGNATURESTADLER G
AFFILIATIONSHaverford College
VERIFIEDNo
TOTAL WORKS12
TOTAL CITATIONS15
AUTHOR COUNT12
EDITOR COUNT0
FIRST PUBLICATION YEAR1996
LATEST PUBLICATION YEAR2017
H-INDEX2
  • Sound and (Black) objecthood

    Gustavus Stadler•ARTICLE•Sound Studies•2017

  • “Gimme Gimme This, Gimme Gimme That”: Listening with, to, and through José Muñoz

    Open Access•Gustavus Stadler, Jeanne Vaccaro et al.•ARTICLE•Journal of Popular Music Studies•2015

  • A Note from the Editors

    Open Access•Gustavus Stadler, Karen Tongson•ARTICLE•Journal of Popular Music Studies•2011

  • Strategic Naïveté

    Open Access•Gustavus Stadler•ARTICLE•Journal of Popular Music Studies•2011

  • A Note from the Editors

    Open Access•Gustavus Stadler, Karen Tongson•ARTICLE•Journal of Popular Music Studies•2010

  • The politics of recorded sound

    Gustavus Stadler•BOOK•The politics of recorded sound•2010

  • Never Heard Such a Thing

    Gustavus Stadler•ARTICLE•Social Text•2010•Cited by: 12

    This essay examines 1890s commercial audio recordings-none of which is known to exist today-that reenacted lynchings of African Americans,in particular, the mass spectacle lynching of Henry Smith of Paris, Texas, in 1893. Despite rumors that the recordings were made live, they were in fact examples of an early, nonmusical genre in commercial phonography known as the "descriptive specialty," which often involved studio reenactments of current even…

  • Queer and Disorderly

    Gustavus Stadler•ARTICLE•Social Text•2009

    This essay examines contemporary lesbian/gay/bisexual/transgender (LGBT) activism in the light of Eve Kosofsky Sedgwick's important Social Text piece from 1991, “How to Bring Your Kids Up Gay.” It revisits the restrictive views of gender that she discovered in the psychotherapeutic professions via current (2008–2009) controversies over the authors chosen to write the entry “Gender Identity Disorder” in the forthcoming edition of the Diagnostic an…

  • "Queer Guy for the Straight "I

    Gustavus T Stadler, Gustavus Stadler•ARTICLE•GLQ A Journal of Lesbian and Gay…•2005•Cited by: 3

    Other| January 01 2005 QUEER GUY FOR THE STRAIGHT “I” Gustavus T. Stadler Gustavus T. Stadler Search for other works by this author on: This Site Google GLQ (2005) 11 (1): 109–111. https://doi.org/10.1215/10642684-11-1-109 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Share Facebook Twitter LinkedIn Email Tools Icon Tools Permissions Cite Icon Cite Search Site Citation Gustavus T. Stadler…

  • Magawisca's Body of Knowledge

    Gustavus Stadler•ARTICLE•Yale journal of criticism/ The…•1999

    Magawisca’s Body of Knowledge: Nation-Building in Hope Leslie Gustavus Stadler (bio) It has now become something of a critical commonplace in American cultural and literary studies to argue that the conceptual division between public and private spheres—a paradigm which has been particularly influential in work on the antebellum era—is artificial, ideological, and largely designed to enforce a social hierarchy between the genders. It has even bee…

  • Home Fronts

    Gustavus Stadler, Lora Romero•ARTICLE•American Literature•1998

  • The Rhetorical Logic of Henry James

    Gustavus Stadler, Sheila Teahan•ARTICLE•American Literature•1996

  • Never Heard Such a Thing

    Gustavus Stadler•ARTICLE•Social Text•2010•Cited by: 12

    This essay examines 1890s commercial audio recordings-none of which is known to exist today-that reenacted lynchings of African Americans,in particular, the mass spectacle lynching of Henry Smith of Paris, Texas, in 1893. Despite rumors that the recordings were made live, they were in fact examples of an early, nonmusical genre in commercial phonography known as the "descriptive specialty," which often involved studio reenactments of current even…

  • "Queer Guy for the Straight "I

    Gustavus T Stadler, Gustavus Stadler•ARTICLE•GLQ A Journal of Lesbian and Gay…•2005•Cited by: 3

    Other| January 01 2005 QUEER GUY FOR THE STRAIGHT “I” Gustavus T. Stadler Gustavus T. Stadler Search for other works by this author on: This Site Google GLQ (2005) 11 (1): 109–111. https://doi.org/10.1215/10642684-11-1-109 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Share Facebook Twitter LinkedIn Email Tools Icon Tools Permissions Cite Icon Cite Search Site Citation Gustavus T. Stadler…

  • The Rhetorical Logic of Henry James

    Gustavus Stadler, Sheila Teahan•ARTICLE•American Literature•1996

  • Home Fronts

    Gustavus Stadler, Lora Romero•ARTICLE•American Literature•1998

  • Magawisca's Body of Knowledge

    Gustavus Stadler•ARTICLE•Yale journal of criticism/ The…•1999

    Magawisca’s Body of Knowledge: Nation-Building in Hope Leslie Gustavus Stadler (bio) It has now become something of a critical commonplace in American cultural and literary studies to argue that the conceptual division between public and private spheres—a paradigm which has been particularly influential in work on the antebellum era—is artificial, ideological, and largely designed to enforce a social hierarchy between the genders. It has even bee…

  • "Queer Guy for the Straight "I

    Gustavus T Stadler, Gustavus Stadler•ARTICLE•GLQ A Journal of Lesbian and Gay…•2005•Cited by: 3

    Other| January 01 2005 QUEER GUY FOR THE STRAIGHT “I” Gustavus T. Stadler Gustavus T. Stadler Search for other works by this author on: This Site Google GLQ (2005) 11 (1): 109–111. https://doi.org/10.1215/10642684-11-1-109 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Share Facebook Twitter LinkedIn Email Tools Icon Tools Permissions Cite Icon Cite Search Site Citation Gustavus T. Stadler…

  • Queer and Disorderly

    Gustavus Stadler•ARTICLE•Social Text•2009

    This essay examines contemporary lesbian/gay/bisexual/transgender (LGBT) activism in the light of Eve Kosofsky Sedgwick's important Social Text piece from 1991, “How to Bring Your Kids Up Gay.” It revisits the restrictive views of gender that she discovered in the psychotherapeutic professions via current (2008–2009) controversies over the authors chosen to write the entry “Gender Identity Disorder” in the forthcoming edition of the Diagnostic an…

  • A Note from the Editors

    Open Access•Gustavus Stadler, Karen Tongson•ARTICLE•Journal of Popular Music Studies•2010

  • The politics of recorded sound

    Gustavus Stadler•BOOK•The politics of recorded sound•2010

  • Never Heard Such a Thing

    Gustavus Stadler•ARTICLE•Social Text•2010•Cited by: 12

    This essay examines 1890s commercial audio recordings-none of which is known to exist today-that reenacted lynchings of African Americans,in particular, the mass spectacle lynching of Henry Smith of Paris, Texas, in 1893. Despite rumors that the recordings were made live, they were in fact examples of an early, nonmusical genre in commercial phonography known as the "descriptive specialty," which often involved studio reenactments of current even…

  • A Note from the Editors

    Open Access•Gustavus Stadler, Karen Tongson•ARTICLE•Journal of Popular Music Studies•2011

  • Strategic Naïveté

    Open Access•Gustavus Stadler•ARTICLE•Journal of Popular Music Studies•2011

  • “Gimme Gimme This, Gimme Gimme That”: Listening with, to, and through José Muñoz

    Open Access•Gustavus Stadler, Jeanne Vaccaro et al.•ARTICLE•Journal of Popular Music Studies•2015

  • Sound and (Black) objecthood

    Gustavus Stadler•ARTICLE•Sound Studies•2017

Art (7 works) · History (6 works) · Music History and Culture (5 works) · Citation (4 works) · Computer Science (4 works) · Sociology (4 works) · Aesthetics (3 works) · Library science (3 works) · Literature (3 works) · Art history (2 works)

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