Marta E Sanchez
Biographic Data
| ID | 3625568 |
|---|---|
| NAME | Marta E Sanchez |
| GIVEN NAMES | Marta E |
| FAMILY NAME | Sanchez |
| SIGNATURE | SANCHEZ M E |
| AFFILIATIONS | Arizona State University |
| ORCID | 0000-0002-1028-9608 |
| VERIFIED | Yes |
| TOTAL WORKS | 12 |
| TOTAL CITATIONS | 2 |
| AUTHOR COUNT | 12 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1976 |
| LATEST PUBLICATION YEAR | 2013 |
| H-INDEX | 1 |
I may say wetback but I really mean mojado’: Migration and translation in Ramón ‘Tianguis’ Pérez's Diary of an Undocumented Immigrant
Strict divisions in the Mexican and United States nation-state model emphasize the dividing functions rather than connecting purposes of their borders. Similarly, discursive boundaries in mainstream thinking, doing, and reception of translation also conceal continuities between an original and its translation. Each border crossing creates acute divisions of identity for migrating individuals and for translated literary texts. My essay argues that…
The Chronicles of Panchita Villa and Other Guerrilleras: Essays on Chicana/Latina Literature and Criticism
"Shakin' up" Race and Gender: Intercultural Connections in Puerto Rican, African American, and Chicano Narratives and Culture (1965-1995)
Agradecimientos Prelude Introduction: Intercultural Connections Chapter 1. In Bed with La Malinche: Stories of Family a la Octavio Paz, Daniel Patrick Moynihan, and Oscar Lewis Chapter 2. La Malinche at the Intersection of Puerto Rican and African American Cultures: Piri Thomas and Down These Mean Streets Interlude 2. La Malinche: Shuffling the Puerto Rican Border in Spanish and Black Harlem Chapter 3. Of Nutshells, Frogs, and Men in Manchild in …
"Shakin' Up" Race and Gender: Intercultural Connections in Puerto Rican, African American, and Chicano Narratives and Culture (1965–1995)
The second phase of the civil rights movement (1965-1973) was a pivotal period in the development of ethnic groups in the United States. In the years since then, new generations have asked new questions to cast light on this watershed era. No longer is it productive to consider only the differences between ethnic groups; we must also study them in relation to one another and to U.S. mainstream society. In "Shakin' Up" Race and Gender, Marta E. Sá…
La Malinche at the Intersection: Race and Gender in Down These Mean Streets
Piri Thomas's Down These Mean Streets (1967) challenges binary notions of whiteness and blackness by valorizing a third term— mestizaje. And yet the novel enlists dominant views of female gender and sexuality to affirm the protagonist's ethnic male identity. In my Chicana feminist reading of this Puerto Rican text, I import the reinterpreted figure La Malinche and its companion figure La Chingada—prevailing tropes in Chicano and Chicana literatur…
Arturo Islas' The Rain God: An Alternative Tradition
C HICANo author Arturo Islas' The Rain God, A Desert Tale' belongs to a contemporary tradition of autobiographical fiction by Latino men and women that has emerged from workingclass Hispanophone communities, for example, Chicano and Puerto Rican. In their search to define different identities, Chicano and Chicana authors recall an earlier tradition of American immigrant authors who, at the turn of the century, found themselves on the other side o…
Latin American Women Writers: Into the Mainstream (At Last)
Contemporary Chicana Poetry: A Critical Approach to an Emerging Literature
Contemporary Chicana Poetry: A Critical Approach to an Emerging Literature
Contemporary Chicana Poetry: A Critical Approach to an Emerging Literature
Inter-Sexual and Intertextual Codes in the Poetry of Bernice Zamora
Marta E. Sánchez; Inter-Sexual and Intertextual Codes in the Poetry of Bernice Zamora, MELUS, Volume 7, Issue 3, 1 September 1980, Pages 55–68, https://doi
Caliban: The New Latin-American Protagonist of the Tempest
Arturo Islas' The Rain God: An Alternative Tradition
C HICANo author Arturo Islas' The Rain God, A Desert Tale' belongs to a contemporary tradition of autobiographical fiction by Latino men and women that has emerged from workingclass Hispanophone communities, for example, Chicano and Puerto Rican. In their search to define different identities, Chicano and Chicana authors recall an earlier tradition of American immigrant authors who, at the turn of the century, found themselves on the other side o…
Caliban: The New Latin-American Protagonist of the Tempest
Inter-Sexual and Intertextual Codes in the Poetry of Bernice Zamora
Marta E. Sánchez; Inter-Sexual and Intertextual Codes in the Poetry of Bernice Zamora, MELUS, Volume 7, Issue 3, 1 September 1980, Pages 55–68, https://doi
Contemporary Chicana Poetry: A Critical Approach to an Emerging Literature
Contemporary Chicana Poetry: A Critical Approach to an Emerging Literature
Latin American Women Writers: Into the Mainstream (At Last)
Contemporary Chicana Poetry: A Critical Approach to an Emerging Literature
Arturo Islas' The Rain God: An Alternative Tradition
C HICANo author Arturo Islas' The Rain God, A Desert Tale' belongs to a contemporary tradition of autobiographical fiction by Latino men and women that has emerged from workingclass Hispanophone communities, for example, Chicano and Puerto Rican. In their search to define different identities, Chicano and Chicana authors recall an earlier tradition of American immigrant authors who, at the turn of the century, found themselves on the other side o…
La Malinche at the Intersection: Race and Gender in Down These Mean Streets
Piri Thomas's Down These Mean Streets (1967) challenges binary notions of whiteness and blackness by valorizing a third term— mestizaje. And yet the novel enlists dominant views of female gender and sexuality to affirm the protagonist's ethnic male identity. In my Chicana feminist reading of this Puerto Rican text, I import the reinterpreted figure La Malinche and its companion figure La Chingada—prevailing tropes in Chicano and Chicana literatur…
"Shakin' Up" Race and Gender: Intercultural Connections in Puerto Rican, African American, and Chicano Narratives and Culture (1965–1995)
The second phase of the civil rights movement (1965-1973) was a pivotal period in the development of ethnic groups in the United States. In the years since then, new generations have asked new questions to cast light on this watershed era. No longer is it productive to consider only the differences between ethnic groups; we must also study them in relation to one another and to U.S. mainstream society. In "Shakin' Up" Race and Gender, Marta E. Sá…
"Shakin' up" Race and Gender: Intercultural Connections in Puerto Rican, African American, and Chicano Narratives and Culture (1965-1995)
Agradecimientos Prelude Introduction: Intercultural Connections Chapter 1. In Bed with La Malinche: Stories of Family a la Octavio Paz, Daniel Patrick Moynihan, and Oscar Lewis Chapter 2. La Malinche at the Intersection of Puerto Rican and African American Cultures: Piri Thomas and Down These Mean Streets Interlude 2. La Malinche: Shuffling the Puerto Rican Border in Spanish and Black Harlem Chapter 3. Of Nutshells, Frogs, and Men in Manchild in …
The Chronicles of Panchita Villa and Other Guerrilleras: Essays on Chicana/Latina Literature and Criticism
I may say wetback but I really mean mojado’: Migration and translation in Ramón ‘Tianguis’ Pérez's Diary of an Undocumented Immigrant
Strict divisions in the Mexican and United States nation-state model emphasize the dividing functions rather than connecting purposes of their borders. Similarly, discursive boundaries in mainstream thinking, doing, and reception of translation also conceal continuities between an original and its translation. Each border crossing creates acute divisions of identity for migrating individuals and for translated literary texts. My essay argues that…
Latin American and Latino Studies (10 works) · Art (9 works) · Sociology (9 works) · Literature (7 works) · Gender Studies (6 works) · History (6 works) · Aesthetics (4 works) · Linguistics (4 works) · Philosophy (4 works) · Poetry (4 works)