Skip to main content

ETHNOS_APP

Home • Search • Journals • List 0

Lee Clark Mitchell

Biographic Data

ID3625610
NAMELee Clark Mitchell
GIVEN NAMESLee Clark
FAMILY NAMEMitchell
SIGNATUREMITCHELL L C
AFFILIATIONSPrinceton University
VERIFIEDNo
TOTAL WORKS17
TOTAL CITATIONS9
AUTHOR COUNT14
EDITOR COUNT3
FIRST PUBLICATION YEAR1979
LATEST PUBLICATION YEAR2016
H-INDEX1
  • Frontiers and Border-Crossing: Incest, History, and Cinematic Structure in John Sayles's Lone Star

    Lee Clark Mitchell•ARTICLE•Journal of Popular Film and…•2016•Cited by: 1•References: 5

    John Sayles's Lone Star (1996) Lone Star. Dir. John Sayles. Sony Classics, 1996. DVD. [Google Scholar] takes the occasion of Hispanic and Anglo cultural differences to concentrate thematically on an array of epistemological borders: between history and myth, parent and child, and genders, as well as racial and cultural matrixes. And the cinematic structure of the film itself compounds these efforts through a fragmented presentation that engages v…

  • Black Star and Night

    Zane Grey, Lee Clark Mitchell•CHAPTER•Riders of the purple sage•2009

    The time had come for Venters and Bess to leave their retreat. They were at great pains to choose the few things they would be able to carry with them on the journey out of Utah. ‘Bern, whatever kind of a pack’s this, anyhow?’ questioned...

  • Solitude and Storm

    Zane Grey, Lee Clark Mitchell•CHAPTER•Riders of the purple sage•2009

    In his hidden valley Venters awakened from sleep, and his ears rang with innumerable melodies from full-throated mocking-birds, and his eyes opened wide upon the glorious golden shaft of sunlight shining through the great stone bridge. The circle of cliffs surrounding Surprise Valley lay shrouded...

  • Riders of the purple sage

    Zane Grey, Lee Clark Mitchell•BOOK•Riders of the purple sage•2008

  • Whose West Is It Anyway? or, What's Myth Got to Do With It? The Role of “America” in the Creation of the Myth of the West

    Lee Clark Mitchell•ARTICLE•The American Review of Canadian…•2003

    Little more than a year ago, was sitting in a darkened cineplex on a Saturday afternoon with four small boys (two of them mine) munching popcorn and drinking cherry slushes, waiting to see Shrek for the third time. Suddenly, on the screen appeared a trailer for an animated film due out last summer--a Dreamworks production called Spirit: Stallion of the Cimarron, directed by Kelly Asbury and Lorna Cook, with a screenplay by John Fusco, who has bee…

  • And Rescue Us from Ourselves: Becoming Someone in Jack London's The Sea-Wolf

    Lee Clark Mitchell•ARTICLE•American Literature•1998

  • Westerns: Making the Man in Fiction and Film

    E Anthony Rotundo, Lee Clark Mitchell•ARTICLE•Journal of American History•1997•Cited by: 7

    Journal Article Westerns: Making the Man in Fiction and Film. By Lee Clark Mitchell. (Chicago: University of Chicago Press, 1996. xvi, 331 pp. $29.95, ISBN 0-226-53234-8.) Get access E. Anthony Rotundo E. Anthony Rotundo Phillips Academy, Andover, Massachusetts Search for other works by this author on: Oxford Academic Google Scholar Journal of American History, Volume 84, Issue 2, September 1997, Page 707, https://doi.org/10.2307/2952684 Publishe…

  • Westerns: Making the Man in Fiction and Film

    John Mack Faragher, Lee Clark Mitchell•ARTICLE•Western Historical Quarterly•1997

    John Mack Faragher; Westerns: Making the Man in Fiction and Film, Western Historical Quarterly, Volume 28, Issue 4, 1 November 1997, Pages 566–567, https

  • The Photograph and the American Indian

    Margaret B Blackman, Alfred L Bush et al.•ARTICLE•Ethnohistory•1996

    From forbidden snapshots of sacred ceremonies to formal portraits of Native Americans in Victorian dress, photography offers a fascinating record of the complex interplay of attitudes toward the indigenous peoples of the United States. This text examines photographs of Indians by both Native and Anglo Americans, from 1840 to the present, and offers an array of images reproduced with exacting respect for the physical qualities of the photograph as…

  • Realism, Naturalism, Modernism: Three Revaluations

    Open Access•Raymond A Mazurek, Miles Orvell et al.•ARTICLE•American Quarterly•1991

  • Determined Fictions: American Literary Naturalism

    June Howard, Lee Clark Mitchell•ARTICLE•American Literature•1990

  • Face, Race, and Disfiguration in Stephen Crane's 'The Monster

    Lee Clark Mitchell•ARTICLE•Critical Inquiry•1990•Cited by: 1

  • Reading Images: Southwestern Test Cases

    Open Access•Lee Clark Mitchell, Charles C Eldredge et al.•ARTICLE•American Quarterly•1986

  • Witnesses to a Vanishing America: The Nineteenth-Century Response

    Klaus J Hansen, Lee Clark Mitchell•ARTICLE•Western Historical Quarterly•1983

    Journal Article Witnesses to a Vanishing America: The Nineteenth-Century Response Get access Witnesses to a Vanishing America: The Nineteenth-Century Response. By Mitchell Lee Clark. (Princeton, New Jersey: Princeton University Press, 1981. xvii + 320 pp. Illustrations, notes, bibliography, index. $18.50.) Klaus J. Hansen Klaus J. Hansen Queen's University Search for other works by this author on: Oxford Academic Google Scholar Western Historical…

  • Witnesses to a Vanishing America: The Nineteenth-Century Response

    Julie Roy Jeffrey, Lee Clark Mitchell•ARTICLE•Journal of American History•1982

  • Witnesses to a Vanishing America: The Nineteenth-Century Response

    Kenneth E Eble, Lee Clark Mitchell•ARTICLE•American Literature•1982

  • "But This Was History": Henry Adams' "Education" in London Diplomacy

    Lee Clark Mitchell•ARTICLE•The New England Quarterly•1979

    PERHAPS the most elusive persona adopted by an American writer is the carefully posed manikin in The Education of Henry Adams. His experience traces a deceptively simple conceptual pattern: a tyro, seeking education, order, and significance, everywhere confronts failure in a world rushing toward disintegration. Our fascination with this figure extends naturally to its model. Artists often use personal experience fictionally, but we are struck in …

  • Westerns: Making the Man in Fiction and Film

    E Anthony Rotundo, Lee Clark Mitchell•ARTICLE•Journal of American History•1997•Cited by: 7

    Journal Article Westerns: Making the Man in Fiction and Film. By Lee Clark Mitchell. (Chicago: University of Chicago Press, 1996. xvi, 331 pp. $29.95, ISBN 0-226-53234-8.) Get access E. Anthony Rotundo E. Anthony Rotundo Phillips Academy, Andover, Massachusetts Search for other works by this author on: Oxford Academic Google Scholar Journal of American History, Volume 84, Issue 2, September 1997, Page 707, https://doi.org/10.2307/2952684 Publishe…

  • Frontiers and Border-Crossing: Incest, History, and Cinematic Structure in John Sayles's Lone Star

    Lee Clark Mitchell•ARTICLE•Journal of Popular Film and…•2016•Cited by: 1•References: 5

    John Sayles's Lone Star (1996) Lone Star. Dir. John Sayles. Sony Classics, 1996. DVD. [Google Scholar] takes the occasion of Hispanic and Anglo cultural differences to concentrate thematically on an array of epistemological borders: between history and myth, parent and child, and genders, as well as racial and cultural matrixes. And the cinematic structure of the film itself compounds these efforts through a fragmented presentation that engages v…

  • Face, Race, and Disfiguration in Stephen Crane's 'The Monster

    Lee Clark Mitchell•ARTICLE•Critical Inquiry•1990•Cited by: 1

  • "But This Was History": Henry Adams' "Education" in London Diplomacy

    Lee Clark Mitchell•ARTICLE•The New England Quarterly•1979

    PERHAPS the most elusive persona adopted by an American writer is the carefully posed manikin in The Education of Henry Adams. His experience traces a deceptively simple conceptual pattern: a tyro, seeking education, order, and significance, everywhere confronts failure in a world rushing toward disintegration. Our fascination with this figure extends naturally to its model. Artists often use personal experience fictionally, but we are struck in …

  • Witnesses to a Vanishing America: The Nineteenth-Century Response

    Julie Roy Jeffrey, Lee Clark Mitchell•ARTICLE•Journal of American History•1982

  • Witnesses to a Vanishing America: The Nineteenth-Century Response

    Kenneth E Eble, Lee Clark Mitchell•ARTICLE•American Literature•1982

  • Witnesses to a Vanishing America: The Nineteenth-Century Response

    Klaus J Hansen, Lee Clark Mitchell•ARTICLE•Western Historical Quarterly•1983

    Journal Article Witnesses to a Vanishing America: The Nineteenth-Century Response Get access Witnesses to a Vanishing America: The Nineteenth-Century Response. By Mitchell Lee Clark. (Princeton, New Jersey: Princeton University Press, 1981. xvii + 320 pp. Illustrations, notes, bibliography, index. $18.50.) Klaus J. Hansen Klaus J. Hansen Queen's University Search for other works by this author on: Oxford Academic Google Scholar Western Historical…

  • Reading Images: Southwestern Test Cases

    Open Access•Lee Clark Mitchell, Charles C Eldredge et al.•ARTICLE•American Quarterly•1986

  • Determined Fictions: American Literary Naturalism

    June Howard, Lee Clark Mitchell•ARTICLE•American Literature•1990

  • Face, Race, and Disfiguration in Stephen Crane's 'The Monster

    Lee Clark Mitchell•ARTICLE•Critical Inquiry•1990•Cited by: 1

  • Realism, Naturalism, Modernism: Three Revaluations

    Open Access•Raymond A Mazurek, Miles Orvell et al.•ARTICLE•American Quarterly•1991

  • The Photograph and the American Indian

    Margaret B Blackman, Alfred L Bush et al.•ARTICLE•Ethnohistory•1996

    From forbidden snapshots of sacred ceremonies to formal portraits of Native Americans in Victorian dress, photography offers a fascinating record of the complex interplay of attitudes toward the indigenous peoples of the United States. This text examines photographs of Indians by both Native and Anglo Americans, from 1840 to the present, and offers an array of images reproduced with exacting respect for the physical qualities of the photograph as…

  • Westerns: Making the Man in Fiction and Film

    E Anthony Rotundo, Lee Clark Mitchell•ARTICLE•Journal of American History•1997•Cited by: 7

    Journal Article Westerns: Making the Man in Fiction and Film. By Lee Clark Mitchell. (Chicago: University of Chicago Press, 1996. xvi, 331 pp. $29.95, ISBN 0-226-53234-8.) Get access E. Anthony Rotundo E. Anthony Rotundo Phillips Academy, Andover, Massachusetts Search for other works by this author on: Oxford Academic Google Scholar Journal of American History, Volume 84, Issue 2, September 1997, Page 707, https://doi.org/10.2307/2952684 Publishe…

  • Westerns: Making the Man in Fiction and Film

    John Mack Faragher, Lee Clark Mitchell•ARTICLE•Western Historical Quarterly•1997

    John Mack Faragher; Westerns: Making the Man in Fiction and Film, Western Historical Quarterly, Volume 28, Issue 4, 1 November 1997, Pages 566–567, https

  • And Rescue Us from Ourselves: Becoming Someone in Jack London's The Sea-Wolf

    Lee Clark Mitchell•ARTICLE•American Literature•1998

  • Whose West Is It Anyway? or, What's Myth Got to Do With It? The Role of “America” in the Creation of the Myth of the West

    Lee Clark Mitchell•ARTICLE•The American Review of Canadian…•2003

    Little more than a year ago, was sitting in a darkened cineplex on a Saturday afternoon with four small boys (two of them mine) munching popcorn and drinking cherry slushes, waiting to see Shrek for the third time. Suddenly, on the screen appeared a trailer for an animated film due out last summer--a Dreamworks production called Spirit: Stallion of the Cimarron, directed by Kelly Asbury and Lorna Cook, with a screenplay by John Fusco, who has bee…

  • Riders of the purple sage

    Zane Grey, Lee Clark Mitchell•BOOK•Riders of the purple sage•2008

  • Black Star and Night

    Zane Grey, Lee Clark Mitchell•CHAPTER•Riders of the purple sage•2009

    The time had come for Venters and Bess to leave their retreat. They were at great pains to choose the few things they would be able to carry with them on the journey out of Utah. ‘Bern, whatever kind of a pack’s this, anyhow?’ questioned...

  • Solitude and Storm

    Zane Grey, Lee Clark Mitchell•CHAPTER•Riders of the purple sage•2009

    In his hidden valley Venters awakened from sleep, and his ears rang with innumerable melodies from full-throated mocking-birds, and his eyes opened wide upon the glorious golden shaft of sunlight shining through the great stone bridge. The circle of cliffs surrounding Surprise Valley lay shrouded...

  • Frontiers and Border-Crossing: Incest, History, and Cinematic Structure in John Sayles's Lone Star

    Lee Clark Mitchell•ARTICLE•Journal of Popular Film and…•2016•Cited by: 1•References: 5

    John Sayles's Lone Star (1996) Lone Star. Dir. John Sayles. Sony Classics, 1996. DVD. [Google Scholar] takes the occasion of Hispanic and Anglo cultural differences to concentrate thematically on an array of epistemological borders: between history and myth, parent and child, and genders, as well as racial and cultural matrixes. And the cinematic structure of the film itself compounds these efforts through a fragmented presentation that engages v…

History (14 works) · Art (12 works) · Art history (7 works) · Literature (7 works) · American Constitutional Law and Politics (5 works) · History (4 works) · Philosophy (4 works) · Sociology (4 works) · American History and Culture (3 works) · Archaeology (3 works)

Ethnos_APP • Open Source Project • MIT License • Frontend v2.0.0 • Privacy and Cookies • API Documentation: api.ethnos.app/docs • API Source Code: GitHub • DOI: 10.5281/zenodo.17049435 • Frontend Source Code: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae