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Jonathan Freedman

Biographic Data

ID3625829
NAMEJonathan Freedman
GIVEN NAMESJonathan
FAMILY NAMEFreedman
SIGNATUREFREEDMAN J
AFFILIATIONSUniversity of Michigan
ORCID0000-0002-1361-797X
VERIFIEDYes
TOTAL WORKS21
TOTAL CITATIONS9
AUTHOR COUNT18
EDITOR COUNT3
FIRST PUBLICATION YEAR1965
LATEST PUBLICATION YEAR2021
H-INDEX2
  • The Jewish Decadence: Jews and the Aesthetics of Modernity

    Jonathan Freedman•BOOK•Jewish Decadence•2021

  • Bernard Berenson: A life in the picture trade (Jewish lives)

    Jonathan Freedman•ARTICLE•Jewish Culture and History•2017

    Bernard Berenson was, to put it mildly, a complicated man, and not the least of his complexities had to do with his Jewishness. All his many sides are treated with generosity in Rachel Cohen’s cont

  • The Cambridge Companion to Alfred Hitchcock

    Open Access•Jonathan Freedman•BOOK•Cambridge Companion to Alfred…•2015

    Alfred Hitchcock was, despite his English origins and early career, an American master. Arriving on US shores in 1939, for the next three decades he created a series of masterpieces that redefined the nature and possibilities of cinema itself: Rebecca, Notorious, Strangers on a Train, Rear Window, Vertigo and Psycho, to name just a few. In this Companion, leading film scholars and critics of American culture and imagination trace Hitchcock's inte…

  • Cambridge Companion to Alfred Hitchcock

    Jonathan Freedman•BOOK•Cambridge Companion to Alfred…•2015

  • The Cambridge History of Jewish American Literature

    Open Access•Julian Levinson, Robert Rubinstein et al.•BOOK•Cambridge History of Jewish…•2015

    This History offers an unparalleled examination of all aspects of Jewish American literature. Jewish writing has played a central role in the formation of the national literature of the United States, from the Hebraic sources of the Puritan imagination to narratives of immigration and acculturation. This body of writing has also enriched global Jewish literature in its engagement with Jewish history and Jewish multilingual culture. Written by a h…

  • Reading the cinematograph: The cinema in british short fiction, 1896–1912

    Jonathan Freedman•ARTICLE•Early Popular Visual Culture•2013

  • On Jewish Literature: A Polemical Position Paper

    Jonathan Freedman•ARTICLE•Studies in American Jewish…•2012

    On Jewish Literature:A Polemical Position Paper Jonathan Freedman I come to the study of Jewish literature from an odd position—not an entirely unique one, to be sure, but one that has clearly (mis?-) shaped my own thinking on the subject. Setting aside my Grouchoesque (and Woody Allenish) desire not to be the member of any club that would have me as a member, my path was set by my parents' utter lack of anything having to do with Jews, Judaism, …

  • On Jewish Literature

    Jonathan Freedman•ARTICLE•Studies in American Jewish…•2012

    I come to the study of Jewish literature from an odd position—not an entirely unique one, to be sure, but one that has clearly (mis?-) shaped my own thinking on the subject. Setting aside my Grouchoesque (and Woody Allenish) desire not to be the member of any club that would have me as a member, my path was set by my parents' utter lack of anything having to do with Jews, Judaism, and Jewishness. We might want to read this as a classic case of as…

  • Do American and Ethnic American Studies Have a Jewish Problem; or, When Is an Ethnic Not an Ethnic, and What Should We Do about It

    Jonathan Freedman•ARTICLE•MELUS Multi-Ethnic Literature of…•2012•Cited by: 3

    Do American and Ethnic American Studies Have a Jewish Problem; or, When Is an Ethnic Not an Ethnic, and What Should We Do about It? Get access Jonathan Freedman Jonathan Freedman University of Michigan Search for other works by this author on: Oxford Academic Google Scholar MELUS, Volume 37, Issue 2, June 2012, Pages 19–40, https://doi.org/10.1353/mel.2012.0019 Published: 01 June 2012

  • Graves and Images: Once Upon a Time in America and the Unmaking of Jewish Memory

    Jonathan Freedman•ARTICLE•TDR/The Drama Review•2011

    The Lower East Side has long served as a “sacralized spot” of Jewish memory, in Hasia Diner's words. But in Once Upon a Time in America, Sergio Leone—neither Jewish nor American—demystifies the images and performances that went into the sacralization of this space, and in so doing radically questions the politics of memory that gathered around it

  • Klezmer America: Jewishness, Ethnicity, Modernity

    Jonathan L Freedman, Jonathan Freedman•BOOK•Klezmer America•2008

    Angels, Monsters, and Jews: From Kushner to Klezmer2. Arthur Miller, Marilyn Monroe,, and the Making of Ethnic Masculinity3. Antisemitism Without Jews: Left Behind in the American Heartland4. The Human Stain of Race: Roth, Sirk, and Shaw in Black, White, and Jewish5. Conversos, Marranos,, and Crypto-Latinos: Jewish-Hispanic Crossings and the Uses of Ethnicity6. Transgressions of a Model Minority7. Asians and Jews in Theory and PracticeConclusion:…

  • Jewish in America

    Open Access•Sara Blair, Jonathan Freedman•BOOK•Jewish in America•2004

    EDITOR'S INTRODUCTION | A two-volume special issue of the journal Michigan Quarterly Review, edited by Sara Blair and Jonathan Freedman of the University of Michigan, brings together academic essays, high-level journalism, personal narratives, fiction, poetry and visual art responding to the transformations of experience in the United States during the last fifty years, and speculatively, extending into the twenty-first century. In the following …

  • Coming Out of the Jewish Closet With Marcel Proust

    Jonathan Freedman•ARTICLE•GLQ A Journal of Lesbian and Gay…•2001•Cited by: 6•References: 4

    Research Article| October 01 2001 COMING OUT OF THE JEWISH CLOSET WITH MARCEL PROUST Jonathan Freedman Jonathan Freedman Search for other works by this author on: This Site Google GLQ (2001) 7 (4): 521–551. https://doi.org/10.1215/10642684-7-4-521 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site Citation Jonathan Freedman; COMING OUT OF THE JEWISH CLOSET WITH MARCEL PROUST. GLQ 1 October 2001; 7 (4): 521–55…

  • The Temple Of Culture: Assimilation And Anti-Semitism In Literary Anglo-America

    Jonathan Freedman•BOOK•The temple of culture•2000

    From the beginning of modern intellectual history to the culture wars of the present day, the experience of assimilating Jews and the idiom of “culture” have been fundamentally intertwined with each other. Freedman's book begins by looking at images of the stereotypical Jew in the literary culture of nineteenth- and twentieth-century England and America, and then considers the efforts on the part of Jewish critics and intellectuals to counter thi…

  • Introduction: The Moment of Henry James

    Open Access•Jonathan Freedman•CHAPTER•The Cambridge companion to Henry…•1998

    Why, after a hundred years, Henry James? At a critical moment so leery of traditional notions of literary and cultural value, so impatient with gestures of authorial self-aggrandizement, so suspicious of the prerogatives of class privilege, few writers would seem less likely to survive than one thoroughly embedded in the highest of high literary culture, driven by desire for canonical status, fascinated by the intensities of the drawing room and …

  • Angels, Monsters, and Jews: Intersections of Queer and Jewish Identity in Kushner's Angels in America

    Open Access•Jonathan Freedman•ARTICLE•PMLA/Publications of the Modern…•1998

    The discursive ligature between the Jew and the sexually transgressive is crucially revised in Tony Kushner's Angels in America. Kushner creates a powerful series of metonymies between the queer and the Jew that suggest their affinities but refuse to reify a unitary queer-Jewish identity. The center of this imaginative project is Kushner's Roy Cohn, who both illustrates and transforms the image of the queer Jewish power broker that circulated in …

  • The Cambridge Companion to Henry James

    Open Access•Martha Banta, Frances Wilson et al.•BOOK•The Cambridge companion to Henry…•1998

    The Cambridge Companion to Henry James provides a critical introduction to James's work. Throughout the major critical shifts of the last fifty years, and despite suspicions of the traditional high literary culture which was James's milieu, he has retained a powerful hold on readers and critics alike. All essays are written at a level free from technical jargon, designed to promote accessibility to the study of James and his work

  • Professions of Taste: Henry James, British Aestheticism, and Commodity Culture

    Wendy Graham, W D Graham et al.•ARTICLE•American Literature•1992

  • In Pursuit of Beauty: Americans and the Aesthetic Movement

    Mary Ann Stankiewicz, Doreen Bolger Burke et al.•ARTICLE•Woman s Art Journal•1987

  • Imagination and Desire in the Novels of Henry James

    Jonathan Freedman, Carren Kaston et al.•ARTICLE•The New England Quarterly•1985

  • Social science and civil rights: The action/research debate continues

    Open Access•Matin Oppenheimer, Jonathan Freedman et al.•ARTICLE•Trans-action•1965

  • Coming Out of the Jewish Closet With Marcel Proust

    Jonathan Freedman•ARTICLE•GLQ A Journal of Lesbian and Gay…•2001•Cited by: 6•References: 4

    Research Article| October 01 2001 COMING OUT OF THE JEWISH CLOSET WITH MARCEL PROUST Jonathan Freedman Jonathan Freedman Search for other works by this author on: This Site Google GLQ (2001) 7 (4): 521–551. https://doi.org/10.1215/10642684-7-4-521 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site Citation Jonathan Freedman; COMING OUT OF THE JEWISH CLOSET WITH MARCEL PROUST. GLQ 1 October 2001; 7 (4): 521–55…

  • Do American and Ethnic American Studies Have a Jewish Problem; or, When Is an Ethnic Not an Ethnic, and What Should We Do about It

    Jonathan Freedman•ARTICLE•MELUS Multi-Ethnic Literature of…•2012•Cited by: 3

    Do American and Ethnic American Studies Have a Jewish Problem; or, When Is an Ethnic Not an Ethnic, and What Should We Do about It? Get access Jonathan Freedman Jonathan Freedman University of Michigan Search for other works by this author on: Oxford Academic Google Scholar MELUS, Volume 37, Issue 2, June 2012, Pages 19–40, https://doi.org/10.1353/mel.2012.0019 Published: 01 June 2012

  • Social science and civil rights: The action/research debate continues

    Open Access•Matin Oppenheimer, Jonathan Freedman et al.•ARTICLE•Trans-action•1965

  • Imagination and Desire in the Novels of Henry James

    Jonathan Freedman, Carren Kaston et al.•ARTICLE•The New England Quarterly•1985

  • In Pursuit of Beauty: Americans and the Aesthetic Movement

    Mary Ann Stankiewicz, Doreen Bolger Burke et al.•ARTICLE•Woman s Art Journal•1987

  • Professions of Taste: Henry James, British Aestheticism, and Commodity Culture

    Wendy Graham, W D Graham et al.•ARTICLE•American Literature•1992

  • Introduction: The Moment of Henry James

    Open Access•Jonathan Freedman•CHAPTER•The Cambridge companion to Henry…•1998

    Why, after a hundred years, Henry James? At a critical moment so leery of traditional notions of literary and cultural value, so impatient with gestures of authorial self-aggrandizement, so suspicious of the prerogatives of class privilege, few writers would seem less likely to survive than one thoroughly embedded in the highest of high literary culture, driven by desire for canonical status, fascinated by the intensities of the drawing room and …

  • Angels, Monsters, and Jews: Intersections of Queer and Jewish Identity in Kushner's Angels in America

    Open Access•Jonathan Freedman•ARTICLE•PMLA/Publications of the Modern…•1998

    The discursive ligature between the Jew and the sexually transgressive is crucially revised in Tony Kushner's Angels in America. Kushner creates a powerful series of metonymies between the queer and the Jew that suggest their affinities but refuse to reify a unitary queer-Jewish identity. The center of this imaginative project is Kushner's Roy Cohn, who both illustrates and transforms the image of the queer Jewish power broker that circulated in …

  • The Cambridge Companion to Henry James

    Open Access•Martha Banta, Frances Wilson et al.•BOOK•The Cambridge companion to Henry…•1998

    The Cambridge Companion to Henry James provides a critical introduction to James's work. Throughout the major critical shifts of the last fifty years, and despite suspicions of the traditional high literary culture which was James's milieu, he has retained a powerful hold on readers and critics alike. All essays are written at a level free from technical jargon, designed to promote accessibility to the study of James and his work

  • The Temple Of Culture: Assimilation And Anti-Semitism In Literary Anglo-America

    Jonathan Freedman•BOOK•The temple of culture•2000

    From the beginning of modern intellectual history to the culture wars of the present day, the experience of assimilating Jews and the idiom of “culture” have been fundamentally intertwined with each other. Freedman's book begins by looking at images of the stereotypical Jew in the literary culture of nineteenth- and twentieth-century England and America, and then considers the efforts on the part of Jewish critics and intellectuals to counter thi…

  • Coming Out of the Jewish Closet With Marcel Proust

    Jonathan Freedman•ARTICLE•GLQ A Journal of Lesbian and Gay…•2001•Cited by: 6•References: 4

    Research Article| October 01 2001 COMING OUT OF THE JEWISH CLOSET WITH MARCEL PROUST Jonathan Freedman Jonathan Freedman Search for other works by this author on: This Site Google GLQ (2001) 7 (4): 521–551. https://doi.org/10.1215/10642684-7-4-521 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site Citation Jonathan Freedman; COMING OUT OF THE JEWISH CLOSET WITH MARCEL PROUST. GLQ 1 October 2001; 7 (4): 521–55…

  • Jewish in America

    Open Access•Sara Blair, Jonathan Freedman•BOOK•Jewish in America•2004

    EDITOR'S INTRODUCTION | A two-volume special issue of the journal Michigan Quarterly Review, edited by Sara Blair and Jonathan Freedman of the University of Michigan, brings together academic essays, high-level journalism, personal narratives, fiction, poetry and visual art responding to the transformations of experience in the United States during the last fifty years, and speculatively, extending into the twenty-first century. In the following …

  • Klezmer America: Jewishness, Ethnicity, Modernity

    Jonathan L Freedman, Jonathan Freedman•BOOK•Klezmer America•2008

    Angels, Monsters, and Jews: From Kushner to Klezmer2. Arthur Miller, Marilyn Monroe,, and the Making of Ethnic Masculinity3. Antisemitism Without Jews: Left Behind in the American Heartland4. The Human Stain of Race: Roth, Sirk, and Shaw in Black, White, and Jewish5. Conversos, Marranos,, and Crypto-Latinos: Jewish-Hispanic Crossings and the Uses of Ethnicity6. Transgressions of a Model Minority7. Asians and Jews in Theory and PracticeConclusion:…

  • Graves and Images: Once Upon a Time in America and the Unmaking of Jewish Memory

    Jonathan Freedman•ARTICLE•TDR/The Drama Review•2011

    The Lower East Side has long served as a “sacralized spot” of Jewish memory, in Hasia Diner's words. But in Once Upon a Time in America, Sergio Leone—neither Jewish nor American—demystifies the images and performances that went into the sacralization of this space, and in so doing radically questions the politics of memory that gathered around it

  • On Jewish Literature: A Polemical Position Paper

    Jonathan Freedman•ARTICLE•Studies in American Jewish…•2012

    On Jewish Literature:A Polemical Position Paper Jonathan Freedman I come to the study of Jewish literature from an odd position—not an entirely unique one, to be sure, but one that has clearly (mis?-) shaped my own thinking on the subject. Setting aside my Grouchoesque (and Woody Allenish) desire not to be the member of any club that would have me as a member, my path was set by my parents' utter lack of anything having to do with Jews, Judaism, …

  • On Jewish Literature

    Jonathan Freedman•ARTICLE•Studies in American Jewish…•2012

    I come to the study of Jewish literature from an odd position—not an entirely unique one, to be sure, but one that has clearly (mis?-) shaped my own thinking on the subject. Setting aside my Grouchoesque (and Woody Allenish) desire not to be the member of any club that would have me as a member, my path was set by my parents' utter lack of anything having to do with Jews, Judaism, and Jewishness. We might want to read this as a classic case of as…

  • Do American and Ethnic American Studies Have a Jewish Problem; or, When Is an Ethnic Not an Ethnic, and What Should We Do about It

    Jonathan Freedman•ARTICLE•MELUS Multi-Ethnic Literature of…•2012•Cited by: 3

    Do American and Ethnic American Studies Have a Jewish Problem; or, When Is an Ethnic Not an Ethnic, and What Should We Do about It? Get access Jonathan Freedman Jonathan Freedman University of Michigan Search for other works by this author on: Oxford Academic Google Scholar MELUS, Volume 37, Issue 2, June 2012, Pages 19–40, https://doi.org/10.1353/mel.2012.0019 Published: 01 June 2012

  • Reading the cinematograph: The cinema in british short fiction, 1896–1912

    Jonathan Freedman•ARTICLE•Early Popular Visual Culture•2013

  • The Cambridge Companion to Alfred Hitchcock

    Open Access•Jonathan Freedman•BOOK•Cambridge Companion to Alfred…•2015

    Alfred Hitchcock was, despite his English origins and early career, an American master. Arriving on US shores in 1939, for the next three decades he created a series of masterpieces that redefined the nature and possibilities of cinema itself: Rebecca, Notorious, Strangers on a Train, Rear Window, Vertigo and Psycho, to name just a few. In this Companion, leading film scholars and critics of American culture and imagination trace Hitchcock's inte…

  • Cambridge Companion to Alfred Hitchcock

    Jonathan Freedman•BOOK•Cambridge Companion to Alfred…•2015

  • The Cambridge History of Jewish American Literature

    Open Access•Julian Levinson, Robert Rubinstein et al.•BOOK•Cambridge History of Jewish…•2015

    This History offers an unparalleled examination of all aspects of Jewish American literature. Jewish writing has played a central role in the formation of the national literature of the United States, from the Hebraic sources of the Puritan imagination to narratives of immigration and acculturation. This body of writing has also enriched global Jewish literature in its engagement with Jewish history and Jewish multilingual culture. Written by a h…

  • Bernard Berenson: A life in the picture trade (Jewish lives)

    Jonathan Freedman•ARTICLE•Jewish Culture and History•2017

    Bernard Berenson was, to put it mildly, a complicated man, and not the least of his complexities had to do with his Jewishness. All his many sides are treated with generosity in Rachel Cohen’s cont

  • The Jewish Decadence: Jews and the Aesthetics of Modernity

    Jonathan Freedman•BOOK•Jewish Decadence•2021

Art (16 works) · History (15 works) · Judaism (12 works) · Jewish and Middle Eastern Studies (10 works) · Literature (9 works) · Art history (8 works) · Archaeology (7 works) · Law (7 works) · Philosophy (7 works) · Sociology (7 works)

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