Milton A Cohen
Biographic Data
| ID | 3626176 |
|---|---|
| NAME | Milton A Cohen |
| GIVEN NAMES | Milton A |
| FAMILY NAME | Cohen |
| SIGNATURE | COHEN M A |
| VERIFIED | No |
| TOTAL WORKS | 8 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 8 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1980 |
| LATEST PUBLICATION YEAR | 2016 |
| H-INDEX | 0 |
The Morgan Loans, Baku Oil, and Woodrow Wilson
This essay examines the validity of three political claims in John Dos Passos’s novel, 1919: that the Morgan loans forced the United States into World War I; that “oil was trumps” at the Peace Conference; and that President Wilson was “trimmed” by Georges Clemenceau and David Lloyd George, destroying his liberal peace objectives
Movement, Manifesto, Melee
The years before World War I were a fertile period for artists in Europe and the United States who were challenging aesthetic convention in music, writing, and the visual arts. These early pioneers of modernism sometimes preferred to work alone, but just as often they were associated with groups whose boundaries were permeable and freely changing. While these individual groups_including the Futurists, Imagists, Blue Rider, and the Second Vienna S…
E. E. Cummings
William Faulkner
Poet and Painter
American Silences
Silences, Joseph Anthony Ward offers a unique analysis of the use and effects of silence in modern American realistic art. Beginning with the nineteenth-century literature that laid the foundation for silence in art, he moves to a brief analysis of Sherwood Anderson's Winesburg, Ohio and Ernest Hemingway's In Our Time, showing how they, along with several other crucial works of twentieth-century American realism, incorporate the power of the sile…
Cummings and Freud
o wrote E. E. Cummings to his younger sister Elizabeth in May 1922. In some ways, Cummings' enthusiasm for was very much a part of its time: a post-war Modernist in the arts could scarcely resist Freudian theory as the concomitant modernism of psychology. As Frederick Hoffman has shown in Freudianism and the Literary Mind, Freud's theories were readily available in America by I9I5 and were eagerly snapped up by Greenwich Village intellectuals, am…
Dreams in the Mirror
Along with Pound, Eliot, and Joyce, Edward Estlin Cummings is one of the leading American poets who revolutionized literary expression in the twentieth century. He was also a Cubist painter, a champion of the little man, a brilliant conversationalist, a romantic idealist, a famous irrational curmudgeon, and husband to three of the most beautiful women of his time. This critical biography merges these various selves into one fascinating life story…
No prominent works on this page.
Dreams in the Mirror
Along with Pound, Eliot, and Joyce, Edward Estlin Cummings is one of the leading American poets who revolutionized literary expression in the twentieth century. He was also a Cubist painter, a champion of the little man, a brilliant conversationalist, a romantic idealist, a famous irrational curmudgeon, and husband to three of the most beautiful women of his time. This critical biography merges these various selves into one fascinating life story…
Cummings and Freud
o wrote E. E. Cummings to his younger sister Elizabeth in May 1922. In some ways, Cummings' enthusiasm for was very much a part of its time: a post-war Modernist in the arts could scarcely resist Freudian theory as the concomitant modernism of psychology. As Frederick Hoffman has shown in Freudianism and the Literary Mind, Freud's theories were readily available in America by I9I5 and were eagerly snapped up by Greenwich Village intellectuals, am…
American Silences
Silences, Joseph Anthony Ward offers a unique analysis of the use and effects of silence in modern American realistic art. Beginning with the nineteenth-century literature that laid the foundation for silence in art, he moves to a brief analysis of Sherwood Anderson's Winesburg, Ohio and Ernest Hemingway's In Our Time, showing how they, along with several other crucial works of twentieth-century American realism, incorporate the power of the sile…
Poet and Painter
William Faulkner
E. E. Cummings
Movement, Manifesto, Melee
The years before World War I were a fertile period for artists in Europe and the United States who were challenging aesthetic convention in music, writing, and the visual arts. These early pioneers of modernism sometimes preferred to work alone, but just as often they were associated with groups whose boundaries were permeable and freely changing. While these individual groups_including the Futurists, Imagists, Blue Rider, and the Second Vienna S…
The Morgan Loans, Baku Oil, and Woodrow Wilson
This essay examines the validity of three political claims in John Dos Passos’s novel, 1919: that the Morgan loans forced the United States into World War I; that “oil was trumps” at the Peace Conference; and that President Wilson was “trimmed” by Georges Clemenceau and David Lloyd George, destroying his liberal peace objectives
Art (6 works) · Art history (6 works) · Aesthetics (4 works) · Philosophy (4 works) · American and British Literature Analysis (3 works) · American Literature and Culture (2 works) · Law (2 works) · Painting (2 works) · Political science (2 works) · American Environmental and Regional History (1 work)