Panthea Reid
Biographic Data
| ID | 3626504 |
|---|---|
| NAME | Panthea Reid |
| GIVEN NAMES | Panthea |
| FAMILY NAME | Reid |
| SIGNATURE | REID P |
| VERIFIED | No |
| TOTAL WORKS | 6 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 6 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1994 |
| LATEST PUBLICATION YEAR | 2002 |
| H-INDEX | 0 |
William Faulkner
From the beginning, William Faulkner's art was consciously self-presenting. In writing of all kinds he created and performed a complex set of roles based in his life as he both lived and imagined it. In his fiction, he counterpoised those personae against one another to create a written world of controlled chaos, made in his own protean image and reflective of his own multiple sense of self. In this text, Watson draws on the entire Faulkner canon…
Art and Affection
What Else but Love? The Ordeal of Race in Faulkner and Morrison
"Stephens, Fishers, and the Court of the "Sultan of Zanzibar
Sketches from Life Stephens, Fishers, and the Court of the "Sultan of Zanzibar": New Evidence from Virginia Stephen Woolf's Childhood Panthea Reid While a student at the University of Cambridge, beginning in 1902, Adrian Stephen became a friend of Horace de Veré Cole, a wealthy and often outrageous jokester, assumed to be the mastermind behind two famous pranks. The first ruse in 1905 exposed the provincialism of Cambridge's municipal officials, …
Textual Bodies
Examining the unusual typography in Faulkner's As I Lay Dying, Stein's Tender Buttons, Joyce's Finnegans Wake, and Gass's Willie Master's Lonesome Wife, Kaufmann shows how these writers exposed the printed surface of their works and eventually made the print a part of the fiction itself
South Central Modern Language Association Presidential Address
No prominent works on this page.
South Central Modern Language Association Presidential Address
Textual Bodies
Examining the unusual typography in Faulkner's As I Lay Dying, Stein's Tender Buttons, Joyce's Finnegans Wake, and Gass's Willie Master's Lonesome Wife, Kaufmann shows how these writers exposed the printed surface of their works and eventually made the print a part of the fiction itself
Art and Affection
What Else but Love? The Ordeal of Race in Faulkner and Morrison
"Stephens, Fishers, and the Court of the "Sultan of Zanzibar
Sketches from Life Stephens, Fishers, and the Court of the "Sultan of Zanzibar": New Evidence from Virginia Stephen Woolf's Childhood Panthea Reid While a student at the University of Cambridge, beginning in 1902, Adrian Stephen became a friend of Horace de Veré Cole, a wealthy and often outrageous jokester, assumed to be the mastermind behind two famous pranks. The first ruse in 1905 exposed the provincialism of Cambridge's municipal officials, …
William Faulkner
From the beginning, William Faulkner's art was consciously self-presenting. In writing of all kinds he created and performed a complex set of roles based in his life as he both lived and imagined it. In his fiction, he counterpoised those personae against one another to create a written world of controlled chaos, made in his own protean image and reflective of his own multiple sense of self. In this text, Watson draws on the entire Faulkner canon…
Art (5 works) · Art history (4 works) · History (4 works) · Literature (4 works) · Philosophy (3 works) · Aesthetics (2 works) · Epistemology (2 works) · Law (2 works) · Affection (1 work) · American and British Literature Analysis (1 work)