Mark Reinhardt
Biographic Data
| ID | 3628628 |
|---|---|
| NAME | Mark Reinhardt |
| GIVEN NAMES | Mark |
| FAMILY NAME | Reinhardt |
| SIGNATURE | REINHARDT M |
| AFFILIATIONS | Williams College |
| ORCID | 0000-0002-4682-1029 |
| VERIFIED | Yes |
| TOTAL WORKS | 7 |
| TOTAL CITATIONS | 16 |
| AUTHOR COUNT | 7 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1995 |
| LATEST PUBLICATION YEAR | 2023 |
| H-INDEX | 2 |
Spectacle, Surveillance, and the Ironies of Visual Politics in the Age of Autonomous Images
Considering formative twentieth-century theories in relation to contemporary technosocial developments, this article examines ideas of spectacle and surveillance as ways of approaching visual politics. I argue that the historically important relationship between the visual and political fields is now intensifying and mutating. First discussing Guy Debord’s The Society of the Spectacle, I show how his influential approach proves inadequate to the …
The Cave of Images: Understanding Visual Politics in and Through Plato's Republic
Plato's Republic links seeing to philosophizing and civic order. Socrates denounces images, but the dialogue's inquiries depend on them while revealing and even enacting the mutual constitution of the visual and political fields. Introducing the text through work by the conceptual artist, Thomas Demand, and representative criticisms of Plato by Ernst Gombrich, Hannah Arendt, and Arthur Danto, I explore the key dependencies and performative moment…
Radical Future Pasts: Untimely Political Theory
What's New in Arendt
Who Speaks for Margaret Garner? Slavery, Silence, and the Politics of Ventriloquism
Remembering Paige Baty, II
Theory & Event - Volume 1, Issue 4, 1997
Books in Review
Who Speaks for Margaret Garner? Slavery, Silence, and the Politics of Ventriloquism
Spectacle, Surveillance, and the Ironies of Visual Politics in the Age of Autonomous Images
Considering formative twentieth-century theories in relation to contemporary technosocial developments, this article examines ideas of spectacle and surveillance as ways of approaching visual politics. I argue that the historically important relationship between the visual and political fields is now intensifying and mutating. First discussing Guy Debord’s The Society of the Spectacle, I show how his influential approach proves inadequate to the …
What's New in Arendt
Books in Review
Remembering Paige Baty, II
Theory & Event - Volume 1, Issue 4, 1997
Who Speaks for Margaret Garner? Slavery, Silence, and the Politics of Ventriloquism
What's New in Arendt
Radical Future Pasts: Untimely Political Theory
The Cave of Images: Understanding Visual Politics in and Through Plato's Republic
Plato's Republic links seeing to philosophizing and civic order. Socrates denounces images, but the dialogue's inquiries depend on them while revealing and even enacting the mutual constitution of the visual and political fields. Introducing the text through work by the conceptual artist, Thomas Demand, and representative criticisms of Plato by Ernst Gombrich, Hannah Arendt, and Arthur Danto, I explore the key dependencies and performative moment…
Spectacle, Surveillance, and the Ironies of Visual Politics in the Age of Autonomous Images
Considering formative twentieth-century theories in relation to contemporary technosocial developments, this article examines ideas of spectacle and surveillance as ways of approaching visual politics. I argue that the historically important relationship between the visual and political fields is now intensifying and mutating. First discussing Guy Debord’s The Society of the Spectacle, I show how his influential approach proves inadequate to the …
Sociology (6 works) · Political science (5 works) · Aesthetics (4 works) · Law (4 works) · Law (4 works) · Philosophy (4 works) · Philosophy (4 works) · Politics (4 works) · Art (3 works) · History (3 works)