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James A W Heffernan

Biographic Data

ID362865
NAMEJames A W Heffernan
GIVEN NAMESJames A W
FAMILY NAMEHeffernan
SIGNATUREHEFFERNAN J A W
AFFILIATIONSDartmouth Hospital
VERIFIEDNo
TOTAL WORKS14
TOTAL CITATIONS17
WORKS AS AUTHOR14
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1968
LATEST PUBLICATION YEAR2022
H-INDEX2
  • Politics and Literature at the Dawn of World War II

    James A W Heffernan•BOOK•Politics and Literature at the…•2022

    Mining the borderlands where history meets literature in Britain and Europe as well as America, this book shows how the imminence and outbreak of World War II ignited the imaginations of writers ranging from Ernest Hemingway, W.H. Auden, and James Joyce to Bertolt Brecht, Evelyn Waugh, Henry Green, and Irène Némirovsky. Taking its cue from Percy Shelley’s dictum that great writers are to some extent created by the age in which they live, this boo…

  • Hospitality and Treachery in Western Literature

    James A W Heffernan•BOOK•Hospitality and Treachery in…•2014

  • Hospitality and Treachery in Western Literature

    James A W Heffernan•BOOK•Hospitality and Treachery in…•2014

    In works of Western literature ranging from Homer's Odyssey to Albee's Who's Afraid of Virginia Woolf?, the giving and taking of hospitality is sometimes pleasurable, but more often perilous. This book traces this leitmotiv through the history of our greatest writings, including Christ's Last Supper, Macbeth's murder of his royal guest, and Camus' short story on French colonialism in Arab Algeria. By means of such examples and many more, it consi…

  • Mute Poetry, Speaking Pictures

    Open Access•James A W Heffernan•ARTICLE•Renaissance Quarterly•2013•Cited by: 1

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Critical ResponseStaging Absorption and Transmuting the Everyday

    James A W Heffernan•ARTICLE•Critical Inquiry•2008

  • The Simpson Trial and the Forgotten Trauma of Lynching

    James A W Heffernan•ARTICLE•Critical Inquiry•1999•Cited by: 1

  • Looking at the Monster

    James A W Heffernan•ARTICLE•Critical Inquiry•1997

  • Lusting for the natural sign

    Open Access•James A W Heffernan•ARTICLE•Semiotica•1994

  • Museum of words

    James A W Heffernan•BOOK•Museum of words•1993

    Argues that ekphrasis stages a battle for mastery between the image and the word.

  • Fictions of the French Revolution

    Suzanne Desan, Bernadette Fort et al.•ARTICLE•Eighteenth-Century Studies•1993

  • Ekphrasis and Representation

    James A W Heffernan•ARTICLE•New Literary History•1991•Cited by: 13

    Utworów Szymborskiej mówiących o sztuce jest sporo -według Stanisława Balbusa 16 lub 20 1 , joanna grądziel wymienia ich jeszcze więcej, przy czym badaczka dzieli je na kategorie tematyczne: wiersze nawiązujące do literatury, muzyki, filmu, malarstwa, fotografii, teatru, architektury i rzeźby (g 85) 2 .W mistrzowski sposób posługując się imitacją w niektórych

  • Self-Representation in Byron and Turner

    James A W Heffernan•ARTICLE•Poetics Today•1989

    In his widely noted Structuralist Poetics, which first appeared fourteen years ago, Jonathan Culler (1975) reaffirmed a traditional assumption about the difference between pictures and texts by firmly placing icons outside the domain of semiotics. Icons differ markedly from other signs, he wrote, because they represent objects by means of actual resemblance rather than arbitrary or conventional association (ibid.: 16).1 Yet recent studies of the …

  • Adonais

    James A W Heffernan•ARTICLE•Studies in Romanticism•1984•Cited by: 2

  • Wordsworth on the picturesque

    James A W Heffernan•ARTICLE•English Studies•1968

  • Ekphrasis and Representation

    James A W Heffernan•ARTICLE•New Literary History•1991•Cited by: 13

    Utworów Szymborskiej mówiących o sztuce jest sporo -według Stanisława Balbusa 16 lub 20 1 , joanna grądziel wymienia ich jeszcze więcej, przy czym badaczka dzieli je na kategorie tematyczne: wiersze nawiązujące do literatury, muzyki, filmu, malarstwa, fotografii, teatru, architektury i rzeźby (g 85) 2 .W mistrzowski sposób posługując się imitacją w niektórych

  • Adonais

    James A W Heffernan•ARTICLE•Studies in Romanticism•1984•Cited by: 2

  • Mute Poetry, Speaking Pictures

    Open Access•James A W Heffernan•ARTICLE•Renaissance Quarterly•2013•Cited by: 1

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • The Simpson Trial and the Forgotten Trauma of Lynching

    James A W Heffernan•ARTICLE•Critical Inquiry•1999•Cited by: 1

  • Wordsworth on the picturesque

    James A W Heffernan•ARTICLE•English Studies•1968

  • Adonais

    James A W Heffernan•ARTICLE•Studies in Romanticism•1984•Cited by: 2

  • Self-Representation in Byron and Turner

    James A W Heffernan•ARTICLE•Poetics Today•1989

    In his widely noted Structuralist Poetics, which first appeared fourteen years ago, Jonathan Culler (1975) reaffirmed a traditional assumption about the difference between pictures and texts by firmly placing icons outside the domain of semiotics. Icons differ markedly from other signs, he wrote, because they represent objects by means of actual resemblance rather than arbitrary or conventional association (ibid.: 16).1 Yet recent studies of the …

  • Ekphrasis and Representation

    James A W Heffernan•ARTICLE•New Literary History•1991•Cited by: 13

    Utworów Szymborskiej mówiących o sztuce jest sporo -według Stanisława Balbusa 16 lub 20 1 , joanna grądziel wymienia ich jeszcze więcej, przy czym badaczka dzieli je na kategorie tematyczne: wiersze nawiązujące do literatury, muzyki, filmu, malarstwa, fotografii, teatru, architektury i rzeźby (g 85) 2 .W mistrzowski sposób posługując się imitacją w niektórych

  • Museum of words

    James A W Heffernan•BOOK•Museum of words•1993

    Argues that ekphrasis stages a battle for mastery between the image and the word.

  • Fictions of the French Revolution

    Suzanne Desan, Bernadette Fort et al.•ARTICLE•Eighteenth-Century Studies•1993

  • Lusting for the natural sign

    Open Access•James A W Heffernan•ARTICLE•Semiotica•1994

  • Looking at the Monster

    James A W Heffernan•ARTICLE•Critical Inquiry•1997

  • The Simpson Trial and the Forgotten Trauma of Lynching

    James A W Heffernan•ARTICLE•Critical Inquiry•1999•Cited by: 1

  • Critical ResponseStaging Absorption and Transmuting the Everyday

    James A W Heffernan•ARTICLE•Critical Inquiry•2008

  • Mute Poetry, Speaking Pictures

    Open Access•James A W Heffernan•ARTICLE•Renaissance Quarterly•2013•Cited by: 1

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Hospitality and Treachery in Western Literature

    James A W Heffernan•BOOK•Hospitality and Treachery in…•2014

  • Hospitality and Treachery in Western Literature

    James A W Heffernan•BOOK•Hospitality and Treachery in…•2014

    In works of Western literature ranging from Homer's Odyssey to Albee's Who's Afraid of Virginia Woolf?, the giving and taking of hospitality is sometimes pleasurable, but more often perilous. This book traces this leitmotiv through the history of our greatest writings, including Christ's Last Supper, Macbeth's murder of his royal guest, and Camus' short story on French colonialism in Arab Algeria. By means of such examples and many more, it consi…

  • Politics and Literature at the Dawn of World War II

    James A W Heffernan•BOOK•Politics and Literature at the…•2022

    Mining the borderlands where history meets literature in Britain and Europe as well as America, this book shows how the imminence and outbreak of World War II ignited the imaginations of writers ranging from Ernest Hemingway, W.H. Auden, and James Joyce to Bertolt Brecht, Evelyn Waugh, Henry Green, and Irène Némirovsky. Taking its cue from Percy Shelley’s dictum that great writers are to some extent created by the age in which they live, this boo…

Art (10 works) · History (8 works) · Art history (5 works) · History (5 works) · Literature (5 works) · Archaeology (4 works) · Law (4 works) · Political science (4 works) · History and criticism (3 works) · Literature (3 works)

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