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Ronald Paulson

Biographic Data

ID362867
NAMERonald Paulson
GIVEN NAMESRonald
FAMILY NAMEPaulson
SIGNATUREPAULSON R
AFFILIATIONSJohns Hopkins University
VERIFIEDNo
TOTAL WORKS40
TOTAL CITATIONS10
AUTHOR COUNT40
EDITOR COUNT0
FIRST PUBLICATION YEAR1960
LATEST PUBLICATION YEAR2022
H-INDEX2
  • William Hogarth and Richard Steele

    Ronald Paulson, Ashley Marshall•ARTICLE•Eighteenth-Century Life•2022

    William Hogarth and Richard Steele were in many ways part of the same intellectual and religiopolitical milieu, one that also links them both to the radical Whig cleric Benjamin Hoadly. Modern scholars have almost always connected Steele to Joseph Addison, emphasizing Steele's morals-and-manners journalism—but this is not a fair representation of his output. Identifying the connections between Steele and Hogarth allows us to appreciate each man's…

  • Hogarth’s Paintings, Aesthetics, and Trump

    Ronald Paulson•ARTICLE•Eighteenth-Century Life•2018

    Book Review| January 01 2018 Hogarth’s Paintings, Aesthetics, and Trump Einberg, Elizabeth, ed. William Hogarth: A Complete Catalogue of the Paintings (New Haven: Yale Univ., 2017). Pp. 432. 257 color ills. 264 figs. $150 Ronald Paulson Ronald Paulson The Johns Hopkins University Search for other works by this author on: This Site Google Eighteenth-Century Life (2018) 42 (1): 84–101. https://doi.org/10.1215/00982601-4261279 Cite Icon Cite Share I…

  • Zoffany and His Condoms

    Ronald Paulson•ARTICLE•Eighteenth-Century Life•2013

    Book Review| April 01 2013 Zoffany and His Condoms Postle, Martin, ed. Johan Zoffany, RA: Society Observed (New Haven: Yale Univ., 2011). Pp. 320. 225 color + 5 b/w ills. $75 Ronald Paulson Ronald Paulson Search for other works by this author on: This Site Google Eighteenth-Century Life (2013) 37 (2): 104–109. https://doi.org/10.1215/00982601-2081012 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site Citation…

  • The Perfect Teeth: Dental Aesthetics and Morals

    Ronald Paulson•ARTICLE•Critical Inquiry•2008•References: 2

  • The Cambridge Companion to John Dryden

    Open Access•Stuart Sherman, Ronald Paulson et al.•BOOK•The Cambridge companion to John…•2004

    John Dryden, Poet Laureate to Charles II and James II, was one of the great literary figures of the late seventeenth century. This Companion provides a fresh look at Dryden's tactics and triumphs in negotiating the extraordinary political and cultural revolutions of his time. The newly commissioned essays introduce readers to the full range of his work as a poet, as a writer of innovative plays and operas, as a purveyor of contemporary notions of…

  • Hogarth

    Open Access•Ronald Paulson•ARTICLE•The Art Book•1994

  • Hogarth's Graphic Works

    Peter Wagner, Ronald Paulson•ARTICLE•Eighteenth-Century Studies•1993

  • Samuel Johnson's Attitude to the Arts

    Ronald Paulson, Morris R Brownell•ARTICLE•Eighteenth-Century Studies•1990

    Part 1 Wholly deaf and insensible to music: ignorant of the science of music Johnson's reading and incidental writing on music. Part 2 Blind to painting: total ignorance in that department good offices for artists Johnson and poor Mauritius Lowe Johnson, James Barry and English history painting portraits of Samuel Johnson Johnson caricatured and illustrated. Part 3 Unskilled in architecture: Johnson and the building of Blackfriars Bridge Johnson …

  • The Criers and Hawkers of London: Engravings and Drawings of Marcellus Laroon

    Ronald Paulson, Sean Shesgreen•ARTICLE•Eighteenth-Century Studies•1990

  • The Discovery of Painting: The Growth of Interest in the Arts in England, 1680-1768

    Ronald Paulson, Iain Pears•ARTICLE•Eighteenth-Century Studies•1989

  • Giambattista Tiepolo: His Life and Art

    Ronald Paulson, Michael Levey et al.•ARTICLE•Eighteenth-Century Studies•1988

  • Hogarth, Walpole and Commercial Britain

    Ronald Paulson, David Dabydeen•ARTICLE•Eighteenth-Century Studies•1988

  • British Painting in the Philadelphia Museum of Art: From the Seventeenth Through the Nineteenth Century

    Ronald Paulson, Richard Dorment•ARTICLE•Eighteenth-Century Studies•1988

  • Hume and the Heroic Portrait: Studies in Eighteenth-Century Imagery

    Ronald Paulson, Edgar Wind et al.•ARTICLE•Eighteenth-Century Studies•1987

    This is the second volume of Edgar Wind's selected papers, a companion to The Elegance of Symbols. Of all the scholars associated with the early development of the Warbur Institute Edgar Wind was the first to apply different theoretical principles to the study of English Art, above all in his early study of English portraiture, now a classic art history text. As the seminal essay, it gives title to the present volume, and is here translated into …

  • Representations of Revolution (1789-1820)

    Fred V Randel, Ronald Paulson•ARTICLE•Eighteenth-Century Studies•1985

  • Versions of a Human Sublime

    Ronald Paulson•ARTICLE•New Literary History•1985

    STUDIES of the sublime, from Burke to Monk and Hipple, used to focus on the enumeration of qualities in the sublime object or, more precisely, as they are reflected in the mind of the spectator (pain, obscurity, power, privation, vastness, difficulty). In the last decade, mediated by Nietzsche and Freud, by Harold Bloom and Thomas Weiskel, the focus has shifted to the agon between subject and object. The former both/either a participant within a …

  • Representations of Revolution (1789-1820)

    David Carrier, Ronald Paulson•ARTICLE•Journal of Aesthetics and Art…•1983

  • Gothic Novels

    Ronald Paulson, Devendra P Varma et al.•ARTICLE•Eighteenth-Century Studies•1983

  • Popular and Polite Art in the Age of Hogarth and Fielding

    Alistair M Duckworth, Ronald Paulson•ARTICLE•Eighteenth-Century Studies•1982

  • Gothic Fiction and the French Revolution

    Ronald Paulson•ARTICLE•ELH•1981•Cited by: 6

    In Chapter 5, Volume II, of Jane Austen's Northanger Abbey Henry Tilney regales Catherine Morland with his version of the Gothic fantasy she loves to read. When she arrives at Northanger Abbey, he says, she will be taken by the housekeeper <along many gloomy passages, into an apartment never used since some cousin or kin died in it about twenty years before.1 She will discover that the door has no lock, and shortly (a couple of nights later) ther…

  • English Art, 1714-1800

    Ronald Paulson, Joseph Burke et al.•ARTICLE•Eighteenth-Century Studies•1977

  • Iconography Revisited

    Ronald Paulson, D J Gordon et al.•ARTICLE•Modern Language Notes•1977

  • Toward the Constable Bicentenary: Thoughts on Landscape Theory

    Ronald Paulson•ARTICLE•Eighteenth-Century Studies•1976

  • Models and Paradigms: Joseph Andrews, Hogarth's Good Samaritan, and Fenelon's Telemaque

    Ronald Paulson•ARTICLE•Modern Language Notes•1976

  • Emblem and Expression: Meaning in English Art of the Eighteenth Century

    W J T Mitchell, Ronald Paulson•ARTICLE•Modern Language Notes•1976

Next
  • Gothic Fiction and the French Revolution

    Ronald Paulson•ARTICLE•ELH•1981•Cited by: 6

    In Chapter 5, Volume II, of Jane Austen's Northanger Abbey Henry Tilney regales Catherine Morland with his version of the Gothic fantasy she loves to read. When she arrives at Northanger Abbey, he says, she will be taken by the housekeeper <along many gloomy passages, into an apartment never used since some cousin or kin died in it about twenty years before.1 She will discover that the door has no lock, and shortly (a couple of nights later) ther…

  • The Historian and the Art Historian

    Theodore K Rabb, Theodore Κ Rabb et al.•ARTICLE•The Journal of Interdisciplinary…•1973•Cited by: 4

  • Swift, Stella, and Permanence

    Ronald Paulson•ARTICLE•ELH•1960

  • The Harlot's Progress and the Tradition of History Painting

    Ronald Paulson•ARTICLE•Eighteenth-Century Studies•1967

    IN HIS PREFACE to Joseph Andrews (1742) Fielding associated himself as author of epic in prose with Hogarth as history painter. He was employing familiar analogy between the epic and history painting, the most exalted genres of poetry and respectively, and he alluded to Hogarth's prints to suggest how Joseph Andrews related to the literary tradition. A great deal has been written about the comic epic in prose, but very little about the comic hist…

  • Prefatory Note

    Ronald Paulson•ARTICLE•Eighteenth-Century Studies•1969

  • Zoffany and Wright of Derby: Contexts of English Art in the Late Eighteenth Century

    Ronald Paulson•ARTICLE•Eighteenth-Century Studies•1969

  • Lichtenberg on Hogarth

    Ronald Paulson, Arthur S Wensinger et al.•ARTICLE•Eighteenth-Century Studies•1970

  • Rowlandson and the Dance of Death

    Ronald Paulson•ARTICLE•Eighteenth-Century Studies•1970

  • English Literary History at the Johns Hopkins University

    Ronald Paulson•ARTICLE•New Literary History•1970

  • Living Space in Eighteenth-Century Venetian Art: Longhi and the View Painters

    Ronald Paulson•ARTICLE•Eighteenth-Century Studies•1971

  • Gainsborough's Landscape Drawings

    Ronald Paulson, John Hayes•ARTICLE•Eighteenth-Century Studies•1972

  • The Historian and the Art Historian

    Theodore K Rabb, Theodore Κ Rabb et al.•ARTICLE•The Journal of Interdisciplinary…•1973•Cited by: 4

  • The Simplicity of Hogarth's Industry and Idleness

    Ronald Paulson•ARTICLE•ELH•1974

    The twelve plates of Industry and Idleness, which Hogarth published in 1747, tell of two apprentices whose stories are as simple as their names: Francis Goodchild and Tom Idle.1 In Plate 1 Goodchild directs the thread on his loom as he directs his life by the Prentice's Guide and the ballads of Dick Whittington and The London Prentice toward the Whittingtonian goal of mayorship. Tom Idle dozes, relinquishing control of his spindle; his Prentice's…

  • Recent Works on Canaletto, Stubbs, and Fuseli

    Ronald Paulson, Ruth Bromberg et al.•ARTICLE•Eighteenth-Century Studies•1975

  • Political Cartoons and Comic Strips

    Ronald Paulson, Herbert M Atherton et al.•ARTICLE•Eighteenth-Century Studies•1975

  • Types of Demarcation: Townscape and Landscape Painting

    Ronald Paulson•ARTICLE•Eighteenth-Century Studies•1975

  • Toward the Constable Bicentenary: Thoughts on Landscape Theory

    Ronald Paulson•ARTICLE•Eighteenth-Century Studies•1976

  • Models and Paradigms: Joseph Andrews, Hogarth's Good Samaritan, and Fenelon's Telemaque

    Ronald Paulson•ARTICLE•Modern Language Notes•1976

  • Emblem and Expression: Meaning in English Art of the Eighteenth Century

    W J T Mitchell, Ronald Paulson•ARTICLE•Modern Language Notes•1976

  • Life as Journey and as Theater: Two Eighteenth-Century Narrative Structures

    Ronald Paulson•ARTICLE•New Literary History•1976

    Ronald Paulson, Life as Journey and as Theater: Two Eighteenth-Century Narrative Structures, New Literary History, Vol. 8, No. 1, Readers and Spectators: Some Views and Reviews (Autumn, 1976), pp. 43-58

  • English Art, 1714-1800

    Ronald Paulson, Joseph Burke et al.•ARTICLE•Eighteenth-Century Studies•1977

  • Iconography Revisited

    Ronald Paulson, D J Gordon et al.•ARTICLE•Modern Language Notes•1977

  • Gothic Fiction and the French Revolution

    Ronald Paulson•ARTICLE•ELH•1981•Cited by: 6

    In Chapter 5, Volume II, of Jane Austen's Northanger Abbey Henry Tilney regales Catherine Morland with his version of the Gothic fantasy she loves to read. When she arrives at Northanger Abbey, he says, she will be taken by the housekeeper <along many gloomy passages, into an apartment never used since some cousin or kin died in it about twenty years before.1 She will discover that the door has no lock, and shortly (a couple of nights later) ther…

  • Popular and Polite Art in the Age of Hogarth and Fielding

    Alistair M Duckworth, Ronald Paulson•ARTICLE•Eighteenth-Century Studies•1982

  • Representations of Revolution (1789-1820)

    David Carrier, Ronald Paulson•ARTICLE•Journal of Aesthetics and Art…•1983

  • Gothic Novels

    Ronald Paulson, Devendra P Varma et al.•ARTICLE•Eighteenth-Century Studies•1983

  • Representations of Revolution (1789-1820)

    Fred V Randel, Ronald Paulson•ARTICLE•Eighteenth-Century Studies•1985

Art (33 works) · Art history (20 works) · History (17 works) · History (13 works) · Computer Science (10 works) · Philosophy (10 works) · Historical Art and Culture Studies (9 works) · Aesthetics (8 works) · Literature (8 works) · Visual arts (8 works)

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