Rayna Green
Biographic Data
| ID | 3629554 |
|---|---|
| NAME | Rayna Green |
| GIVEN NAMES | Rayna |
| FAMILY NAME | Green |
| SIGNATURE | GREEN R |
| AFFILIATIONS | National Museum of American History |
| VERIFIED | No |
| TOTAL WORKS | 19 |
| TOTAL CITATIONS | 49 |
| AUTHOR COUNT | 19 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1971 |
| LATEST PUBLICATION YEAR | 2019 |
| H-INDEX | 1 |
American Society of Ethnohistory Lifetime Achievement Award 2018 Recipients
Susan M. Deeds, Professor Emeritus of History, Northern Arizona University. It is a great honor and personally a deeply felt pleasure to present this dedication to Susan M. Deeds, for her richly deserved ASE Lifetime Achievement Award. Susan has contributed immeasurably to the development of the ASE through her direct involvement in the Society and in her career of creative research and inspired teaching and mentorship of students, postgraduate f…
School Days for Me and the Museum: Commentary on Remembering Our Indian School Days, a Landmark Exhibit at the Heard Museum
Rayna Green, School Days for Me and the Museum: Commentary on Remembering Our Indian School Days, a Landmark Exhibit at the Heard Museum, Journal of American Indian Education, Vol. 57, No. 1 (Spring 2018), pp. 30-36
Public Histories of Food
Food history is part of what we call "public history." Public institutions such as museums, historic houses, national parks, and food production facilities collect, document, preserve, and present knowledge and practices, known as foodways, and as such, play a key role in narrating the production, preservation, service, distribution, and consumption of food throughout history. This article describes the types and styles of food history found in p…
Heartbeat 2: More Voices of First Nations Women
Gertrude Käsebier's ‘Indian’ Photographs: More than meets the eye
Gertrude Käsebier made portraits of Zitkala-Sa (Red Bird)/ Gertrude Simmons (Bonnin) just four years before Zitkala-Sa's article ‘Why I Am a Pagan’ appeared in the Atlantic Monthly.1 In some pictures, she is Red Bird, with her somewhat tangled hair down, wearing a simple cloth version of a buckskin dress, an old willow basket held to her chest. In others, she is Zitkala-Sa, stage lecturer and performer, star of the ladies' reform dub lecture circ…
Heartbeat: Voices of First Nations Women
In'din Humor: Bicultural Play in Native America
Object Lessons
The Mickey Mouse Kachina
Buffalo Bird Woman's Garden: Agriculture of the Hidatsa People. As Told to Gilbert L. Wilson
After the Revolution: The Smithsonian History of Everyday Life in the Eighteenth Century
Journal Article “After the Revolution: Everyday Life in America, 1780–1800.” National Museum of American History, Smithsonian Institution, Constitution Ave. SW, Washington, DC 20560 Get access Robert A. Gross Robert A. Gross College of William and Mary Search for other works by this author on: Oxford Academic Google Scholar Journal of American History, Volume 76, Issue 3, December 1989, Pages 858–861, https://doi.org/10.2307/2936427 Published: 01…
The Tribe Called Wannabee: Playing Indian in America and Europe
ONE of the oldest and most pervasive forms of American cultural expression, indeed one of the oldest forms of affinity with American culture at the national level, is a 'performance' I call 'playing Indian.' Since the invasion of North America by those 'red hairy men' in the fifteenth century, non-Indians have found the performance of 'playing Indian' a most compelling and obviously satisfying form of traditional expression. Almost from their ver…
That's What She Said: Contemporary Poetry and Fiction by Native American Women
PREFACE THE RONAN ROBE SERIES BY JAUNE QUICK-TO-SEE-SMITH Introduction Paula Gunn Allen Grandmother Snowgoose CoyoteOs Daylight Trip The Trick Is Consciousness Star Child Suite The Beautiful Woman Who Sings Suicid/ing(ed) Indian Women Poem for Pat Donna Robin Womanwork Madonna of the Hills Rain for Ka-waik (San Ysidro, Cabezon) KopisOtaya The Bearer of the Sun Arises (Fiction) Diane Burns Our People Big Fun For Carole Houston and Bowery, 1981 Gla…
Women and Indians on the Frontier, 1825-1915
Journal Article Women and Indians on the Frontier, 1825–1915 Get access Women and Indians on the Frontier, 1825–1915. By Riley Glenda. (Albuquerque: University of New Mexico Press, 1984. xvi + 336 pp. Illustrations, notes, note on sources, index. $24.95, cloth; $12.95, paper.) Rayna Green Rayna Green National Museum of American History Smithsonian Institution Search for other works by this author on: Oxford Academic Google Scholar Western Histori…
Rodeo: An Anthropologist Looks at the Wild and the Tame
people call their sport more a way of life than a way to make a living. is, in fact, a rite that not only expresses a way of life but perpetuates it, reaffirming in a ritual contest between man and animal the values of American ranching society. Elizabeth Atwood Lawrence uses an interpretive approach to analyze rodeo as a symbolic pageant that reenacts the winning of the West and as a stylized expression of frontier attitudes toward man and natur…
Cogewea: The Half-Blood
Three Poems
Native American women
In the most recent review essay in Signs on anthropology, Rayna Rapp notes the coming of age of the anthropology of by citing the enormous production of material in 1978 alone.' After examining more than 350 bibliographic items on Native American women dating from the seventeenth century on, over half of which were produced in the twenty years between 1960 and 1980, I can say that the study of Native American women is flowering.2 But, with Rapp, …
Black America
The Tribe Called Wannabee: Playing Indian in America and Europe
ONE of the oldest and most pervasive forms of American cultural expression, indeed one of the oldest forms of affinity with American culture at the national level, is a 'performance' I call 'playing Indian.' Since the invasion of North America by those 'red hairy men' in the fifteenth century, non-Indians have found the performance of 'playing Indian' a most compelling and obviously satisfying form of traditional expression. Almost from their ver…
Heartbeat 2: More Voices of First Nations Women
Object Lessons
That's What She Said: Contemporary Poetry and Fiction by Native American Women
PREFACE THE RONAN ROBE SERIES BY JAUNE QUICK-TO-SEE-SMITH Introduction Paula Gunn Allen Grandmother Snowgoose CoyoteOs Daylight Trip The Trick Is Consciousness Star Child Suite The Beautiful Woman Who Sings Suicid/ing(ed) Indian Women Poem for Pat Donna Robin Womanwork Madonna of the Hills Rain for Ka-waik (San Ysidro, Cabezon) KopisOtaya The Bearer of the Sun Arises (Fiction) Diane Burns Our People Big Fun For Carole Houston and Bowery, 1981 Gla…
Black America
Native American women
In the most recent review essay in Signs on anthropology, Rayna Rapp notes the coming of age of the anthropology of by citing the enormous production of material in 1978 alone.' After examining more than 350 bibliographic items on Native American women dating from the seventeenth century on, over half of which were produced in the twenty years between 1960 and 1980, I can say that the study of Native American women is flowering.2 But, with Rapp, …
Three Poems
Cogewea: The Half-Blood
Rodeo: An Anthropologist Looks at the Wild and the Tame
people call their sport more a way of life than a way to make a living. is, in fact, a rite that not only expresses a way of life but perpetuates it, reaffirming in a ritual contest between man and animal the values of American ranching society. Elizabeth Atwood Lawrence uses an interpretive approach to analyze rodeo as a symbolic pageant that reenacts the winning of the West and as a stylized expression of frontier attitudes toward man and natur…
Women and Indians on the Frontier, 1825-1915
Journal Article Women and Indians on the Frontier, 1825–1915 Get access Women and Indians on the Frontier, 1825–1915. By Riley Glenda. (Albuquerque: University of New Mexico Press, 1984. xvi + 336 pp. Illustrations, notes, note on sources, index. $24.95, cloth; $12.95, paper.) Rayna Green Rayna Green National Museum of American History Smithsonian Institution Search for other works by this author on: Oxford Academic Google Scholar Western Histori…
That's What She Said: Contemporary Poetry and Fiction by Native American Women
PREFACE THE RONAN ROBE SERIES BY JAUNE QUICK-TO-SEE-SMITH Introduction Paula Gunn Allen Grandmother Snowgoose CoyoteOs Daylight Trip The Trick Is Consciousness Star Child Suite The Beautiful Woman Who Sings Suicid/ing(ed) Indian Women Poem for Pat Donna Robin Womanwork Madonna of the Hills Rain for Ka-waik (San Ysidro, Cabezon) KopisOtaya The Bearer of the Sun Arises (Fiction) Diane Burns Our People Big Fun For Carole Houston and Bowery, 1981 Gla…
The Tribe Called Wannabee: Playing Indian in America and Europe
ONE of the oldest and most pervasive forms of American cultural expression, indeed one of the oldest forms of affinity with American culture at the national level, is a 'performance' I call 'playing Indian.' Since the invasion of North America by those 'red hairy men' in the fifteenth century, non-Indians have found the performance of 'playing Indian' a most compelling and obviously satisfying form of traditional expression. Almost from their ver…
After the Revolution: The Smithsonian History of Everyday Life in the Eighteenth Century
Journal Article “After the Revolution: Everyday Life in America, 1780–1800.” National Museum of American History, Smithsonian Institution, Constitution Ave. SW, Washington, DC 20560 Get access Robert A. Gross Robert A. Gross College of William and Mary Search for other works by this author on: Oxford Academic Google Scholar Journal of American History, Volume 76, Issue 3, December 1989, Pages 858–861, https://doi.org/10.2307/2936427 Published: 01…
Buffalo Bird Woman's Garden: Agriculture of the Hidatsa People. As Told to Gilbert L. Wilson
The Mickey Mouse Kachina
Object Lessons
In'din Humor: Bicultural Play in Native America
Heartbeat: Voices of First Nations Women
Gertrude Käsebier's ‘Indian’ Photographs: More than meets the eye
Gertrude Käsebier made portraits of Zitkala-Sa (Red Bird)/ Gertrude Simmons (Bonnin) just four years before Zitkala-Sa's article ‘Why I Am a Pagan’ appeared in the Atlantic Monthly.1 In some pictures, she is Red Bird, with her somewhat tangled hair down, wearing a simple cloth version of a buckskin dress, an old willow basket held to her chest. In others, she is Zitkala-Sa, stage lecturer and performer, star of the ladies' reform dub lecture circ…
Heartbeat 2: More Voices of First Nations Women
Public Histories of Food
Food history is part of what we call "public history." Public institutions such as museums, historic houses, national parks, and food production facilities collect, document, preserve, and present knowledge and practices, known as foodways, and as such, play a key role in narrating the production, preservation, service, distribution, and consumption of food throughout history. This article describes the types and styles of food history found in p…
School Days for Me and the Museum: Commentary on Remembering Our Indian School Days, a Landmark Exhibit at the Heard Museum
Rayna Green, School Days for Me and the Museum: Commentary on Remembering Our Indian School Days, a Landmark Exhibit at the Heard Museum, Journal of American Indian Education, Vol. 57, No. 1 (Spring 2018), pp. 30-36
American Society of Ethnohistory Lifetime Achievement Award 2018 Recipients
Susan M. Deeds, Professor Emeritus of History, Northern Arizona University. It is a great honor and personally a deeply felt pleasure to present this dedication to Susan M. Deeds, for her richly deserved ASE Lifetime Achievement Award. Susan has contributed immeasurably to the development of the ASE through her direct involvement in the Society and in her career of creative research and inspired teaching and mentorship of students, postgraduate f…
History (13 works) · Art (7 works) · Sociology (7 works) · History (6 works) · Archaeology (5 works) · Anthropology (4 works) · Computer Science (4 works) · Art history (3 works) · Ethnology (3 works) · Folklore, Mythology, and Literature Studies (3 works)