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Anthony W Lee

Biographic Data

ID3629568
NAMEAnthony W Lee
GIVEN NAMESAnthony W
FAMILY NAMELee
SIGNATURELEE A W
AFFILIATIONSMount Holyoke College
VERIFIEDNo
TOTAL WORKS14
TOTAL CITATIONS0
WORKS AS AUTHOR13
WORKS AS EDITOR1
FIRST PUBLICATION YEAR1996
LATEST PUBLICATION YEAR2022
H-INDEX0
  • Johnson and Renaissance Humanism

    Open Access•Anthony W Lee•CHAPTER•New Cambridge Companion to Samuel…•2022

    This chapter discusses an underexplored and relatively unappreciated, but essential, aspect of Samuel Johnson’s writing and thinking: his intellectual relationship with Renaissance humanism. Looking at representative figures such as Sir Thomas More, Sir Francis Bacon, and Michel de Montaigne, Lee explores the influence these writers and thinkers had upon Johnson, describing his lifelong interest in the kinds of scholarly works for which they were…

  • Johnson’s “French Authors”

    Anthony W Lee•ARTICLE•ANQ A Quarterly Journal of Short…•2021

    There are three unidentified allusions in the Johnsonian corpus that form a triad, given that all are tagged with the vaguely enigmatic phrase “a French author.”1 In Rambler 5, Johnson writes A Fre

  • The Middle Ground of Early Chinese Photography

    Open Access•Anthony W Lee•ARTICLE•Trans Asia Photography•2020

  • Two New Allusions

    Anthony W Lee•ARTICLE•ANQ A Quarterly Journal of Short…•2019

    Both Samuel Johnson and his disciple James Boswell were masters of deploying intertextual allusions to impart greater freight to their meaning. In Rambler 8 Johnson covertly alludes to the

  • Lens of War

    Anthony W Lee•ARTICLE•Journal of American History•2016

    Lens of War is the most recent publication in the University of Georgia Press's innovative UnCivil Wars series that includes other books devoted to the Civil War's environmental disaster; its widespread material destruction; its cowardice, knavery, and scavenging; its unseemly freaks; and even its amputated limbs. In this volume, J. Matthew Gallman and Gary W. Gallagher asked twenty-seven historians to choose a single Civil War photograph and ref…

  • The One and the Many

    Anthony W Lee•ARTICLE•Journal of Intercultural Studies•2013

    The One and the Many: Contemporary Collaborative Art in a Global Context Grant H. Kester Durham, Duke University Press, 2011 320 pp., ISBN: 9780822349877 The ‘one’ in the title of this wide-ranging

  • Silence

    Anthony W Lee•ARTICLE•American Art•2009

  • American Histories of Photography

    Anthony W Lee•ARTICLE•American Art•2007

  • Sight Unseen

    Anthony W Lee•ARTICLE•Journal of American Ethnic History•2006

    Book Review| July 01 2006 Sight Unseen: Whiteness and American Visual Culture Sight Unseen: Whiteness and American Visual Culture, Martin A. Berger. Anthony W. Lee Anthony W. Lee Search for other works by this author on: This Site Google Journal of American Ethnic History (2006) 25 (4): 198–199. https://doi.org/10.2307/27501765 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site Citation Anthony W. Lee; Sight …

  • Picturing Chinatown

    Robert R Swartout, Robert R Swartout Robert R Swartout et al.•ARTICLE•Western Historical Quarterly•2003

    Journal Article Picturing Chinatown: Art and Orientalism in San Francisco Get access Picturing Chinatown: Art and Orientalism in San Francisco. By Lee Anthony W.. (Berkeley: University of California Press, 2001. xiv + 347 pp. Illustrations, notes, bibliography, index. $45.00.) Robert R. Swartout, Jr. Robert R. Swartout, Jr. Carroll College Search for other works by this author on: Oxford Academic Google Scholar Western Historical Quarterly, Volum…

  • Picturing Chinatown

    Anthony W Lee•EDITOR•BOOK•Picturing Chinatown•2002

    This visually and intellectually exciting book brings the history of San Francisco's Chinatown alive by taking a close look at images of the quarter created during its first hundred years, from 1850 to 1950. Picturing Chinatown contains more than 160 photographs and paintings, some well known and many never reproduced before, to illustrate how this famous district has acted on the photographic and painterly imagination. Bringing together art hist…

  • Picturing Chinatown

    Anthony W Lee•BOOK•Picturing Chinatown•2001

  • Diego Rivera's The Making of a Fresco and its San Francisco public

    A Lee, Anthony W Lee•ARTICLE•Oxford Art Journal•1996

    Journal Article Diego Rivera's The Making of a Fresco and its San Francisco Public Get access ANTHONY W. LEE ANTHONY W. LEE Search for other works by this author on: Oxford Academic Google Scholar Oxford Art Journal, Volume 19, Issue 2, 1996, Pages 72–82, https://doi.org/10.1093/oxartj/19.2.72 Published: 01 December 1996

  • Bohemian California and political dissent

    Open Access•Anthony W Lee•ARTICLE•American Quarterly•1996

    Bohemian California and Political Dissent Anthony W. Lee (bio) Utopia and Dissent: Art, Poetry, and Politics in California. By Richard Cándida Smith. Berkeley and Los Angeles: University of California Press, 1995. 560 pages. $35.00. Ever since the gold rush, early Californians worried about the state’s geographical isolation and the kinds of adverse effects this might have on its high culture. The new inhabitants were, after all, transplanted eas…

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  • Diego Rivera's The Making of a Fresco and its San Francisco public

    A Lee, Anthony W Lee•ARTICLE•Oxford Art Journal•1996

    Journal Article Diego Rivera's The Making of a Fresco and its San Francisco Public Get access ANTHONY W. LEE ANTHONY W. LEE Search for other works by this author on: Oxford Academic Google Scholar Oxford Art Journal, Volume 19, Issue 2, 1996, Pages 72–82, https://doi.org/10.1093/oxartj/19.2.72 Published: 01 December 1996

  • Bohemian California and political dissent

    Open Access•Anthony W Lee•ARTICLE•American Quarterly•1996

    Bohemian California and Political Dissent Anthony W. Lee (bio) Utopia and Dissent: Art, Poetry, and Politics in California. By Richard Cándida Smith. Berkeley and Los Angeles: University of California Press, 1995. 560 pages. $35.00. Ever since the gold rush, early Californians worried about the state’s geographical isolation and the kinds of adverse effects this might have on its high culture. The new inhabitants were, after all, transplanted eas…

  • Picturing Chinatown

    Anthony W Lee•BOOK•Picturing Chinatown•2001

  • Picturing Chinatown

    Anthony W Lee•EDITOR•BOOK•Picturing Chinatown•2002

    This visually and intellectually exciting book brings the history of San Francisco's Chinatown alive by taking a close look at images of the quarter created during its first hundred years, from 1850 to 1950. Picturing Chinatown contains more than 160 photographs and paintings, some well known and many never reproduced before, to illustrate how this famous district has acted on the photographic and painterly imagination. Bringing together art hist…

  • Picturing Chinatown

    Robert R Swartout, Robert R Swartout Robert R Swartout et al.•ARTICLE•Western Historical Quarterly•2003

    Journal Article Picturing Chinatown: Art and Orientalism in San Francisco Get access Picturing Chinatown: Art and Orientalism in San Francisco. By Lee Anthony W.. (Berkeley: University of California Press, 2001. xiv + 347 pp. Illustrations, notes, bibliography, index. $45.00.) Robert R. Swartout, Jr. Robert R. Swartout, Jr. Carroll College Search for other works by this author on: Oxford Academic Google Scholar Western Historical Quarterly, Volum…

  • Sight Unseen

    Anthony W Lee•ARTICLE•Journal of American Ethnic History•2006

    Book Review| July 01 2006 Sight Unseen: Whiteness and American Visual Culture Sight Unseen: Whiteness and American Visual Culture, Martin A. Berger. Anthony W. Lee Anthony W. Lee Search for other works by this author on: This Site Google Journal of American Ethnic History (2006) 25 (4): 198–199. https://doi.org/10.2307/27501765 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site Citation Anthony W. Lee; Sight …

  • American Histories of Photography

    Anthony W Lee•ARTICLE•American Art•2007

  • Silence

    Anthony W Lee•ARTICLE•American Art•2009

  • The One and the Many

    Anthony W Lee•ARTICLE•Journal of Intercultural Studies•2013

    The One and the Many: Contemporary Collaborative Art in a Global Context Grant H. Kester Durham, Duke University Press, 2011 320 pp., ISBN: 9780822349877 The ‘one’ in the title of this wide-ranging

  • Lens of War

    Anthony W Lee•ARTICLE•Journal of American History•2016

    Lens of War is the most recent publication in the University of Georgia Press's innovative UnCivil Wars series that includes other books devoted to the Civil War's environmental disaster; its widespread material destruction; its cowardice, knavery, and scavenging; its unseemly freaks; and even its amputated limbs. In this volume, J. Matthew Gallman and Gary W. Gallagher asked twenty-seven historians to choose a single Civil War photograph and ref…

  • Two New Allusions

    Anthony W Lee•ARTICLE•ANQ A Quarterly Journal of Short…•2019

    Both Samuel Johnson and his disciple James Boswell were masters of deploying intertextual allusions to impart greater freight to their meaning. In Rambler 8 Johnson covertly alludes to the

  • The Middle Ground of Early Chinese Photography

    Open Access•Anthony W Lee•ARTICLE•Trans Asia Photography•2020

  • Johnson’s “French Authors”

    Anthony W Lee•ARTICLE•ANQ A Quarterly Journal of Short…•2021

    There are three unidentified allusions in the Johnsonian corpus that form a triad, given that all are tagged with the vaguely enigmatic phrase “a French author.”1 In Rambler 5, Johnson writes A Fre

  • Johnson and Renaissance Humanism

    Open Access•Anthony W Lee•CHAPTER•New Cambridge Companion to Samuel…•2022

    This chapter discusses an underexplored and relatively unappreciated, but essential, aspect of Samuel Johnson’s writing and thinking: his intellectual relationship with Renaissance humanism. Looking at representative figures such as Sir Thomas More, Sir Francis Bacon, and Michel de Montaigne, Lee explores the influence these writers and thinkers had upon Johnson, describing his lifelong interest in the kinds of scholarly works for which they were…

Art (13 works) · Art history (7 works) · History (7 works) · Archaeology (4 works) · History (4 works) · Literature (4 works) · Philosophy (4 works) · Photography and Visual Culture (4 works) · Sociology (4 works) · Computer Science (3 works)

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