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Bruce Robertson

Biographic Data

ID3629706
NAMEBruce Robertson
GIVEN NAMESBruce
FAMILY NAMERobertson
SIGNATUREROBERTSON B
AFFILIATIONSUniversity of California, Santa Barbara
VERIFIEDNo
TOTAL WORKS13
TOTAL CITATIONS12
WORKS AS AUTHOR13
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1989
LATEST PUBLICATION YEAR2015
H-INDEX2
  • The South Kensington Museum in context

    Open Access•Bruce Robertson•ARTICLE•Museum and Society•2015•Cited by: 2

    The South Kensington Museum-now the Victoria and Albert Museum-has a complex history. Founded in 1857 as an omnibus museum of art and industry-a condensation of the Great Exhibition of 1851 in all its abundance-it had a bewildering variety of possible futures ahead of it, including failure (or existence as an adjunct to a café, as one infamous ad campaign suggested twenty years ago).2 Yet the history of the museum has generally been written teleo…

  • The Digital Loeb Library (http)

    Open Access•Bruce Carlisle Robertson, Bruce Robertson•ARTICLE•Phoenix•2014

    BOOK REVIEWS/COMPTES RENDUS 373 In sum, even if the author’s claim to have re-dated Palladas to the first half of the fourth century is much less strong than he presents it, this book is a major contribution to scholarship and lays a solid foundation for future debate.9 University of Ottawa Jitse H. F. Dijkstra The Digital Loeb Library (http://www.loebclassics.com/). Cambridge, MA: Harvard University Press. 2015. In 1912, the Loeb Classical Libra…

  • Paired Perspectives

    Bruce Robertson•ARTICLE•American Art•2009

  • Grand Designs

    Bruce Robertson•ARTICLE•Social History•2009

    Lara Kriegel, Grand Designs: Labor, Empire and the Museum in Victorian Culture (2008), 305 (Duke University Press, Durham, $84.95, paperback $23.95). Kriegel's Grand Designs is an important additio

  • The Slave-Names of IG i 3 1032 and the Ideology of Slavery at Athens

    Bruce Carlisle Robertson, Bruce Robertson•CHAPTER•Epigraphy and the Greek Historian•2008

  • Millard Sheets's Tenement Flats

    Bruce Robertson•ARTICLE•American Art•2006

  • Ruth Harriet Louise and Hollywood Glamour Photography

    Robert Dance, Bruce Robertson•ARTICLE•Woman s Art Journal•2003

    When Ruth Harriet Louise joined Metro-Goldwyn-Mayer, the studio with "more stars than there are in heaven," she was twenty-two years old and the only woman working as a portrait photographer for the Hollywood studios. In a career that lasted from 1925 until 1930, Louise (born Ruth Goldstein) photographed all the stars, contract players, and many of the hopefuls who passed through the studio's front gates, including Greta Garbo, Lon Chaney, John G…

  • The Tipping Point

    Bruce Robertson•ARTICLE•American Art•2003

  • Microcosms

    Open Access•Bruce Robertson, Mark A Meadow et al.•ARTICLE•AI & Society•2000

  • Who's Sitting at the Table

    Bruce Robertson•ARTICLE•Yale journal of criticism/ The…•1998

    Who’s sitting at the table?: William Sidney Mount’s After Dinner 1834 Bruce Robertson (bio) Figures Click for larger view View full resolution Figure 1. William Sidney Mount (United States, 1807–1868), After Dinner. Oil on panel, 1834. 10 7⁄8 x 10 15/16 in. Yale University Art Gallery, Stanley B. Resor, B.A. 1901; Christian A. Zabriskie, and John Hill Morgan, B.A. 1893, Funds. Looking attentively at all the details of an object is one thing; look…

  • Catalogues and Books

    Bruce Robertson•ARTICLE•American Art•1997

  • Speed, Sex, Gay Men, and HIV

    Open Access•E Michael Gorman, Ed Gorman et al.•ARTICLE•Medical Anthropology Quarterly•1997•Cited by: 9•References: 9

    Fifteen years into the HIV/AIDS epidemic, a great deal is now known about the different populations impacted by the disease, including those affected directly or indirectly by drug use. Anthropology has played a critical role in assisting with this task by identifying hidden populations, developing new methodological approaches, and targeting outreach efforts. In spite of this considerable body of ethnographic knowledge, men who have sex with oth…

  • Art, History, and Curatorial Responsibility

    Open Access•Elizabeth Johns, John K Howat et al.•ARTICLE•American Quarterly•1989•Cited by: 1

  • Speed, Sex, Gay Men, and HIV

    Open Access•E Michael Gorman, Ed Gorman et al.•ARTICLE•Medical Anthropology Quarterly•1997•Cited by: 9•References: 9

    Fifteen years into the HIV/AIDS epidemic, a great deal is now known about the different populations impacted by the disease, including those affected directly or indirectly by drug use. Anthropology has played a critical role in assisting with this task by identifying hidden populations, developing new methodological approaches, and targeting outreach efforts. In spite of this considerable body of ethnographic knowledge, men who have sex with oth…

  • The South Kensington Museum in context

    Open Access•Bruce Robertson•ARTICLE•Museum and Society•2015•Cited by: 2

    The South Kensington Museum-now the Victoria and Albert Museum-has a complex history. Founded in 1857 as an omnibus museum of art and industry-a condensation of the Great Exhibition of 1851 in all its abundance-it had a bewildering variety of possible futures ahead of it, including failure (or existence as an adjunct to a café, as one infamous ad campaign suggested twenty years ago).2 Yet the history of the museum has generally been written teleo…

  • Art, History, and Curatorial Responsibility

    Open Access•Elizabeth Johns, John K Howat et al.•ARTICLE•American Quarterly•1989•Cited by: 1

  • Art, History, and Curatorial Responsibility

    Open Access•Elizabeth Johns, John K Howat et al.•ARTICLE•American Quarterly•1989•Cited by: 1

  • Catalogues and Books

    Bruce Robertson•ARTICLE•American Art•1997

  • Speed, Sex, Gay Men, and HIV

    Open Access•E Michael Gorman, Ed Gorman et al.•ARTICLE•Medical Anthropology Quarterly•1997•Cited by: 9•References: 9

    Fifteen years into the HIV/AIDS epidemic, a great deal is now known about the different populations impacted by the disease, including those affected directly or indirectly by drug use. Anthropology has played a critical role in assisting with this task by identifying hidden populations, developing new methodological approaches, and targeting outreach efforts. In spite of this considerable body of ethnographic knowledge, men who have sex with oth…

  • Who's Sitting at the Table

    Bruce Robertson•ARTICLE•Yale journal of criticism/ The…•1998

    Who’s sitting at the table?: William Sidney Mount’s After Dinner 1834 Bruce Robertson (bio) Figures Click for larger view View full resolution Figure 1. William Sidney Mount (United States, 1807–1868), After Dinner. Oil on panel, 1834. 10 7⁄8 x 10 15/16 in. Yale University Art Gallery, Stanley B. Resor, B.A. 1901; Christian A. Zabriskie, and John Hill Morgan, B.A. 1893, Funds. Looking attentively at all the details of an object is one thing; look…

  • Microcosms

    Open Access•Bruce Robertson, Mark A Meadow et al.•ARTICLE•AI & Society•2000

  • Ruth Harriet Louise and Hollywood Glamour Photography

    Robert Dance, Bruce Robertson•ARTICLE•Woman s Art Journal•2003

    When Ruth Harriet Louise joined Metro-Goldwyn-Mayer, the studio with "more stars than there are in heaven," she was twenty-two years old and the only woman working as a portrait photographer for the Hollywood studios. In a career that lasted from 1925 until 1930, Louise (born Ruth Goldstein) photographed all the stars, contract players, and many of the hopefuls who passed through the studio's front gates, including Greta Garbo, Lon Chaney, John G…

  • The Tipping Point

    Bruce Robertson•ARTICLE•American Art•2003

  • Millard Sheets's Tenement Flats

    Bruce Robertson•ARTICLE•American Art•2006

  • The Slave-Names of IG i 3 1032 and the Ideology of Slavery at Athens

    Bruce Carlisle Robertson, Bruce Robertson•CHAPTER•Epigraphy and the Greek Historian•2008

  • Paired Perspectives

    Bruce Robertson•ARTICLE•American Art•2009

  • Grand Designs

    Bruce Robertson•ARTICLE•Social History•2009

    Lara Kriegel, Grand Designs: Labor, Empire and the Museum in Victorian Culture (2008), 305 (Duke University Press, Durham, $84.95, paperback $23.95). Kriegel's Grand Designs is an important additio

  • The Digital Loeb Library (http)

    Open Access•Bruce Carlisle Robertson, Bruce Robertson•ARTICLE•Phoenix•2014

    BOOK REVIEWS/COMPTES RENDUS 373 In sum, even if the author’s claim to have re-dated Palladas to the first half of the fourth century is much less strong than he presents it, this book is a major contribution to scholarship and lays a solid foundation for future debate.9 University of Ottawa Jitse H. F. Dijkstra The Digital Loeb Library (http://www.loebclassics.com/). Cambridge, MA: Harvard University Press. 2015. In 1912, the Loeb Classical Libra…

  • The South Kensington Museum in context

    Open Access•Bruce Robertson•ARTICLE•Museum and Society•2015•Cited by: 2

    The South Kensington Museum-now the Victoria and Albert Museum-has a complex history. Founded in 1857 as an omnibus museum of art and industry-a condensation of the Great Exhibition of 1851 in all its abundance-it had a bewildering variety of possible futures ahead of it, including failure (or existence as an adjunct to a café, as one infamous ad campaign suggested twenty years ago).2 Yet the history of the museum has generally been written teleo…

Art (11 works) · Art history (8 works) · History (8 works) · Visual arts (7 works) · Computer Science (6 works) · Sociology (6 works) · Art History and Market Analysis (4 works) · Performance art (4 works) · Political science (4 works) · Visual art of the United States (4 works)

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