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Charles L Hughes

Biographic Data

ID3629975
NAMECharles L Hughes
GIVEN NAMESCharles L
FAMILY NAMEHughes
SIGNATUREHUGHES C L
AFFILIATIONSOklahoma State University Oklahoma City
VERIFIEDNo
TOTAL WORKS10
TOTAL CITATIONS9
WORKS AS AUTHOR10
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1903
LATEST PUBLICATION YEAR2018
H-INDEX1
  • The Origins of Cool in Postwar America

    Charles L Hughes•ARTICLE•Journal of American History•2018•Cited by: 1

    Cool is not a transhistorical concept,” Joel Dinerstein writes in his magisterial new book, “neither reducible to the clichés of a timeless or classic style nor to its contemporary sense of commodified rebellion” (p. 14). In this engrossing volume, he examines the development of “cool” as both an individual characteristic and a larger cultural category in the mid-twentieth century. Considering subjects from Humphrey Bogart to Lorraine Hansberry, …

  • Laurent DuBois. The Banjo

    Charles L Hughes•ARTICLE•The American Historical Review•2017

    For Laurent DuBois, the ring of the banjo is the sound of the making of the modern world. In his astonishing work The Banjo: America’s African Instrument, DuBois convincingly and compellingly demonstrates the instrument’s historical role as both symbol and product of diaspora and dislocation. Evolving from West African gourd instruments, the banjo on its journey to the Americas traced the growth of New World slave capitalism and symbolized the at…

  • Get in Formation”

    Open Access•Charles L Hughes•ARTICLE•American Quarterly•2016

    “Get in Formation”: Recent Scholarship on Popular Music and American Identities Charles L. Hughes (bio) “I Hear America Singing”: Folk Music and National Identity. By Rachel Clare Donaldson. Philadelphia: Temple University Press, 2014. 234pp. $89.50 (cloth). $34.95 (paper). $34.95 (e-book). Natural Acts: Race, Gender, and Rusticity in Country Music. By Pamela Fox. Ann Arbor: University of Michigan Press, 2009. 280pp. $80.00 (cloth). $29.95 (paper…

  • Dangerous; Michael Jackson and the Blackface Mask

    Charles L Hughes•ARTICLE•Popular Music & Society•2015

    Despite his massive popularity and influence, Michael Jackson has only recently begun to receive significant scholarly attention. Particularly since his death in 2009, Jackson's life and career hav

  • Chasing Sound

    Charles L Hughes•ARTICLE•History Reviews of New Books•2015

  • Sweet Air

    Charles L Hughes•ARTICLE•Rock Music Studies•2014

    A wide range of recent scholarship has complicated or debunked earlier notions of American musical tradition and authenticity. Ethnomusicologists, historians, and others have convincingly challenge...

  • Shakin' All Over

    Charles L Hughes•ARTICLE•Popular Music & Society•2014

  • Go-Go Live

    Charles L Hughes•ARTICLE•Popular Music & Society•2013

  • The Boogie‐Woogie Rumble

    Charles L Hughes, Charles Hughes•ARTICLE•Popular Music & Society•2009

  • Europe in the Sixteenth Century

    Charles L Hughes, Charles Hughes et al.•ARTICLE•Geographical Journal•1903•Cited by: 8

  • Europe in the Sixteenth Century

    Charles L Hughes, Charles Hughes et al.•ARTICLE•Geographical Journal•1903•Cited by: 8

  • The Origins of Cool in Postwar America

    Charles L Hughes•ARTICLE•Journal of American History•2018•Cited by: 1

    Cool is not a transhistorical concept,” Joel Dinerstein writes in his magisterial new book, “neither reducible to the clichés of a timeless or classic style nor to its contemporary sense of commodified rebellion” (p. 14). In this engrossing volume, he examines the development of “cool” as both an individual characteristic and a larger cultural category in the mid-twentieth century. Considering subjects from Humphrey Bogart to Lorraine Hansberry, …

  • Europe in the Sixteenth Century

    Charles L Hughes, Charles Hughes et al.•ARTICLE•Geographical Journal•1903•Cited by: 8

  • The Boogie‐Woogie Rumble

    Charles L Hughes, Charles Hughes•ARTICLE•Popular Music & Society•2009

  • Go-Go Live

    Charles L Hughes•ARTICLE•Popular Music & Society•2013

  • Sweet Air

    Charles L Hughes•ARTICLE•Rock Music Studies•2014

    A wide range of recent scholarship has complicated or debunked earlier notions of American musical tradition and authenticity. Ethnomusicologists, historians, and others have convincingly challenge...

  • Shakin' All Over

    Charles L Hughes•ARTICLE•Popular Music & Society•2014

  • Dangerous; Michael Jackson and the Blackface Mask

    Charles L Hughes•ARTICLE•Popular Music & Society•2015

    Despite his massive popularity and influence, Michael Jackson has only recently begun to receive significant scholarly attention. Particularly since his death in 2009, Jackson's life and career hav

  • Chasing Sound

    Charles L Hughes•ARTICLE•History Reviews of New Books•2015

  • Get in Formation”

    Open Access•Charles L Hughes•ARTICLE•American Quarterly•2016

    “Get in Formation”: Recent Scholarship on Popular Music and American Identities Charles L. Hughes (bio) “I Hear America Singing”: Folk Music and National Identity. By Rachel Clare Donaldson. Philadelphia: Temple University Press, 2014. 234pp. $89.50 (cloth). $34.95 (paper). $34.95 (e-book). Natural Acts: Race, Gender, and Rusticity in Country Music. By Pamela Fox. Ann Arbor: University of Michigan Press, 2009. 280pp. $80.00 (cloth). $29.95 (paper…

  • Laurent DuBois. The Banjo

    Charles L Hughes•ARTICLE•The American Historical Review•2017

    For Laurent DuBois, the ring of the banjo is the sound of the making of the modern world. In his astonishing work The Banjo: America’s African Instrument, DuBois convincingly and compellingly demonstrates the instrument’s historical role as both symbol and product of diaspora and dislocation. Evolving from West African gourd instruments, the banjo on its journey to the Americas traced the growth of New World slave capitalism and symbolized the at…

  • The Origins of Cool in Postwar America

    Charles L Hughes•ARTICLE•Journal of American History•2018•Cited by: 1

    Cool is not a transhistorical concept,” Joel Dinerstein writes in his magisterial new book, “neither reducible to the clichés of a timeless or classic style nor to its contemporary sense of commodified rebellion” (p. 14). In this engrossing volume, he examines the development of “cool” as both an individual characteristic and a larger cultural category in the mid-twentieth century. Considering subjects from Humphrey Bogart to Lorraine Hansberry, …

Art (9 works) · History (7 works) · Music History and Culture (6 works) · History (5 works) · Visual arts (5 works) · Art history (4 works) · Political science (4 works) · Advertising (3 works) · Aesthetics (3 works) · Business (3 works)

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