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Lynne Joyrich

Biographic Data

ID363352
NAMELynne Joyrich
GIVEN NAMESLynne
FAMILY NAMEJoyrich
SIGNATUREJOYRICH L
AFFILIATIONSBrown University
ORCID0000-0001-8713-5511
VERIFIEDYes
TOTAL WORKS14
TOTAL CITATIONS43
AUTHOR COUNT14
EDITOR COUNT0
FIRST PUBLICATION YEAR1988
LATEST PUBLICATION YEAR2024
H-INDEX3
  • Regression/Progression: Two Cases of Covid Television”

    Open Access•Lynne Joyrich•ARTICLE•Television & New Media•2024

    Televisual dynamics have, in some ways, mirrored and modeled pandemic dynamics, with both involving moves between public and private, inside and outside. Yet the ensuing crossings, confusions, and reactions may yield quite distinct results, as demonstrated by two cases of U.S. television that engaged COVID-19: the Fox News program Tucker Carlson Tonight (which makes claims to the “real” yet produced paranoid fantasies around the pandemic and the …

  • Affronting Stardom/Confronting Sexual Violence

    Lynne Joyrich•ARTICLE•Camera Obscura Feminism Culture…•2019•Cited by: 1

    Recently, there has been an explosion of charges of sexual violence and assault within the worlds of media, journalism, and entertainment, with female stars leading the way in making these charges of sexual misconduct public. Indeed, stars—located at precisely the boundaries of “public” and “private,” working at the intersection of libidinal and financial economies, marked as both “individuals” and “representatives,” figured as both “bodies” and …

  • Keyword 8

    Lynne Joyrich•ARTICLE•differences•2019•References: 9

    This piece analyzes the history and discussions of “trigger warnings” (or “content warnings”) in the college classroom in light of the originating history and discussions of such warnings in media fan cultures—particularly in women’s and queer fan productions surrounding television programs. While linked, these deployments of trigger warnings occur in different contexts with different ramifications (for understandings of “content” and of “trauma”…

  • American Dreams and Demons: Television's “Hollow” Histories and Fantasies of Race

    Lynne Joyrich•ARTICLE•The Black Scholar•2018

    In the fall of 2013—just months after the start of Barack Obama's second term as US president—the fantasy television program Sleepy Hollow debuted on the Fox network. A revision of Washington Irvin

  • Project Reality TV: Preshow Special

    Lynne Joyrich, Misha Kavka et al.•ARTICLE•Camera Obscura Feminism Culture…•2015

    This introduction to the special issue “Project Reality TV” interrogates, while also playing with, some of TV's forms and conventions, particularly those of the “preshow special” and the interview format. Borrowing from this format, it explores key issues around the appeal of reality television and the reasons for approaching it from a scholarly perspective, particularly that of feminist media studies. This version of the studio Q&A format, honed…

  • Queer Television Studies: Currents, Flows, and (Main)streams

    Lynne Joyrich•ARTICLE•Cinema Journal•2014•Cited by: 19

  • Journal of Visual Culture: Guided by TV

    Open Access•Lynne Joyrich•ARTICLE•Journal of Visual Culture•2007

    This essay reflects upon the magazine TV Guide in relation and in contrast to television itself, suggesting that TV Guide might be seen as both a microcosm of and an antithesis to the televisual experience. Considering the differences between various media forms (print, film, television, digital media), their distinct ways of marking and conceptualizing temporality (as schedule or as `flow'), and their particular relationship and/or resistance to…

  • Closet Archives

    Lynne Joyrich•ARTICLE•Camera Obscura Feminism Culture…•2006•Cited by: 2

    Research Article| December 01 2006 Closet Archives Lynne Joyrich Lynne Joyrich Search for other works by this author on: This Site Google Camera Obscura (2006) 21 (3 (63)): 137–143. https://doi.org/10.1215/02705346-2006-014 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Share Facebook Twitter LinkedIn Email Tools Icon Tools Permissions Cite Icon Cite Search Site Citation Lynne Joyrich; Clo…

  • Written on the Screen: Mediation and Immersion in Far from Heaven

    Lynne Joyrich•ARTICLE•Camera Obscura Feminism Culture…•2004•References: 9

    Lynne Joyrich is associate professor of modern culture and media at Brown University. A member of the Camera Obscura editorial collective, she is the author of Re-viewing Reception: Television, Gender, and Postmodern Culture (Bloomington: Indiana University Press, 1996) and a number of articles and chapters on film, television, feminist, queer, and cultural studies in various journals and anthologies

  • Birthmarks

    Lynne Joyrich•ARTICLE•differences•2003

    Research Article| May 01 2003 Birthmarks LYNNE JOYRICH LYNNE JOYRICH Search for other works by this author on: This Site Google differences (2003) 14 (1): 163–167. https://doi.org/10.1215/10407391-14-1-163 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site Citation LYNNE JOYRICH; Birthmarks. differences 1 May 2003; 14 (1): 163–167. doi: https://doi.org/10.1215/10407391-14-1-163 Download citation file: Zotero …

  • Epistemology of the Console

    Lynne Joyrich•ARTICLE•Critical Inquiry•2001•Cited by: 10

  • "Feminist Enterprise? "Star Trek: "The Next Generation" and the Occupation of Femininity

    Lynne Joyrich•ARTICLE•Cinema Journal•1996•Cited by: 3

    Regenerations: Texts and Viewers, Television and Television Studies. Recently, there has been a lot of action from those corners of galaxy where, as story goes, no one had gone before: amid both speculation and dismay, Star Trek: The Next Generation ended its seven-year run as most successful firstrun dramatic series in history of TV syndication; Star Trek: Generations, first Star Trek movie to pair classic characters with those of the next gener…

  • Elvisophilia: Knowledge, Pleasure, and the Cult of Elvis

    Lynne Joyrich•ARTICLE•differences•1993•Cited by: 1•References: 1

    Research Article| April 01 1993 Elvisophilia: Knowledge, Pleasure, and the Cult of Elvis Lynne Joyrich Lynne Joyrich Lynne Joyrich is an assistant professor in the Department of English and Comparative Literature at the University of Wisconsin, Milwaukee, where she teaches film and television studies. She has most recently contributed to the anthology Private Screenings: Television and the Female Consumer (ed. Lynn Spigel and Denise Mann, Minneap…

  • All that Television Allows: TV Melodrama, Postmodernism and Consumer Culture

    Lynne Joyrich•ARTICLE•Camera Obscura Feminism Culture…•1988•Cited by: 7

    Research Article| January 01 1988 All that Television Allows: TV Melodrama, Postmodernism and Consumer Culture Lynne Joyrich Lynne Joyrich Search for other works by this author on: This Site Google Camera Obscura (1988) 6 (1 (16)): 128–153. https://doi.org/10.1215/02705346-6-1_16-128 Cite Icon Cite Share Icon Share Twitter Permissions Search Site Citation Lynne Joyrich; All that Television Allows: TV Melodrama, Postmodernism and Consumer Culture.…

  • Queer Television Studies: Currents, Flows, and (Main)streams

    Lynne Joyrich•ARTICLE•Cinema Journal•2014•Cited by: 19

  • Epistemology of the Console

    Lynne Joyrich•ARTICLE•Critical Inquiry•2001•Cited by: 10

  • All that Television Allows: TV Melodrama, Postmodernism and Consumer Culture

    Lynne Joyrich•ARTICLE•Camera Obscura Feminism Culture…•1988•Cited by: 7

    Research Article| January 01 1988 All that Television Allows: TV Melodrama, Postmodernism and Consumer Culture Lynne Joyrich Lynne Joyrich Search for other works by this author on: This Site Google Camera Obscura (1988) 6 (1 (16)): 128–153. https://doi.org/10.1215/02705346-6-1_16-128 Cite Icon Cite Share Icon Share Twitter Permissions Search Site Citation Lynne Joyrich; All that Television Allows: TV Melodrama, Postmodernism and Consumer Culture.…

  • "Feminist Enterprise? "Star Trek: "The Next Generation" and the Occupation of Femininity

    Lynne Joyrich•ARTICLE•Cinema Journal•1996•Cited by: 3

    Regenerations: Texts and Viewers, Television and Television Studies. Recently, there has been a lot of action from those corners of galaxy where, as story goes, no one had gone before: amid both speculation and dismay, Star Trek: The Next Generation ended its seven-year run as most successful firstrun dramatic series in history of TV syndication; Star Trek: Generations, first Star Trek movie to pair classic characters with those of the next gener…

  • Closet Archives

    Lynne Joyrich•ARTICLE•Camera Obscura Feminism Culture…•2006•Cited by: 2

    Research Article| December 01 2006 Closet Archives Lynne Joyrich Lynne Joyrich Search for other works by this author on: This Site Google Camera Obscura (2006) 21 (3 (63)): 137–143. https://doi.org/10.1215/02705346-2006-014 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Share Facebook Twitter LinkedIn Email Tools Icon Tools Permissions Cite Icon Cite Search Site Citation Lynne Joyrich; Clo…

  • Affronting Stardom/Confronting Sexual Violence

    Lynne Joyrich•ARTICLE•Camera Obscura Feminism Culture…•2019•Cited by: 1

    Recently, there has been an explosion of charges of sexual violence and assault within the worlds of media, journalism, and entertainment, with female stars leading the way in making these charges of sexual misconduct public. Indeed, stars—located at precisely the boundaries of “public” and “private,” working at the intersection of libidinal and financial economies, marked as both “individuals” and “representatives,” figured as both “bodies” and …

  • Elvisophilia: Knowledge, Pleasure, and the Cult of Elvis

    Lynne Joyrich•ARTICLE•differences•1993•Cited by: 1•References: 1

    Research Article| April 01 1993 Elvisophilia: Knowledge, Pleasure, and the Cult of Elvis Lynne Joyrich Lynne Joyrich Lynne Joyrich is an assistant professor in the Department of English and Comparative Literature at the University of Wisconsin, Milwaukee, where she teaches film and television studies. She has most recently contributed to the anthology Private Screenings: Television and the Female Consumer (ed. Lynn Spigel and Denise Mann, Minneap…

  • All that Television Allows: TV Melodrama, Postmodernism and Consumer Culture

    Lynne Joyrich•ARTICLE•Camera Obscura Feminism Culture…•1988•Cited by: 7

    Research Article| January 01 1988 All that Television Allows: TV Melodrama, Postmodernism and Consumer Culture Lynne Joyrich Lynne Joyrich Search for other works by this author on: This Site Google Camera Obscura (1988) 6 (1 (16)): 128–153. https://doi.org/10.1215/02705346-6-1_16-128 Cite Icon Cite Share Icon Share Twitter Permissions Search Site Citation Lynne Joyrich; All that Television Allows: TV Melodrama, Postmodernism and Consumer Culture.…

  • Elvisophilia: Knowledge, Pleasure, and the Cult of Elvis

    Lynne Joyrich•ARTICLE•differences•1993•Cited by: 1•References: 1

    Research Article| April 01 1993 Elvisophilia: Knowledge, Pleasure, and the Cult of Elvis Lynne Joyrich Lynne Joyrich Lynne Joyrich is an assistant professor in the Department of English and Comparative Literature at the University of Wisconsin, Milwaukee, where she teaches film and television studies. She has most recently contributed to the anthology Private Screenings: Television and the Female Consumer (ed. Lynn Spigel and Denise Mann, Minneap…

  • "Feminist Enterprise? "Star Trek: "The Next Generation" and the Occupation of Femininity

    Lynne Joyrich•ARTICLE•Cinema Journal•1996•Cited by: 3

    Regenerations: Texts and Viewers, Television and Television Studies. Recently, there has been a lot of action from those corners of galaxy where, as story goes, no one had gone before: amid both speculation and dismay, Star Trek: The Next Generation ended its seven-year run as most successful firstrun dramatic series in history of TV syndication; Star Trek: Generations, first Star Trek movie to pair classic characters with those of the next gener…

  • Epistemology of the Console

    Lynne Joyrich•ARTICLE•Critical Inquiry•2001•Cited by: 10

  • Birthmarks

    Lynne Joyrich•ARTICLE•differences•2003

    Research Article| May 01 2003 Birthmarks LYNNE JOYRICH LYNNE JOYRICH Search for other works by this author on: This Site Google differences (2003) 14 (1): 163–167. https://doi.org/10.1215/10407391-14-1-163 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site Citation LYNNE JOYRICH; Birthmarks. differences 1 May 2003; 14 (1): 163–167. doi: https://doi.org/10.1215/10407391-14-1-163 Download citation file: Zotero …

  • Written on the Screen: Mediation and Immersion in Far from Heaven

    Lynne Joyrich•ARTICLE•Camera Obscura Feminism Culture…•2004•References: 9

    Lynne Joyrich is associate professor of modern culture and media at Brown University. A member of the Camera Obscura editorial collective, she is the author of Re-viewing Reception: Television, Gender, and Postmodern Culture (Bloomington: Indiana University Press, 1996) and a number of articles and chapters on film, television, feminist, queer, and cultural studies in various journals and anthologies

  • Closet Archives

    Lynne Joyrich•ARTICLE•Camera Obscura Feminism Culture…•2006•Cited by: 2

    Research Article| December 01 2006 Closet Archives Lynne Joyrich Lynne Joyrich Search for other works by this author on: This Site Google Camera Obscura (2006) 21 (3 (63)): 137–143. https://doi.org/10.1215/02705346-2006-014 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Share Facebook Twitter LinkedIn Email Tools Icon Tools Permissions Cite Icon Cite Search Site Citation Lynne Joyrich; Clo…

  • Journal of Visual Culture: Guided by TV

    Open Access•Lynne Joyrich•ARTICLE•Journal of Visual Culture•2007

    This essay reflects upon the magazine TV Guide in relation and in contrast to television itself, suggesting that TV Guide might be seen as both a microcosm of and an antithesis to the televisual experience. Considering the differences between various media forms (print, film, television, digital media), their distinct ways of marking and conceptualizing temporality (as schedule or as `flow'), and their particular relationship and/or resistance to…

  • Queer Television Studies: Currents, Flows, and (Main)streams

    Lynne Joyrich•ARTICLE•Cinema Journal•2014•Cited by: 19

  • Project Reality TV: Preshow Special

    Lynne Joyrich, Misha Kavka et al.•ARTICLE•Camera Obscura Feminism Culture…•2015

    This introduction to the special issue “Project Reality TV” interrogates, while also playing with, some of TV's forms and conventions, particularly those of the “preshow special” and the interview format. Borrowing from this format, it explores key issues around the appeal of reality television and the reasons for approaching it from a scholarly perspective, particularly that of feminist media studies. This version of the studio Q&A format, honed…

  • American Dreams and Demons: Television's “Hollow” Histories and Fantasies of Race

    Lynne Joyrich•ARTICLE•The Black Scholar•2018

    In the fall of 2013—just months after the start of Barack Obama's second term as US president—the fantasy television program Sleepy Hollow debuted on the Fox network. A revision of Washington Irvin

  • Affronting Stardom/Confronting Sexual Violence

    Lynne Joyrich•ARTICLE•Camera Obscura Feminism Culture…•2019•Cited by: 1

    Recently, there has been an explosion of charges of sexual violence and assault within the worlds of media, journalism, and entertainment, with female stars leading the way in making these charges of sexual misconduct public. Indeed, stars—located at precisely the boundaries of “public” and “private,” working at the intersection of libidinal and financial economies, marked as both “individuals” and “representatives,” figured as both “bodies” and …

  • Keyword 8

    Lynne Joyrich•ARTICLE•differences•2019•References: 9

    This piece analyzes the history and discussions of “trigger warnings” (or “content warnings”) in the college classroom in light of the originating history and discussions of such warnings in media fan cultures—particularly in women’s and queer fan productions surrounding television programs. While linked, these deployments of trigger warnings occur in different contexts with different ramifications (for understandings of “content” and of “trauma”…

  • Regression/Progression: Two Cases of Covid Television”

    Open Access•Lynne Joyrich•ARTICLE•Television & New Media•2024

    Televisual dynamics have, in some ways, mirrored and modeled pandemic dynamics, with both involving moves between public and private, inside and outside. Yet the ensuing crossings, confusions, and reactions may yield quite distinct results, as demonstrated by two cases of U.S. television that engaged COVID-19: the Fox News program Tucker Carlson Tonight (which makes claims to the “real” yet produced paranoid fantasies around the pandemic and the …

Art (12 works) · Sociology (10 works) · Cinema and Media Studies (7 works) · Computer Science (7 works) · Media studies (7 works) · Gender Studies (6 works) · Art history (5 works) · Gender Studies (5 works) · Literature (5 works) · Aesthetics (4 works)

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