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Erica Fudge

Biographic Data

ID3634845
NAMEErica Fudge
GIVEN NAMESErica
FAMILY NAMEFudge
SIGNATUREFUDGE E
AFFILIATIONSUniversity of Strathclyde
VERIFIEDNo
TOTAL WORKS23
TOTAL CITATIONS86
AUTHOR COUNT22
EDITOR COUNT1
FIRST PUBLICATION YEAR1999
LATEST PUBLICATION YEAR2026
H-INDEX5
  • Aesop’s vomit: Or, stomach problems in early modern England

    Open Access•Erik Fudge, Erica Fudge•ARTICLE•Textual Practice•2026

    This essay tracks ideas about the stomach in early modern England and the perceived dangers that its actions presented to the status of the human.The argument moves from the depiction of the belly in early modern drama with its reflection on the vulnerability of human control; through medical ideas about eating and diet and the transformation of food into matter for use in, or expulsion from, the body; and, finally, it ponders the representation …

  • Feral Empire: Horse and Human in the Early Modern Iberian World , by Kathryn Renton

    Open Access•Erica Fudge•ARTICLE•The English Historical Review•2026

  • Joanna Bourke, Loving Animals: On Bestiality, Zoophilia and Post-Human Love

    Open Access•Erik Fudge, Erica Fudge•ARTICLE•Social History of Medicine•2021

    Review of Joanna Bourke, Loving Animals: On Bestiality, Zoophilia and Post-Human Love (Reaktion Books, 2020) ISBN 978-1-78914-310-2 191pp

  • The Flourishing and Challenging Field of Animal-Human History

    Erik Fudge, Erica Fudge•ARTICLE•Society and Animals•2019•Cited by: 1

    This is a book review of: Hilda Kean and Philip Howell (Eds.), The Routledge Companion to Animal-Human History. Abingdon and New York: Routledge, 2019. 560 pp When I was doing my PhD at the University of Sussex in the early 1990s, I remember being approached by another postgrad in the School of English and American Studies: “Are you the person doing the PhD on bear baiting?” he asked. When I answered in the affirmative, he noted: “It’s nice that …

  • Animal Bodies, Renaissance Culture

    Open Access•Erik Fudge, Erica Fudge•ARTICLE•Renaissance Quarterly•2014

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • What Was It Like to Be a Cow: History and Animal Studies

    Erik Fudge, Erica Fudge et al.•CHAPTER•The Oxford Handbook of Animal…•2014•Cited by: 5

    This chapter outlines where the history of animals is now, and suggests where it and the historiographical issues raised by the inclusion of animals in a study of the past might go in the future. The chapter traces shifts in the idea that animals recorded in textual documentation are always and only human representations, looks at the potential for animals to be historical agents and at the questions of animal agency and the possibility of recove…

  • Pets

    Erik Fudge, Erica Fudge•BOOK•Pets•2014•Cited by: 2

    When I play with my cat, who knows if I am not a pastime to her more than she is to me?' - Michel de Montaigne. Why do we live with pets? Is there something more to our relationship with them than simply companionship? What is it we look for in our pets and what does this say about us as human beings? In this fascinating book, Erica Fudge explores the nature of this most complex of relationships and the difficulties of knowing what it is that one…

  • Milking Other Men's Beasts

    Open Access•Erik Fudge, Erica Fudge•ARTICLE•History and Theory•2013•Cited by: 9

    This article takes as its point of departure a small piece of evidence: a single-line entry in a seventeenth-century Essex Sessions Roll about the theft of milk. This fragment of the legal archive and the world it offers us a glimpse of are used to explore what it might mean to take seriously the presence of animals as historical actors. The article also-and inseparably-asks us to think about the nature of that being called the human that so freq…

  • The Animal Face of Early Modern England

    Open Access•Erik Fudge, Erica Fudge•ARTICLE•Theory Culture & Society•2013•Cited by: 9•References: 3

    This article is both a work of historical reconstruction and a theoretical intervention. It looks at some influential contemporary accounts of human-animal relations and outlines a body of ideas from the 17th century that challenges what is presented as representative of the past in posthumanist thinking. Indeed, this article argues that this alternative past is much more in keeping with the shifts that posthumanist ideas mark in their departure …

  • Renaissance Animal Things

    Erik Fudge, Erica Fudge•ARTICLE•New Formations•2012

    This article uses thing theory to explore the uses of two animal things common in Renaissane culture: leather and civet. It argues that, even as the animal is dismembered and its parts used in the manufacture of commodities - gloves, perfume - those objects have a power to change the world in which they are used: that animal things are not inert, and are not simply evidence of human dominion, but are themselves active presences in culture

  • Stage, Stake, and Scaffold: Humans and Animals in Shakespeare’s Theatre

    Open Access•Erik Fudge, Erica Fudge•ARTICLE•Renaissance Quarterly•2012

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Attempting Animal Histories

    Erik Fudge, Erica Fudge•ARTICLE•Society and Animals•2011•Cited by: 1

    Review of the six-volume set "A cultural history of animals" by Linda Kalof, Brigitte Resl

  • The Human Face of Early Modern England

    Erik Fudge, Erica Fudge•ARTICLE•Angelaki•2011•Cited by: 1

    This essay traces out the context that allowed numerous early modern thinkers to deny that animals had faces. Using early- to mid-seventeenth-century writing by, among others, John Milton, John Bulwer and Ben Jonson, it shows that faces were understood to be sites of meaning, and were thus, like gestural language and the capacity to perform a dance, possessed by humans alone. Animals, this discourse argued, have no ability to communicate meaningf…

  • Why it's easy being a vegetarian

    Erik Fudge, Erica Fudge•ARTICLE•Textual Practice•2010•Cited by: 1

    If questions about nutritional value are set aside, what purpose does the act of consuming an animal possess? I take this as my central question here because meat-eating is not just an issue of nutrition: as Derrida wrote: 'and who can be made to believe that our cultures are carnivorous because animal proteins are irreplaceable?'1 There is something else going on when an animal's flesh is consumed

  • Pets

    Open Access•Erik Fudge, Erica Fudge•BOOK•Pets•2008•Cited by: 44

    Why do we live with pets? Is there something more to our relationship with them than simply companionship? What is it we look for in our pets and what does this say about us as human beings? In this fascinating book, Erica Fudge explores the nature of this most complex of relationships and the difficulties of knowing what it is that one is living with when one chooses to share a home with an animal. Fudge argues that our capacity for compassion a…

  • Can We Differ from, and Live on Equal Terms with, Nonhuman Animals? Thinking with Animals: New Perspectives on Anthropomorphism

    Erik Fudge, Erica Fudge•ARTICLE•Society and Animals•2007•Cited by: 1

  • The Dog, the Home and the Human, and the Ancestry of Derrida's Cat

    Erik Fudge, Erica Fudge•ARTICLE•Oxford Literary Review•2007•Cited by: 1

    There are many stories, told by philosophers, historians, poets, about dogs, those loyal companions of our moments of recreation. In these stories, which are often played out in the most familiar locations, the absence of the dog is a mark of disorder, its presence order, and thus we find ourselves, in these tales we tell, at home, at peace – with dogs. Indeed, the stories told about dogs, we might argue, are never really about dogs at all, they …

  • Introduction: Viewing Animals

    Erik Fudge, Erica Fudge•ARTICLE•Worldviews Global Religions…•2005•References: 2

    The introduction to this special issue of Worldviews goes back to the first European encounters with the New World as a way of opening up a discussion about the nature of viewing animals. I argue that, just as the Europeans transformed this New World into a recognisable one in the sixteenth century, so too do we constantly transform the natural world that we view. The process of comprehension is offered as classification followed by observation, …

  • Learning to laugh

    Erik Fudge, Erica Fudge•ARTICLE•Textual Practice•2003•Cited by: 3•References: 1

    This essay explores the construction of the human in early modern English thought, and uses discussions of the nature and use of laughter as a distinguishing feature of humanity from classical arguments as well as early modern ones. Using these classical, reformed English discussions of education and of the nature of children reveals an anxiety about the status of the child. Laughing appropriately - using tile mind and not merely the body - is a …

  • Shakespeare among the Animals: Nature and Society in the Drama of Early Modern England

    Erik Fudge, Erica Fudge et al.•ARTICLE•South Atlantic Review•2002•Cited by: 6

  • Zoo: A History of Zoological Gardens in the West Eric Baratay and Elizabeth Hardouin-Fugier

    Erik Fudge, Erica Fudge•ARTICLE•Anthrozoös•2002•Cited by: 2

    2002). Zoo: A History of Zoological Gardens in the West Eric Baratay and Elizabeth Hardouin-Fugier. Anthrozoos: Vol. 15, No. 4, pp. 367-369

  • Introduction to Special Edition: Reading Animals

    Erik Fudge, Erica Fudge•ARTICLE•Worldviews Global Religions…•2000•References: 1

    This article is an introduction to a special issue of Worldviews. It discusses reading animals

  • At the Borders of the Human: Beasts, Bodies and Natural Philosophy in the Early Modern Period

    Open Access•Erik Fudge, Erica Fudge et al.•BOOK•At the Borders of the Human•1999

  • Pets

    Open Access•Erik Fudge, Erica Fudge•BOOK•Pets•2008•Cited by: 44

    Why do we live with pets? Is there something more to our relationship with them than simply companionship? What is it we look for in our pets and what does this say about us as human beings? In this fascinating book, Erica Fudge explores the nature of this most complex of relationships and the difficulties of knowing what it is that one is living with when one chooses to share a home with an animal. Fudge argues that our capacity for compassion a…

  • Milking Other Men's Beasts

    Open Access•Erik Fudge, Erica Fudge•ARTICLE•History and Theory•2013•Cited by: 9

    This article takes as its point of departure a small piece of evidence: a single-line entry in a seventeenth-century Essex Sessions Roll about the theft of milk. This fragment of the legal archive and the world it offers us a glimpse of are used to explore what it might mean to take seriously the presence of animals as historical actors. The article also-and inseparably-asks us to think about the nature of that being called the human that so freq…

  • The Animal Face of Early Modern England

    Open Access•Erik Fudge, Erica Fudge•ARTICLE•Theory Culture & Society•2013•Cited by: 9•References: 3

    This article is both a work of historical reconstruction and a theoretical intervention. It looks at some influential contemporary accounts of human-animal relations and outlines a body of ideas from the 17th century that challenges what is presented as representative of the past in posthumanist thinking. Indeed, this article argues that this alternative past is much more in keeping with the shifts that posthumanist ideas mark in their departure …

  • Shakespeare among the Animals: Nature and Society in the Drama of Early Modern England

    Erik Fudge, Erica Fudge et al.•ARTICLE•South Atlantic Review•2002•Cited by: 6

  • What Was It Like to Be a Cow: History and Animal Studies

    Erik Fudge, Erica Fudge et al.•CHAPTER•The Oxford Handbook of Animal…•2014•Cited by: 5

    This chapter outlines where the history of animals is now, and suggests where it and the historiographical issues raised by the inclusion of animals in a study of the past might go in the future. The chapter traces shifts in the idea that animals recorded in textual documentation are always and only human representations, looks at the potential for animals to be historical agents and at the questions of animal agency and the possibility of recove…

  • Learning to laugh

    Erik Fudge, Erica Fudge•ARTICLE•Textual Practice•2003•Cited by: 3•References: 1

    This essay explores the construction of the human in early modern English thought, and uses discussions of the nature and use of laughter as a distinguishing feature of humanity from classical arguments as well as early modern ones. Using these classical, reformed English discussions of education and of the nature of children reveals an anxiety about the status of the child. Laughing appropriately - using tile mind and not merely the body - is a …

  • Pets

    Erik Fudge, Erica Fudge•BOOK•Pets•2014•Cited by: 2

    When I play with my cat, who knows if I am not a pastime to her more than she is to me?' - Michel de Montaigne. Why do we live with pets? Is there something more to our relationship with them than simply companionship? What is it we look for in our pets and what does this say about us as human beings? In this fascinating book, Erica Fudge explores the nature of this most complex of relationships and the difficulties of knowing what it is that one…

  • Zoo: A History of Zoological Gardens in the West Eric Baratay and Elizabeth Hardouin-Fugier

    Erik Fudge, Erica Fudge•ARTICLE•Anthrozoös•2002•Cited by: 2

    2002). Zoo: A History of Zoological Gardens in the West Eric Baratay and Elizabeth Hardouin-Fugier. Anthrozoos: Vol. 15, No. 4, pp. 367-369

  • The Flourishing and Challenging Field of Animal-Human History

    Erik Fudge, Erica Fudge•ARTICLE•Society and Animals•2019•Cited by: 1

    This is a book review of: Hilda Kean and Philip Howell (Eds.), The Routledge Companion to Animal-Human History. Abingdon and New York: Routledge, 2019. 560 pp When I was doing my PhD at the University of Sussex in the early 1990s, I remember being approached by another postgrad in the School of English and American Studies: “Are you the person doing the PhD on bear baiting?” he asked. When I answered in the affirmative, he noted: “It’s nice that …

  • Attempting Animal Histories

    Erik Fudge, Erica Fudge•ARTICLE•Society and Animals•2011•Cited by: 1

    Review of the six-volume set "A cultural history of animals" by Linda Kalof, Brigitte Resl

  • The Human Face of Early Modern England

    Erik Fudge, Erica Fudge•ARTICLE•Angelaki•2011•Cited by: 1

    This essay traces out the context that allowed numerous early modern thinkers to deny that animals had faces. Using early- to mid-seventeenth-century writing by, among others, John Milton, John Bulwer and Ben Jonson, it shows that faces were understood to be sites of meaning, and were thus, like gestural language and the capacity to perform a dance, possessed by humans alone. Animals, this discourse argued, have no ability to communicate meaningf…

  • Why it's easy being a vegetarian

    Erik Fudge, Erica Fudge•ARTICLE•Textual Practice•2010•Cited by: 1

    If questions about nutritional value are set aside, what purpose does the act of consuming an animal possess? I take this as my central question here because meat-eating is not just an issue of nutrition: as Derrida wrote: 'and who can be made to believe that our cultures are carnivorous because animal proteins are irreplaceable?'1 There is something else going on when an animal's flesh is consumed

  • Can We Differ from, and Live on Equal Terms with, Nonhuman Animals? Thinking with Animals: New Perspectives on Anthropomorphism

    Erik Fudge, Erica Fudge•ARTICLE•Society and Animals•2007•Cited by: 1

  • The Dog, the Home and the Human, and the Ancestry of Derrida's Cat

    Erik Fudge, Erica Fudge•ARTICLE•Oxford Literary Review•2007•Cited by: 1

    There are many stories, told by philosophers, historians, poets, about dogs, those loyal companions of our moments of recreation. In these stories, which are often played out in the most familiar locations, the absence of the dog is a mark of disorder, its presence order, and thus we find ourselves, in these tales we tell, at home, at peace – with dogs. Indeed, the stories told about dogs, we might argue, are never really about dogs at all, they …

  • At the Borders of the Human: Beasts, Bodies and Natural Philosophy in the Early Modern Period

    Open Access•Erik Fudge, Erica Fudge et al.•BOOK•At the Borders of the Human•1999

  • Introduction to Special Edition: Reading Animals

    Erik Fudge, Erica Fudge•ARTICLE•Worldviews Global Religions…•2000•References: 1

    This article is an introduction to a special issue of Worldviews. It discusses reading animals

  • Shakespeare among the Animals: Nature and Society in the Drama of Early Modern England

    Erik Fudge, Erica Fudge et al.•ARTICLE•South Atlantic Review•2002•Cited by: 6

  • Zoo: A History of Zoological Gardens in the West Eric Baratay and Elizabeth Hardouin-Fugier

    Erik Fudge, Erica Fudge•ARTICLE•Anthrozoös•2002•Cited by: 2

    2002). Zoo: A History of Zoological Gardens in the West Eric Baratay and Elizabeth Hardouin-Fugier. Anthrozoos: Vol. 15, No. 4, pp. 367-369

  • Learning to laugh

    Erik Fudge, Erica Fudge•ARTICLE•Textual Practice•2003•Cited by: 3•References: 1

    This essay explores the construction of the human in early modern English thought, and uses discussions of the nature and use of laughter as a distinguishing feature of humanity from classical arguments as well as early modern ones. Using these classical, reformed English discussions of education and of the nature of children reveals an anxiety about the status of the child. Laughing appropriately - using tile mind and not merely the body - is a …

  • Introduction: Viewing Animals

    Erik Fudge, Erica Fudge•ARTICLE•Worldviews Global Religions…•2005•References: 2

    The introduction to this special issue of Worldviews goes back to the first European encounters with the New World as a way of opening up a discussion about the nature of viewing animals. I argue that, just as the Europeans transformed this New World into a recognisable one in the sixteenth century, so too do we constantly transform the natural world that we view. The process of comprehension is offered as classification followed by observation, …

  • Can We Differ from, and Live on Equal Terms with, Nonhuman Animals? Thinking with Animals: New Perspectives on Anthropomorphism

    Erik Fudge, Erica Fudge•ARTICLE•Society and Animals•2007•Cited by: 1

  • The Dog, the Home and the Human, and the Ancestry of Derrida's Cat

    Erik Fudge, Erica Fudge•ARTICLE•Oxford Literary Review•2007•Cited by: 1

    There are many stories, told by philosophers, historians, poets, about dogs, those loyal companions of our moments of recreation. In these stories, which are often played out in the most familiar locations, the absence of the dog is a mark of disorder, its presence order, and thus we find ourselves, in these tales we tell, at home, at peace – with dogs. Indeed, the stories told about dogs, we might argue, are never really about dogs at all, they …

  • Pets

    Open Access•Erik Fudge, Erica Fudge•BOOK•Pets•2008•Cited by: 44

    Why do we live with pets? Is there something more to our relationship with them than simply companionship? What is it we look for in our pets and what does this say about us as human beings? In this fascinating book, Erica Fudge explores the nature of this most complex of relationships and the difficulties of knowing what it is that one is living with when one chooses to share a home with an animal. Fudge argues that our capacity for compassion a…

  • Why it's easy being a vegetarian

    Erik Fudge, Erica Fudge•ARTICLE•Textual Practice•2010•Cited by: 1

    If questions about nutritional value are set aside, what purpose does the act of consuming an animal possess? I take this as my central question here because meat-eating is not just an issue of nutrition: as Derrida wrote: 'and who can be made to believe that our cultures are carnivorous because animal proteins are irreplaceable?'1 There is something else going on when an animal's flesh is consumed

  • Attempting Animal Histories

    Erik Fudge, Erica Fudge•ARTICLE•Society and Animals•2011•Cited by: 1

    Review of the six-volume set "A cultural history of animals" by Linda Kalof, Brigitte Resl

  • The Human Face of Early Modern England

    Erik Fudge, Erica Fudge•ARTICLE•Angelaki•2011•Cited by: 1

    This essay traces out the context that allowed numerous early modern thinkers to deny that animals had faces. Using early- to mid-seventeenth-century writing by, among others, John Milton, John Bulwer and Ben Jonson, it shows that faces were understood to be sites of meaning, and were thus, like gestural language and the capacity to perform a dance, possessed by humans alone. Animals, this discourse argued, have no ability to communicate meaningf…

  • Renaissance Animal Things

    Erik Fudge, Erica Fudge•ARTICLE•New Formations•2012

    This article uses thing theory to explore the uses of two animal things common in Renaissane culture: leather and civet. It argues that, even as the animal is dismembered and its parts used in the manufacture of commodities - gloves, perfume - those objects have a power to change the world in which they are used: that animal things are not inert, and are not simply evidence of human dominion, but are themselves active presences in culture

  • Stage, Stake, and Scaffold: Humans and Animals in Shakespeare’s Theatre

    Open Access•Erik Fudge, Erica Fudge•ARTICLE•Renaissance Quarterly•2012

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Milking Other Men's Beasts

    Open Access•Erik Fudge, Erica Fudge•ARTICLE•History and Theory•2013•Cited by: 9

    This article takes as its point of departure a small piece of evidence: a single-line entry in a seventeenth-century Essex Sessions Roll about the theft of milk. This fragment of the legal archive and the world it offers us a glimpse of are used to explore what it might mean to take seriously the presence of animals as historical actors. The article also-and inseparably-asks us to think about the nature of that being called the human that so freq…

  • The Animal Face of Early Modern England

    Open Access•Erik Fudge, Erica Fudge•ARTICLE•Theory Culture & Society•2013•Cited by: 9•References: 3

    This article is both a work of historical reconstruction and a theoretical intervention. It looks at some influential contemporary accounts of human-animal relations and outlines a body of ideas from the 17th century that challenges what is presented as representative of the past in posthumanist thinking. Indeed, this article argues that this alternative past is much more in keeping with the shifts that posthumanist ideas mark in their departure …

  • Animal Bodies, Renaissance Culture

    Open Access•Erik Fudge, Erica Fudge•ARTICLE•Renaissance Quarterly•2014

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • What Was It Like to Be a Cow: History and Animal Studies

    Erik Fudge, Erica Fudge et al.•CHAPTER•The Oxford Handbook of Animal…•2014•Cited by: 5

    This chapter outlines where the history of animals is now, and suggests where it and the historiographical issues raised by the inclusion of animals in a study of the past might go in the future. The chapter traces shifts in the idea that animals recorded in textual documentation are always and only human representations, looks at the potential for animals to be historical agents and at the questions of animal agency and the possibility of recove…

  • Pets

    Erik Fudge, Erica Fudge•BOOK•Pets•2014•Cited by: 2

    When I play with my cat, who knows if I am not a pastime to her more than she is to me?' - Michel de Montaigne. Why do we live with pets? Is there something more to our relationship with them than simply companionship? What is it we look for in our pets and what does this say about us as human beings? In this fascinating book, Erica Fudge explores the nature of this most complex of relationships and the difficulties of knowing what it is that one…

  • The Flourishing and Challenging Field of Animal-Human History

    Erik Fudge, Erica Fudge•ARTICLE•Society and Animals•2019•Cited by: 1

    This is a book review of: Hilda Kean and Philip Howell (Eds.), The Routledge Companion to Animal-Human History. Abingdon and New York: Routledge, 2019. 560 pp When I was doing my PhD at the University of Sussex in the early 1990s, I remember being approached by another postgrad in the School of English and American Studies: “Are you the person doing the PhD on bear baiting?” he asked. When I answered in the affirmative, he noted: “It’s nice that …

  • Joanna Bourke, Loving Animals: On Bestiality, Zoophilia and Post-Human Love

    Open Access•Erik Fudge, Erica Fudge•ARTICLE•Social History of Medicine•2021

    Review of Joanna Bourke, Loving Animals: On Bestiality, Zoophilia and Post-Human Love (Reaktion Books, 2020) ISBN 978-1-78914-310-2 191pp

  • Aesop’s vomit: Or, stomach problems in early modern England

    Open Access•Erik Fudge, Erica Fudge•ARTICLE•Textual Practice•2026

    This essay tracks ideas about the stomach in early modern England and the perceived dangers that its actions presented to the status of the human.The argument moves from the depiction of the belly in early modern drama with its reflection on the vulnerability of human control; through medical ideas about eating and diet and the transformation of food into matter for use in, or expulsion from, the body; and, finally, it ponders the representation …

  • Feral Empire: Horse and Human in the Early Modern Iberian World , by Kathryn Renton

    Open Access•Erica Fudge•ARTICLE•The English Historical Review•2026

Geographies of human-animal interactions (12 works) · Philosophy (12 works) · Art (11 works) · History (10 works) · Psychology (9 works) · Sociology (9 works) · Aesthetics (8 works) · Environmental ethics (8 works) · Epistemology (7 works) · History (7 works)

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