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David Bate

Biographic Data

ID3634853
NAMEDavid Bate
GIVEN NAMESDavid
FAMILY NAMEBate
SIGNATUREBATE D
AFFILIATIONSUniversity of Westminster
ORCID0000-0002-6138-1068
VERIFIEDYes
TOTAL WORKS24
TOTAL CITATIONS23
AUTHOR COUNT22
EDITOR COUNT2
FIRST PUBLICATION YEAR1986
LATEST PUBLICATION YEAR2026
H-INDEX3
  • AI photography and composite memory

    Open Access•David Bate•ARTICLE•Photographies•2026•References: 5

  • Academic Writing in an Era of Change’ Report From Society for Photographic Education Panel (David Bate, Erina Duganne, Martin Hand, Liz Wells), St Louis, Missouri, Usa, March 2024

    Open Access•David Bate, Liz Wells•ARTICLE•Photographies•2024

  • Introduction: Boundaries and Borders

    David Bate, Erina Duganne et al.•ARTICLE•Photographies•2024•Cited by: 1

    The papers and visual works presented here were developed from the photographies 3 rd international conference, held between 22-24 September 2022, at the University of Texas at San Antonio's (UTSA) School of Art.Papers selected for the conference were organised into six thematic sessions, taking place over two days, with the title categories of Borders and Boundaries, Transcending Boundaries, Curatorial Perspectives, Borders in Flux, Critical Mem…

  • Response to ‘Training in Historical Research: An Introduction

    Open Access•David W Bates, David Bate et al.•ARTICLE•Historical Research•2023

    of Historical Research) prompts reflection on the founding mission of the Institute and on the way in which Historical Research was a central part of that mission.As a statement of research methodology, the essay is in a lot of ways unexceptional.Everyone who undertakes research must learn to understand the sources they are using.And these sources often present complex problems.So far so straightforward, one might say.Mentioning, but then leaving…

  • Introduction: Psychoanalysis and the photographer

    David Bate•ARTICLE•Photographies•2017•References: 2

    The following text is based on the introduction to a symposium on “Psychoanalysis and the Photographer”, held at the University of Westminster in Marylebone, London, UK. (The symposium was organized by David Bate and took place on the 25 October 2014. Speakers included Vincent Dachy, Sharon Kivland, Darian Leader, Patricia Townsend and Mariah Walsh.) The text sets out a general position on the reasons for organizing the event, but more importantl…

  • Daguerre’s Abstraction

    David Bate•ARTICLE•Photographies•2016•References: 1

    The understanding of abstraction in so-called Western art theory is usually a narrative 'towards' purism or universalism. The impact of photography on these discourses is usually related to this in its function of representational realism, and attempt to join modernist discourses through a tern to abstraction. Photography is more rarely examined in terms of its contribution to abstraction. This paper turns to that question by looking at the early…

  • Marxism, Religion and Ideology

    David Bate, David Bates et al.•BOOK•Marxism, Religion and Ideology•2015

  • Cartesian Robotics

    David Bate, David Bates•ARTICLE•Representations•2013•Cited by: 3

    This essay looks closely at René Descartes's physiological theory, and especially his theorization of the nerves and the brain as an information-processing system, in order to offer a new interpretation of cognition within his philosophy. Rather than opposing mind and body, Descartes showed how the operations of the soul interrupted the automatic cognitive processes of the body to provide adaptive flexibility for the human organism as a whole

  • The social network game

    David Bate•ARTICLE•Philosophy of Photography•2012

    Preview this article: The social network game, Page 1 of 1 /docserver/preview/fulltext/pop/3/1/s4-1.gif

  • The Memory of Photography

    David Bate•ARTICLE•Photographies•2010•Cited by: 4•References: 1

    Photography is often linked to memory as an issue of its failure. While the question of what is missing or what cannot be seen in photographs emphasizes what might be called a negative relation to memory, this nevertheless obscures the productive role of photographic images within culture as mnemonic devices. This paper addresses the specific contribution that the invention of photography has made to the relation of memory and history. The conseq…

  • Photography and Surrealism: Sexuality, Colonialism and Social Dissent

    David Bate•BOOK•Photography and Surrealism•2009

    What is a Surrealist photograph? the automatic image sadness and sanity the oriental signifier the Sadean eye black object, white subject the truth of the colonies fascism and exile

  • Three-Dimensional Computed Tomography X-Radiographic Investigation of a 17th-Century Watch from the Wreck of the Swan , off Duart Point, Mull, Scotland

    Open Access•Lore G Troalen, Lore Troalen et al.•ARTICLE•The International Journal of…•2009•Cited by: 2

    The objects recovered from the Swan have already been the subject of a number of publications. The aim of this article is to provide an in-depth study of the pocket-watch, using Three Dimensional Computed Tomography (3D-CT) X-ray scanning. The structural information that survived exceeded expectations and made a virtual reconstruction of the mechanism possible. The very high resolution provided by the scan enabled the engraving of the maker's nam…

  • The Archaeology of Photography

    David Bate•ARTICLE•Afterimage•2007

    Research Article| November 01 2007 The Archaeology of Photography: Rereading Michel Foucault and The Archaeology of Knowledge David Bate David Bate DAVID BATE is a photographer and course leader of the Master of Arts in Photographic Studies program at the University of Westminster in London, United Kingdom. Search for other works by this author on: This Site PubMed Google Scholar Afterimage (2007) 35 (3): 3–6. https://doi.org/10.1525/aft.2007.35.…

  • The Politics Of Friendship

    David Bate•ARTICLE•Angelaki•2007

  • Does the Date Still Matter

    Open Access•David Bate, David Bates•ARTICLE•Historical Research•2005•References: 18

    1066 was once regarded as the date everyone knew. It remains widely known among the large numbers of the general public with an interest in history. This article suggests that popular perceptions of 1066 are a range of at times confused memories and that so-called academic history has in the last fifty years had little impact on them. It acknowledges that revolutionary changes in contemporary historians' approaches to the past have made 1066 less…

  • Crisis Between the Wars: Derrida and the Origins of Undecidability

    David Bate, David Bates•ARTICLE•Representations•2005•Cited by: 6•References: 1

    Jacques Derrida's turn to the political took deconstruction in a new direction this past decade. Central to this later political writing was the concept of undecidability. This essay traces the use of undecidability in Derrida's work, from its early appearance in textual theory to its redeployment in his political philosophy, before tracing out the origins of this idea in interwar thought. The argument is that this idea was already highly politic…

  • Bungled Memories

    David Bate•ARTICLE•Angelaki•2002

  • Rediscovering Collingwood's Spiritual History (In and Out of Context)

    David Bate, David Bates•ARTICLE•History and Theory•1996•Cited by: 1

    Collingwood a souvent ete depeint comme un penseur neglige et isole : ses idees originales sur la nature contextuelle de la verite (en histoire comme en philosophie) ont anticipe sur les tendances de la pensee d'apres-guerre. Les aspects spirituels de sa pensee, cependant, ont souvent ete problematiques precisement parce qu'elles semblaient entrer en conflit avec ses idees essentielles. Malgre toutes les difficultes que pose la reconstitution du …

  • Orgy of Looking

    David Bate•ARTICLE•Afterimage•1994

    Essay| October 01 1994 Orgy of Looking: The Construction of the L.A. Rebellion in the British Press David Bate David Bate David Bate is a Senior Lecturer in Photography at Surrey Institute of Art and Design. Search for other works by this author on: This Site PubMed Google Scholar Afterimage (1994) 22 (3): 7–9. https://doi.org/10.1525/aft.1994.22.3.7 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Sha…

  • Photography and the colonial vision

    David Bate•ARTICLE•Third Text•1993•Cited by: 6

  • The Occidental Tourist

    David Bate•ARTICLE•Afterimage•1992

    Essay| June 01 1992 The Occidental Tourist: Photography And Colonizing Vision David Bate David Bate David Bate lectures on photography at West Surrey College of Art and Design, Surrey, England. Search for other works by this author on: This Site PubMed Google Scholar Afterimage (1992) 20 (1): 11–13. https://doi.org/10.1525/aft.1992.20.1.11 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Sha…

  • Train up a child in the way he should go

    David Bate•ARTICLE•Third Text•1990

  • Two Ramsey Abbey Writs and the Domesday Survey

    Open Access•David Bate, David Bates•ARTICLE•Historical Research•1990

    Journal Article Two Ramsey Abbey Writs and the Domesday Survey Get access DAVID BATES DAVID BATES Search for other works by this author on: Oxford Academic Google Scholar Historical Research, Volume 63, Issue 152, October 1990, Pages 337–339, https://doi.org/10.1111/j.1468-2281.1990.tb00894.x Published: 12 October 2007

  • A Neglected English Charter of Robert Curthose, Duke of Normandy

    Open Access•David Bate, David Bates•ARTICLE•Historical Research•1986•References: 1

  • Crisis Between the Wars: Derrida and the Origins of Undecidability

    David Bate, David Bates•ARTICLE•Representations•2005•Cited by: 6•References: 1

    Jacques Derrida's turn to the political took deconstruction in a new direction this past decade. Central to this later political writing was the concept of undecidability. This essay traces the use of undecidability in Derrida's work, from its early appearance in textual theory to its redeployment in his political philosophy, before tracing out the origins of this idea in interwar thought. The argument is that this idea was already highly politic…

  • Photography and the colonial vision

    David Bate•ARTICLE•Third Text•1993•Cited by: 6

  • The Memory of Photography

    David Bate•ARTICLE•Photographies•2010•Cited by: 4•References: 1

    Photography is often linked to memory as an issue of its failure. While the question of what is missing or what cannot be seen in photographs emphasizes what might be called a negative relation to memory, this nevertheless obscures the productive role of photographic images within culture as mnemonic devices. This paper addresses the specific contribution that the invention of photography has made to the relation of memory and history. The conseq…

  • Cartesian Robotics

    David Bate, David Bates•ARTICLE•Representations•2013•Cited by: 3

    This essay looks closely at René Descartes's physiological theory, and especially his theorization of the nerves and the brain as an information-processing system, in order to offer a new interpretation of cognition within his philosophy. Rather than opposing mind and body, Descartes showed how the operations of the soul interrupted the automatic cognitive processes of the body to provide adaptive flexibility for the human organism as a whole

  • Three-Dimensional Computed Tomography X-Radiographic Investigation of a 17th-Century Watch from the Wreck of the Swan , off Duart Point, Mull, Scotland

    Open Access•Lore G Troalen, Lore Troalen et al.•ARTICLE•The International Journal of…•2009•Cited by: 2

    The objects recovered from the Swan have already been the subject of a number of publications. The aim of this article is to provide an in-depth study of the pocket-watch, using Three Dimensional Computed Tomography (3D-CT) X-ray scanning. The structural information that survived exceeded expectations and made a virtual reconstruction of the mechanism possible. The very high resolution provided by the scan enabled the engraving of the maker's nam…

  • Introduction: Boundaries and Borders

    David Bate, Erina Duganne et al.•ARTICLE•Photographies•2024•Cited by: 1

    The papers and visual works presented here were developed from the photographies 3 rd international conference, held between 22-24 September 2022, at the University of Texas at San Antonio's (UTSA) School of Art.Papers selected for the conference were organised into six thematic sessions, taking place over two days, with the title categories of Borders and Boundaries, Transcending Boundaries, Curatorial Perspectives, Borders in Flux, Critical Mem…

  • Rediscovering Collingwood's Spiritual History (In and Out of Context)

    David Bate, David Bates•ARTICLE•History and Theory•1996•Cited by: 1

    Collingwood a souvent ete depeint comme un penseur neglige et isole : ses idees originales sur la nature contextuelle de la verite (en histoire comme en philosophie) ont anticipe sur les tendances de la pensee d'apres-guerre. Les aspects spirituels de sa pensee, cependant, ont souvent ete problematiques precisement parce qu'elles semblaient entrer en conflit avec ses idees essentielles. Malgre toutes les difficultes que pose la reconstitution du …

  • A Neglected English Charter of Robert Curthose, Duke of Normandy

    Open Access•David Bate, David Bates•ARTICLE•Historical Research•1986•References: 1

  • Train up a child in the way he should go

    David Bate•ARTICLE•Third Text•1990

  • Two Ramsey Abbey Writs and the Domesday Survey

    Open Access•David Bate, David Bates•ARTICLE•Historical Research•1990

    Journal Article Two Ramsey Abbey Writs and the Domesday Survey Get access DAVID BATES DAVID BATES Search for other works by this author on: Oxford Academic Google Scholar Historical Research, Volume 63, Issue 152, October 1990, Pages 337–339, https://doi.org/10.1111/j.1468-2281.1990.tb00894.x Published: 12 October 2007

  • The Occidental Tourist

    David Bate•ARTICLE•Afterimage•1992

    Essay| June 01 1992 The Occidental Tourist: Photography And Colonizing Vision David Bate David Bate David Bate lectures on photography at West Surrey College of Art and Design, Surrey, England. Search for other works by this author on: This Site PubMed Google Scholar Afterimage (1992) 20 (1): 11–13. https://doi.org/10.1525/aft.1992.20.1.11 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Sha…

  • Photography and the colonial vision

    David Bate•ARTICLE•Third Text•1993•Cited by: 6

  • Orgy of Looking

    David Bate•ARTICLE•Afterimage•1994

    Essay| October 01 1994 Orgy of Looking: The Construction of the L.A. Rebellion in the British Press David Bate David Bate David Bate is a Senior Lecturer in Photography at Surrey Institute of Art and Design. Search for other works by this author on: This Site PubMed Google Scholar Afterimage (1994) 22 (3): 7–9. https://doi.org/10.1525/aft.1994.22.3.7 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Sha…

  • Rediscovering Collingwood's Spiritual History (In and Out of Context)

    David Bate, David Bates•ARTICLE•History and Theory•1996•Cited by: 1

    Collingwood a souvent ete depeint comme un penseur neglige et isole : ses idees originales sur la nature contextuelle de la verite (en histoire comme en philosophie) ont anticipe sur les tendances de la pensee d'apres-guerre. Les aspects spirituels de sa pensee, cependant, ont souvent ete problematiques precisement parce qu'elles semblaient entrer en conflit avec ses idees essentielles. Malgre toutes les difficultes que pose la reconstitution du …

  • Bungled Memories

    David Bate•ARTICLE•Angelaki•2002

  • Does the Date Still Matter

    Open Access•David Bate, David Bates•ARTICLE•Historical Research•2005•References: 18

    1066 was once regarded as the date everyone knew. It remains widely known among the large numbers of the general public with an interest in history. This article suggests that popular perceptions of 1066 are a range of at times confused memories and that so-called academic history has in the last fifty years had little impact on them. It acknowledges that revolutionary changes in contemporary historians' approaches to the past have made 1066 less…

  • Crisis Between the Wars: Derrida and the Origins of Undecidability

    David Bate, David Bates•ARTICLE•Representations•2005•Cited by: 6•References: 1

    Jacques Derrida's turn to the political took deconstruction in a new direction this past decade. Central to this later political writing was the concept of undecidability. This essay traces the use of undecidability in Derrida's work, from its early appearance in textual theory to its redeployment in his political philosophy, before tracing out the origins of this idea in interwar thought. The argument is that this idea was already highly politic…

  • The Archaeology of Photography

    David Bate•ARTICLE•Afterimage•2007

    Research Article| November 01 2007 The Archaeology of Photography: Rereading Michel Foucault and The Archaeology of Knowledge David Bate David Bate DAVID BATE is a photographer and course leader of the Master of Arts in Photographic Studies program at the University of Westminster in London, United Kingdom. Search for other works by this author on: This Site PubMed Google Scholar Afterimage (2007) 35 (3): 3–6. https://doi.org/10.1525/aft.2007.35.…

  • The Politics Of Friendship

    David Bate•ARTICLE•Angelaki•2007

  • Photography and Surrealism: Sexuality, Colonialism and Social Dissent

    David Bate•BOOK•Photography and Surrealism•2009

    What is a Surrealist photograph? the automatic image sadness and sanity the oriental signifier the Sadean eye black object, white subject the truth of the colonies fascism and exile

  • Three-Dimensional Computed Tomography X-Radiographic Investigation of a 17th-Century Watch from the Wreck of the Swan , off Duart Point, Mull, Scotland

    Open Access•Lore G Troalen, Lore Troalen et al.•ARTICLE•The International Journal of…•2009•Cited by: 2

    The objects recovered from the Swan have already been the subject of a number of publications. The aim of this article is to provide an in-depth study of the pocket-watch, using Three Dimensional Computed Tomography (3D-CT) X-ray scanning. The structural information that survived exceeded expectations and made a virtual reconstruction of the mechanism possible. The very high resolution provided by the scan enabled the engraving of the maker's nam…

  • The Memory of Photography

    David Bate•ARTICLE•Photographies•2010•Cited by: 4•References: 1

    Photography is often linked to memory as an issue of its failure. While the question of what is missing or what cannot be seen in photographs emphasizes what might be called a negative relation to memory, this nevertheless obscures the productive role of photographic images within culture as mnemonic devices. This paper addresses the specific contribution that the invention of photography has made to the relation of memory and history. The conseq…

  • The social network game

    David Bate•ARTICLE•Philosophy of Photography•2012

    Preview this article: The social network game, Page 1 of 1 /docserver/preview/fulltext/pop/3/1/s4-1.gif

  • Cartesian Robotics

    David Bate, David Bates•ARTICLE•Representations•2013•Cited by: 3

    This essay looks closely at René Descartes's physiological theory, and especially his theorization of the nerves and the brain as an information-processing system, in order to offer a new interpretation of cognition within his philosophy. Rather than opposing mind and body, Descartes showed how the operations of the soul interrupted the automatic cognitive processes of the body to provide adaptive flexibility for the human organism as a whole

  • Marxism, Religion and Ideology

    David Bate, David Bates et al.•BOOK•Marxism, Religion and Ideology•2015

  • Daguerre’s Abstraction

    David Bate•ARTICLE•Photographies•2016•References: 1

    The understanding of abstraction in so-called Western art theory is usually a narrative 'towards' purism or universalism. The impact of photography on these discourses is usually related to this in its function of representational realism, and attempt to join modernist discourses through a tern to abstraction. Photography is more rarely examined in terms of its contribution to abstraction. This paper turns to that question by looking at the early…

  • Introduction: Psychoanalysis and the photographer

    David Bate•ARTICLE•Photographies•2017•References: 2

    The following text is based on the introduction to a symposium on “Psychoanalysis and the Photographer”, held at the University of Westminster in Marylebone, London, UK. (The symposium was organized by David Bate and took place on the 25 October 2014. Speakers included Vincent Dachy, Sharon Kivland, Darian Leader, Patricia Townsend and Mariah Walsh.) The text sets out a general position on the reasons for organizing the event, but more importantl…

  • Response to ‘Training in Historical Research: An Introduction

    Open Access•David W Bates, David Bate et al.•ARTICLE•Historical Research•2023

    of Historical Research) prompts reflection on the founding mission of the Institute and on the way in which Historical Research was a central part of that mission.As a statement of research methodology, the essay is in a lot of ways unexceptional.Everyone who undertakes research must learn to understand the sources they are using.And these sources often present complex problems.So far so straightforward, one might say.Mentioning, but then leaving…

  • Academic Writing in an Era of Change’ Report From Society for Photographic Education Panel (David Bate, Erina Duganne, Martin Hand, Liz Wells), St Louis, Missouri, Usa, March 2024

    Open Access•David Bate, Liz Wells•ARTICLE•Photographies•2024

  • Introduction: Boundaries and Borders

    David Bate, Erina Duganne et al.•ARTICLE•Photographies•2024•Cited by: 1

    The papers and visual works presented here were developed from the photographies 3 rd international conference, held between 22-24 September 2022, at the University of Texas at San Antonio's (UTSA) School of Art.Papers selected for the conference were organised into six thematic sessions, taking place over two days, with the title categories of Borders and Boundaries, Transcending Boundaries, Curatorial Perspectives, Borders in Flux, Critical Mem…

  • AI photography and composite memory

    Open Access•David Bate•ARTICLE•Photographies•2026•References: 5

Art (12 works) · History (12 works) · Computer Science (9 works) · Visual arts (8 works) · Archaeology (7 works) · Photography (7 works) · Aesthetics (6 works) · Sociology (6 works) · Art history (5 works) · Political science (5 works)

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