Christopher Woodall
Biographic Data
| ID | 3634859 |
|---|---|
| NAME | Christopher Woodall |
| GIVEN NAMES | Christopher |
| FAMILY NAME | Woodall |
| SIGNATURE | WOODALL C |
| AFFILIATIONS | EHESS (SIÈGE), 54 boulevard Raspail, 75006 Paris, France |
| VERIFIED | No |
| TOTAL WORKS | 7 |
| TOTAL CITATIONS | 5 |
| AUTHOR COUNT | 7 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1990 |
| LATEST PUBLICATION YEAR | 2022 |
| H-INDEX | 1 |
Making the US national forest inventory spatially contiguous and temporally consistent
Signatories to the United Nations Framework Convention on Climate Change (UNFCCC) are required to annually report economy-wide greenhouse gas emissions and removals, including the forest sector. National forest inventory (NFI) is considered the main source of data for reporting forest carbon stocks and changes to UNFCCC. However, NFI samples are often collected asynchronously across regions in intervals of 5–10 years or sub-sampled annually, both…
La Dama Duende [The Phantom Lady]
From his very earliest writings, art was always important for Georges Bataille. Rather than something static, art, for Bataille, always involves an experience and an exigency towards freedom and even the impossible. It was apparent from the very form of Bataille’s art review Documents, which juxtaposed heterogeneous images, texts and topics, that art was intended as an experience. Bataille found in Andalusia the kind of art that triggers an exige…
The People-Image: The Political Philosophy of Georges Didi-Huberman
This article explores the work of Didi-Huberman as both an “art historian” and a “philosopher of art.” In particular, Schwarte examines the political turn that Didi-Huberman’s recent works have taken, for example in relation to the ethics of “looking” developed in Images in Spite of All, and to the political philosophy expounded in works such as Peuples exposés, peuples figurants and in the Soulèvements exhibition. Schwarte questions why Didi-Hub…
Phasmid Thinking: On Georges Didi-Huberman’s Method
This article is an attempt to circumscribe Georges Didi-Huberman’s inimitable practice of theory. It argues that Didi-Huberman’s ethics of looking represents a decided shift away from the traditional position of the critic as a dispassionate, objective observer. A Copernican revolution looms, which inverts the Kantian one: no longer are things adapting to their conceptual scheme, no longer is it the adaequatio rei ad intellectum, but its opposite…
Implications of land-use change on forest carbon stocks in the eastern United States
Given the substantial role that forests play in removing CO _2 from the atmosphere, there has been a growing need to evaluate the carbon (C) implications of various forest management and land-use decisions. Although assessment of land-use change is central to national-level greenhouse gas monitoring guidelines, it is rarely incorporated into forest stand-level evaluations of C dynamics and trajectories. To better inform the assessment of forest s…
Daily Life in Ancient Rome
The Bolsheviks and the Red Army, 1918-1922
The Bolsheviks and the Red Army, 1918-1922
Daily Life in Ancient Rome
Implications of land-use change on forest carbon stocks in the eastern United States
Given the substantial role that forests play in removing CO _2 from the atmosphere, there has been a growing need to evaluate the carbon (C) implications of various forest management and land-use decisions. Although assessment of land-use change is central to national-level greenhouse gas monitoring guidelines, it is rarely incorporated into forest stand-level evaluations of C dynamics and trajectories. To better inform the assessment of forest s…
La Dama Duende [The Phantom Lady]
From his very earliest writings, art was always important for Georges Bataille. Rather than something static, art, for Bataille, always involves an experience and an exigency towards freedom and even the impossible. It was apparent from the very form of Bataille’s art review Documents, which juxtaposed heterogeneous images, texts and topics, that art was intended as an experience. Bataille found in Andalusia the kind of art that triggers an exige…
The People-Image: The Political Philosophy of Georges Didi-Huberman
This article explores the work of Didi-Huberman as both an “art historian” and a “philosopher of art.” In particular, Schwarte examines the political turn that Didi-Huberman’s recent works have taken, for example in relation to the ethics of “looking” developed in Images in Spite of All, and to the political philosophy expounded in works such as Peuples exposés, peuples figurants and in the Soulèvements exhibition. Schwarte questions why Didi-Hub…
Phasmid Thinking: On Georges Didi-Huberman’s Method
This article is an attempt to circumscribe Georges Didi-Huberman’s inimitable practice of theory. It argues that Didi-Huberman’s ethics of looking represents a decided shift away from the traditional position of the critic as a dispassionate, objective observer. A Copernican revolution looms, which inverts the Kantian one: no longer are things adapting to their conceptual scheme, no longer is it the adaequatio rei ad intellectum, but its opposite…
Making the US national forest inventory spatially contiguous and temporally consistent
Signatories to the United Nations Framework Convention on Climate Change (UNFCCC) are required to annually report economy-wide greenhouse gas emissions and removals, including the forest sector. National forest inventory (NFI) is considered the main source of data for reporting forest carbon stocks and changes to UNFCCC. However, NFI samples are often collected asynchronously across regions in intervals of 5–10 years or sub-sampled annually, both…
Agroforestry (2 works) · Art (2 works) · Art history (2 works) · Carbon stock (2 works) · Climate change (2 works) · Ecology (2 works) · Environmental Science (2 works) · Epistemology (2 works) · Fire effects on ecosystems (2 works) · Forest Inventory (2 works)