Fei-Wen Liu
Biographic Data
| ID | 3634885 |
|---|---|
| NAME | Fei-Wen Liu |
| GIVEN NAMES | Fei-Wen |
| FAMILY NAME | Liu |
| SIGNATURE | LIU F |
| AFFILIATIONS | Institute of Ethnology, Academia Sinica, 128 Academia Road, Section 2, Nankang, Taipei 11529, Taiwan |
| VERIFIED | No |
| TOTAL WORKS | 6 |
| TOTAL CITATIONS | 12 |
| WORKS AS AUTHOR | 6 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2001 |
| LATEST PUBLICATION YEAR | 2017 |
| H-INDEX | 2 |
"Practice and Cultural Politics of "Women's Script
A script traditionally used exclusively among women, nüshu (women's writing), was first identified in southern rural China in 1982. Its discovery opened a new window onto women's lifeworlds and drew many scholars to explore its ethnographic and theoretical significance. Local authorities paid no attention to this "women's script" until the 2000s. Scholarly investigation and governmental involvement over the past three decades have shaped nüshu's …
Expressive Depths
Research Article| April 01 2012 Expressive Depths: Dialogic Performance of Bridal Lamentation in Rural South China Fei-Wen Liu Fei-Wen Liu Search for other works by this author on: This Site Google Journal of American Folklore (2012) 125 (496): 204–225. https://doi.org/10.5406/jamerfolk.125.496.0204 Cite Icon Cite Share Icon Share Twitter Permissions Search Site Citation Fei-Wen Liu; Expressive Depths: Dialogic Performance of Bridal Lamentation i…
Text, Practice, and Life Narrative
This article explores, through the lenses of text, practice, and life narrative, how Chinese peasant women as daughters manage patrilocality and carry out—or fail to carry out—filial piety toward their parents. Based on field research in a locale in southern China conducted since 1992, this article focuses on four women’s life histories and juxtaposes how these women articulated filial piety as daughter-brides in wedding lamentations and how they…
Heroines of Jiangyong
172 Reviews / Nan Nü 12 (2010) 142-174 Wilt L. Idema. Heroines of Jiangyong: Chinese Narrative Ballads in Women’s Script . Seattle: University of Washington Press, 2009. viii +181 pp. US$60.00 cloth, ISBN 978-0-295-98841-2; US$25.00 paper, ISBN 978-0-295-98842. Wilt Idema’s Heroines of Jiangyong is the fi rst English translation of a set of nüshu ⤛㚠 (female literature) verse narratives. e term nüshu refers to a gender-specifi c writing system c…
Literacy, Gender, and Class
In this article, I investigate how peasant women in Jiangyong County of southern Hunan defined and practiced a female-specific written script known as nüshu ('female writing'). With an emphasis on sisterhood relationships, I explore how women employed nüshu to construct meaning, experience autonomy, and acknowledge the androcentric impositions made upon them, which in turn highlights the dual nature of nüshu literacy. On the one hand, nüshu empow…
The Confrontation between Fidelity and Fertility
These words were expressed by Gangzhen and Cizhu, two peasant women born in the early twentieth century who lived in two villages in Jiangyong County of Hunan Province in southern China. When confronted with the loss of their husbands, these women relied on local tools familiar to women in this area-nügeandnüshu-to articulate their thoughts and emotions.Nüge(literally, "female song"), which includes bridal laments and folk narratives, was widely …
The Confrontation between Fidelity and Fertility
These words were expressed by Gangzhen and Cizhu, two peasant women born in the early twentieth century who lived in two villages in Jiangyong County of Hunan Province in southern China. When confronted with the loss of their husbands, these women relied on local tools familiar to women in this area-nügeandnüshu-to articulate their thoughts and emotions.Nüge(literally, "female song"), which includes bridal laments and folk narratives, was widely …
Text, Practice, and Life Narrative
This article explores, through the lenses of text, practice, and life narrative, how Chinese peasant women as daughters manage patrilocality and carry out—or fail to carry out—filial piety toward their parents. Based on field research in a locale in southern China conducted since 1992, this article focuses on four women’s life histories and juxtaposes how these women articulated filial piety as daughter-brides in wedding lamentations and how they…
Expressive Depths
Research Article| April 01 2012 Expressive Depths: Dialogic Performance of Bridal Lamentation in Rural South China Fei-Wen Liu Fei-Wen Liu Search for other works by this author on: This Site Google Journal of American Folklore (2012) 125 (496): 204–225. https://doi.org/10.5406/jamerfolk.125.496.0204 Cite Icon Cite Share Icon Share Twitter Permissions Search Site Citation Fei-Wen Liu; Expressive Depths: Dialogic Performance of Bridal Lamentation i…
"Practice and Cultural Politics of "Women's Script
A script traditionally used exclusively among women, nüshu (women's writing), was first identified in southern rural China in 1982. Its discovery opened a new window onto women's lifeworlds and drew many scholars to explore its ethnographic and theoretical significance. Local authorities paid no attention to this "women's script" until the 2000s. Scholarly investigation and governmental involvement over the past three decades have shaped nüshu's …
The Confrontation between Fidelity and Fertility
These words were expressed by Gangzhen and Cizhu, two peasant women born in the early twentieth century who lived in two villages in Jiangyong County of Hunan Province in southern China. When confronted with the loss of their husbands, these women relied on local tools familiar to women in this area-nügeandnüshu-to articulate their thoughts and emotions.Nüge(literally, "female song"), which includes bridal laments and folk narratives, was widely …
Literacy, Gender, and Class
In this article, I investigate how peasant women in Jiangyong County of southern Hunan defined and practiced a female-specific written script known as nüshu ('female writing'). With an emphasis on sisterhood relationships, I explore how women employed nüshu to construct meaning, experience autonomy, and acknowledge the androcentric impositions made upon them, which in turn highlights the dual nature of nüshu literacy. On the one hand, nüshu empow…
Heroines of Jiangyong
172 Reviews / Nan Nü 12 (2010) 142-174 Wilt L. Idema. Heroines of Jiangyong: Chinese Narrative Ballads in Women’s Script . Seattle: University of Washington Press, 2009. viii +181 pp. US$60.00 cloth, ISBN 978-0-295-98841-2; US$25.00 paper, ISBN 978-0-295-98842. Wilt Idema’s Heroines of Jiangyong is the fi rst English translation of a set of nüshu ⤛㚠 (female literature) verse narratives. e term nüshu refers to a gender-specifi c writing system c…
Text, Practice, and Life Narrative
This article explores, through the lenses of text, practice, and life narrative, how Chinese peasant women as daughters manage patrilocality and carry out—or fail to carry out—filial piety toward their parents. Based on field research in a locale in southern China conducted since 1992, this article focuses on four women’s life histories and juxtaposes how these women articulated filial piety as daughter-brides in wedding lamentations and how they…
Expressive Depths
Research Article| April 01 2012 Expressive Depths: Dialogic Performance of Bridal Lamentation in Rural South China Fei-Wen Liu Fei-Wen Liu Search for other works by this author on: This Site Google Journal of American Folklore (2012) 125 (496): 204–225. https://doi.org/10.5406/jamerfolk.125.496.0204 Cite Icon Cite Share Icon Share Twitter Permissions Search Site Citation Fei-Wen Liu; Expressive Depths: Dialogic Performance of Bridal Lamentation i…
"Practice and Cultural Politics of "Women's Script
A script traditionally used exclusively among women, nüshu (women's writing), was first identified in southern rural China in 1982. Its discovery opened a new window onto women's lifeworlds and drew many scholars to explore its ethnographic and theoretical significance. Local authorities paid no attention to this "women's script" until the 2000s. Scholarly investigation and governmental involvement over the past three decades have shaped nüshu's …
Sociology (6 works) · China (5 works) · Chinese history and philosophy (5 works) · Art (4 works) · Gender Studies (4 works) · History (4 works) · Literature (4 works) · Political science (4 works) · Law (3 works) · Law (3 works)