Skip to main content

ETHNOS_APP

Home • Search • Journals • List 0

Steve Baker

Biographic Data

ID3634939
NAMESteve Baker
GIVEN NAMESSteve
FAMILY NAMEBaker
SIGNATUREBAKER S
AFFILIATIONSUniversity of Lancashire
VERIFIEDNo
TOTAL WORKS14
TOTAL CITATIONS121
WORKS AS AUTHOR13
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1981
LATEST PUBLICATION YEAR2013
H-INDEX4
  • Artist Animal

    Steve Baker, Stephen Baker•BOOK•Artist Animal•2013•Cited by: 8

    The central question addressed in ARTIST|ANIMAL is simply this: what happens when artist and animal are brought into juxtaposition in the context of contemporary art? The book’s title deliberately holds those two terms in juxtaposition, without specifying either the characteristics or the consequences of their alignment. Those are what the book goes on to explore. Its chapters consider artworks from the first decade of the twenty-first century by…

  • Trace and source in Walter Benjamin's thought

    Open Access•Chiara Cappelletto, Steve Baker•TRANSLATOR•ARTICLE•Res: Anthropology and Aesthetics•2013•References: 2

  • Five Heraldic Animals (For Eduardo Kac)

    Steve Baker•ARTICLE•Angelaki•2013

  • Archaeological Investigations at the Upper Chapel, Norfolk Street, Sheffield, UK

    Open Access•Katherine Eve Baker, Derbyshire County Council et al.•ARTICLE•Internet Archaeology•2011•References: 1

    Sheffield, in the north of England, grew rapidly in the 19th century and gained an international reputation for its cutlery, tableware, and steel products. The material legacy of this age of industrialisation is extensive, and archaeological work in the modern city over the last 20 years has, for the most part, focused on the above and below ground industrial archaeology relating to metals trades' production sites spanning the 19th and 20th centu…

  • DMP Ix

    Open Access•David Mattingly, Hafed Abduli et al.•ARTICLE•Libyan Studies•2010•Cited by: 12•References: 4

    The fourth season of the Burials and Identity component of the Desert Migrations Project in 2010 focused on completion of excavation work at two main cemeteries (TAG001 and TAG012) and smaller-scale sampling work at a number of nearby cemeteries. The investigation of a number of burials in a semi-nucleated escarpment cemetery TAG063 produced interesting new information on Proto-Urban Garamantian funerary rites, dating to the latter centuries BC. …

  • DMP V

    Open Access•David Mattingly, M M Lahr et al.•ARTICLE•Libyan Studies•2009•Cited by: 25•References: 5

    The ‘Burials and Identity’ team of the Desert Migrations Project carried out two main excavations in the 2009 season, at the monumental Garamantian cemeteries of TAG001 and TAG012, by the Taqallit headland. In addition, a detailed survey was made of cemeteries and other sites on the west side of the Taqallit headland, to set the two main cemetery excavations in context. A total of over 2,100 individual burials was recorded in this small area of a…

  • The palaeochannel record in the Trent Valley UK

    Open Access•ARCUS ARCUS, Steve Baker•ARTICLE•Internet Archaeology•2007•Cited by: 1•References: 6

    The Trent Valley is one of Britain's major river systems, and the dynamic history of the river has produced a rich and varied palaeochannel record. This paper reports on a catchment-scale survey of surface-visible palaeochannels within the Holocene floodplain of the Trent, using aerial photographs as a primary data source. This is an important contribution towards comprehensive geomorphological mapping of the Trent floodplain. In addition, the GI…

  • The Salon of Becoming-Animal

    Edwina Ashton, Steve Baker•ARTICLE•TDR/The Drama Review•2007•Cited by: 4•References: 4

    Animal presence unsettles practices of spectatorship and reframes assumptions about embodiment and affect in four differently exemplary animal performances, including one dating back to the 18th century. In all of them, the ethics of watching other animals, human or nonhuman, and the call for evaluation and judgment is complicated by recognition of the multiplicitous and mysterious nature of pain and pleasure

  • We have always been transgenic

    Open Access•Steve Baker, Carol Gigliotti•ARTICLE•AI & Society•2006

  • Animals in Film Jonathan Burt

    Steve Baker, Stephen Baker•ARTICLE•Anthrozoös•2003

  • Animals, Representation, and Reality

    Steve Baker•ARTICLE•Society and Animals•2001•Cited by: 2•References: 1

  • Picturing the beast

    Steve Baker•BOOK•Picturing the beast•1993•Cited by: 69

  • Semiologies and Design Theory

    Open Access•Steve Baker•ARTICLE•Art History•1987

    In Search of Semiotics by David Sless , London: Croom Helm, 1986, 170 pp., 8 ills, 23 diagrams, £19.95

  • Frank Kermode and Art Criticism

    Steve Baker•ARTICLE•The British Journal of Aesthetics•1981

    Journal Article FRANK KERMODE AND ART CRITICISM Get access Steve Baker Steve Baker Search for other works by this author on: Oxford Academic Google Scholar The British Journal of Aesthetics, Volume 21, Issue 2, SPRING 1981, Pages 130–138, https://doi.org/10.1093/bjaesthetics/21.2.130 Published: 01 February 1981

  • Picturing the beast

    Steve Baker•BOOK•Picturing the beast•1993•Cited by: 69

  • DMP V

    Open Access•David Mattingly, M M Lahr et al.•ARTICLE•Libyan Studies•2009•Cited by: 25•References: 5

    The ‘Burials and Identity’ team of the Desert Migrations Project carried out two main excavations in the 2009 season, at the monumental Garamantian cemeteries of TAG001 and TAG012, by the Taqallit headland. In addition, a detailed survey was made of cemeteries and other sites on the west side of the Taqallit headland, to set the two main cemetery excavations in context. A total of over 2,100 individual burials was recorded in this small area of a…

  • DMP Ix

    Open Access•David Mattingly, Hafed Abduli et al.•ARTICLE•Libyan Studies•2010•Cited by: 12•References: 4

    The fourth season of the Burials and Identity component of the Desert Migrations Project in 2010 focused on completion of excavation work at two main cemeteries (TAG001 and TAG012) and smaller-scale sampling work at a number of nearby cemeteries. The investigation of a number of burials in a semi-nucleated escarpment cemetery TAG063 produced interesting new information on Proto-Urban Garamantian funerary rites, dating to the latter centuries BC. …

  • Artist Animal

    Steve Baker, Stephen Baker•BOOK•Artist Animal•2013•Cited by: 8

    The central question addressed in ARTIST|ANIMAL is simply this: what happens when artist and animal are brought into juxtaposition in the context of contemporary art? The book’s title deliberately holds those two terms in juxtaposition, without specifying either the characteristics or the consequences of their alignment. Those are what the book goes on to explore. Its chapters consider artworks from the first decade of the twenty-first century by…

  • The Salon of Becoming-Animal

    Edwina Ashton, Steve Baker•ARTICLE•TDR/The Drama Review•2007•Cited by: 4•References: 4

    Animal presence unsettles practices of spectatorship and reframes assumptions about embodiment and affect in four differently exemplary animal performances, including one dating back to the 18th century. In all of them, the ethics of watching other animals, human or nonhuman, and the call for evaluation and judgment is complicated by recognition of the multiplicitous and mysterious nature of pain and pleasure

  • Animals, Representation, and Reality

    Steve Baker•ARTICLE•Society and Animals•2001•Cited by: 2•References: 1

  • The palaeochannel record in the Trent Valley UK

    Open Access•ARCUS ARCUS, Steve Baker•ARTICLE•Internet Archaeology•2007•Cited by: 1•References: 6

    The Trent Valley is one of Britain's major river systems, and the dynamic history of the river has produced a rich and varied palaeochannel record. This paper reports on a catchment-scale survey of surface-visible palaeochannels within the Holocene floodplain of the Trent, using aerial photographs as a primary data source. This is an important contribution towards comprehensive geomorphological mapping of the Trent floodplain. In addition, the GI…

  • Frank Kermode and Art Criticism

    Steve Baker•ARTICLE•The British Journal of Aesthetics•1981

    Journal Article FRANK KERMODE AND ART CRITICISM Get access Steve Baker Steve Baker Search for other works by this author on: Oxford Academic Google Scholar The British Journal of Aesthetics, Volume 21, Issue 2, SPRING 1981, Pages 130–138, https://doi.org/10.1093/bjaesthetics/21.2.130 Published: 01 February 1981

  • Semiologies and Design Theory

    Open Access•Steve Baker•ARTICLE•Art History•1987

    In Search of Semiotics by David Sless , London: Croom Helm, 1986, 170 pp., 8 ills, 23 diagrams, £19.95

  • Picturing the beast

    Steve Baker•BOOK•Picturing the beast•1993•Cited by: 69

  • Animals, Representation, and Reality

    Steve Baker•ARTICLE•Society and Animals•2001•Cited by: 2•References: 1

  • Animals in Film Jonathan Burt

    Steve Baker, Stephen Baker•ARTICLE•Anthrozoös•2003

  • We have always been transgenic

    Open Access•Steve Baker, Carol Gigliotti•ARTICLE•AI & Society•2006

  • The palaeochannel record in the Trent Valley UK

    Open Access•ARCUS ARCUS, Steve Baker•ARTICLE•Internet Archaeology•2007•Cited by: 1•References: 6

    The Trent Valley is one of Britain's major river systems, and the dynamic history of the river has produced a rich and varied palaeochannel record. This paper reports on a catchment-scale survey of surface-visible palaeochannels within the Holocene floodplain of the Trent, using aerial photographs as a primary data source. This is an important contribution towards comprehensive geomorphological mapping of the Trent floodplain. In addition, the GI…

  • The Salon of Becoming-Animal

    Edwina Ashton, Steve Baker•ARTICLE•TDR/The Drama Review•2007•Cited by: 4•References: 4

    Animal presence unsettles practices of spectatorship and reframes assumptions about embodiment and affect in four differently exemplary animal performances, including one dating back to the 18th century. In all of them, the ethics of watching other animals, human or nonhuman, and the call for evaluation and judgment is complicated by recognition of the multiplicitous and mysterious nature of pain and pleasure

  • DMP V

    Open Access•David Mattingly, M M Lahr et al.•ARTICLE•Libyan Studies•2009•Cited by: 25•References: 5

    The ‘Burials and Identity’ team of the Desert Migrations Project carried out two main excavations in the 2009 season, at the monumental Garamantian cemeteries of TAG001 and TAG012, by the Taqallit headland. In addition, a detailed survey was made of cemeteries and other sites on the west side of the Taqallit headland, to set the two main cemetery excavations in context. A total of over 2,100 individual burials was recorded in this small area of a…

  • DMP Ix

    Open Access•David Mattingly, Hafed Abduli et al.•ARTICLE•Libyan Studies•2010•Cited by: 12•References: 4

    The fourth season of the Burials and Identity component of the Desert Migrations Project in 2010 focused on completion of excavation work at two main cemeteries (TAG001 and TAG012) and smaller-scale sampling work at a number of nearby cemeteries. The investigation of a number of burials in a semi-nucleated escarpment cemetery TAG063 produced interesting new information on Proto-Urban Garamantian funerary rites, dating to the latter centuries BC. …

  • Archaeological Investigations at the Upper Chapel, Norfolk Street, Sheffield, UK

    Open Access•Katherine Eve Baker, Derbyshire County Council et al.•ARTICLE•Internet Archaeology•2011•References: 1

    Sheffield, in the north of England, grew rapidly in the 19th century and gained an international reputation for its cutlery, tableware, and steel products. The material legacy of this age of industrialisation is extensive, and archaeological work in the modern city over the last 20 years has, for the most part, focused on the above and below ground industrial archaeology relating to metals trades' production sites spanning the 19th and 20th centu…

  • Artist Animal

    Steve Baker, Stephen Baker•BOOK•Artist Animal•2013•Cited by: 8

    The central question addressed in ARTIST|ANIMAL is simply this: what happens when artist and animal are brought into juxtaposition in the context of contemporary art? The book’s title deliberately holds those two terms in juxtaposition, without specifying either the characteristics or the consequences of their alignment. Those are what the book goes on to explore. Its chapters consider artworks from the first decade of the twenty-first century by…

  • Trace and source in Walter Benjamin's thought

    Open Access•Chiara Cappelletto, Steve Baker•TRANSLATOR•ARTICLE•Res: Anthropology and Aesthetics•2013•References: 2

  • Five Heraldic Animals (For Eduardo Kac)

    Steve Baker•ARTICLE•Angelaki•2013

Art (8 works) · Art history (5 works) · History (5 works) · Archaeology (4 works) · History (4 works) · Aesthetics (3 works) · Computer Science (3 works) · Geographies of human-animal interactions (3 works) · Geography (3 works) · Philosophy (3 works)

Ethnos_APP • Open Source Project • MIT License • Frontend v2.0.0 • Privacy and Cookies • API Documentation: api.ethnos.app/docs • API Source Code: GitHub • DOI: 10.5281/zenodo.17049435 • Frontend Source Code: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae