Jane Brodie
Biographic Data
| ID | 3634970 |
|---|---|
| NAME | Jane Brodie |
| GIVEN NAMES | Jane |
| FAMILY NAME | Brodie |
| SIGNATURE | BRODIE J |
| VERIFIED | No |
| TOTAL WORKS | 5 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 2 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2020 |
| LATEST PUBLICATION YEAR | 2023 |
| H-INDEX | 0 |
Decolonial Theo-Logics
We are all the Smallest Woman in the World
This essay explores the place in Clarice Lispector’s literature that seeks to touch a primary ground of the living with a language that exceeds the symbolic in order to read it from an anthropocenic, posthuman, and feminist present. It argues that the story “A menor mulher do mundo” (Laços de família, 1960) takes to an extreme what happens in all of Lispector’s literature at the point that we can find in Macabéa’s character from A hora da estrela…
The Brazilian Cultural Mission and the Arte Nuevo Group
During a relatively brief period—from the mid-nineteen-fifties to the early sixties—Paraguayan artistic production, which had been marked by inertia and chronic isolation, underwent an unusual process of renewal as it found a place in new regional artistic circuits. The Brazilian Cultural Mission, which strategically pursued rapprochement as it vied with Argentina for hegemony, coupled with a shift in Paraguayan foreign policy as the Adolfo Stroe…
Geometry and movement, Latin Americans in the International Art Network
The work of Latin American constructive and kinetic artists produced in the nineteen-sixties is well recognized by art histories. It has been the topic of countless exhibitions and enjoyed increasing value on the international art market. Notwithstanding, the valorization of those contributions and their interactions still requires novel visions capable of dislodging crystalized readings. We ask ourselves, then, in what scenes these emerging prop…
José Gómez Sicre and his Impact on the OAS’ Visual Arts Unit
Starting at the end of World War II and with the onset of the Cold War, the Organization of American States’ Visual Art Unit, under director José Gómez Sicre, advocated a specific model of Latin American art. Gómez Sicre’s relationship with Alfred Barr, the director of the New York Museum of Modern Art and, through it, his influence on the museum’s policies regarding Latin America art—that is, the decision to support a specific formula and what t…
No prominent works on this page.
The Brazilian Cultural Mission and the Arte Nuevo Group
During a relatively brief period—from the mid-nineteen-fifties to the early sixties—Paraguayan artistic production, which had been marked by inertia and chronic isolation, underwent an unusual process of renewal as it found a place in new regional artistic circuits. The Brazilian Cultural Mission, which strategically pursued rapprochement as it vied with Argentina for hegemony, coupled with a shift in Paraguayan foreign policy as the Adolfo Stroe…
Geometry and movement, Latin Americans in the International Art Network
The work of Latin American constructive and kinetic artists produced in the nineteen-sixties is well recognized by art histories. It has been the topic of countless exhibitions and enjoyed increasing value on the international art market. Notwithstanding, the valorization of those contributions and their interactions still requires novel visions capable of dislodging crystalized readings. We ask ourselves, then, in what scenes these emerging prop…
José Gómez Sicre and his Impact on the OAS’ Visual Arts Unit
Starting at the end of World War II and with the onset of the Cold War, the Organization of American States’ Visual Art Unit, under director José Gómez Sicre, advocated a specific model of Latin American art. Gómez Sicre’s relationship with Alfred Barr, the director of the New York Museum of Modern Art and, through it, his influence on the museum’s policies regarding Latin America art—that is, the decision to support a specific formula and what t…
Decolonial Theo-Logics
We are all the Smallest Woman in the World
This essay explores the place in Clarice Lispector’s literature that seeks to touch a primary ground of the living with a language that exceeds the symbolic in order to read it from an anthropocenic, posthuman, and feminist present. It argues that the story “A menor mulher do mundo” (Laços de família, 1960) takes to an extreme what happens in all of Lispector’s literature at the point that we can find in Macabéa’s character from A hora da estrela…
Art (4 works) · Sociology (4 works) · Aesthetics (3 works) · Law (3 works) · Political science (3 works) · Art, Politics, and Modernism (2 works) · History (2 works) · Latin Americans (2 works) · Literature (2 works) · Photographic and Visual Arts (2 works)