Calvin Thomas
Biographic Data
| ID | 3634995 |
|---|---|
| NAME | Calvin Thomas |
| GIVEN NAMES | Calvin |
| FAMILY NAME | Thomas |
| SIGNATURE | THOMAS C |
| AFFILIATIONS | Georgia State University |
| VERIFIED | No |
| TOTAL WORKS | 6 |
| TOTAL CITATIONS | 2 |
| WORKS AS AUTHOR | 6 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1987 |
| LATEST PUBLICATION YEAR | 2006 |
| H-INDEX | 1 |
It's no longer your Film
Racing Forms and the Exhibition(ist) (Mis)Match
Must Desire Be Taken Literally
Last Laughs
Because it deals with a male 'superhero,' Tim Burton's 1989 film Batman inevitably the-matizes certain issues concerning masculinity. Specifically, Burton's film foregrounds an anxious relation among 'armored' masculine subjectivity, the male body, and the mechanisms of photographic and cinematic representation. The close reading of Batman presented here argues that the film articulates a specifically masculinist anxiety about the very medium of …
A Knowledge That Would Not Be Power
In a 1986 article in Screen, Carol Flinn examines feminization of music by analyzing way male commentators have denigrated and feminist theorists have celebrated music's association with feminine element.2 Basing her analysis on writings of psychoanalytic critics who have established certain theoretical affinities between music, unconscious, and a feminine, maternal register in their work on subjectivity, Flinn argues that the work on music in ci…
Knowledge and Embodiment in Yeats
then some rather bland news about a visit to the dentist.2 Three months later, in his last published letter, Yeats wrote to Lady Elizabeth Pelham, When I try to all into a phrase I say, 'Man can embody truth but he cannot know it.' I must embody it in the completion of my The abstract is not life and everywhere draws out its contradictions. You can refute Hegel but not the Saint or the Song of Sixpence ... .3 The most prominent word common to bot…
Must Desire Be Taken Literally
Last Laughs
Because it deals with a male 'superhero,' Tim Burton's 1989 film Batman inevitably the-matizes certain issues concerning masculinity. Specifically, Burton's film foregrounds an anxious relation among 'armored' masculine subjectivity, the male body, and the mechanisms of photographic and cinematic representation. The close reading of Batman presented here argues that the film articulates a specifically masculinist anxiety about the very medium of …
Knowledge and Embodiment in Yeats
then some rather bland news about a visit to the dentist.2 Three months later, in his last published letter, Yeats wrote to Lady Elizabeth Pelham, When I try to all into a phrase I say, 'Man can embody truth but he cannot know it.' I must embody it in the completion of my The abstract is not life and everywhere draws out its contradictions. You can refute Hegel but not the Saint or the Song of Sixpence ... .3 The most prominent word common to bot…
A Knowledge That Would Not Be Power
In a 1986 article in Screen, Carol Flinn examines feminization of music by analyzing way male commentators have denigrated and feminist theorists have celebrated music's association with feminine element.2 Basing her analysis on writings of psychoanalytic critics who have established certain theoretical affinities between music, unconscious, and a feminine, maternal register in their work on subjectivity, Flinn argues that the work on music in ci…
Last Laughs
Because it deals with a male 'superhero,' Tim Burton's 1989 film Batman inevitably the-matizes certain issues concerning masculinity. Specifically, Burton's film foregrounds an anxious relation among 'armored' masculine subjectivity, the male body, and the mechanisms of photographic and cinematic representation. The close reading of Batman presented here argues that the film articulates a specifically masculinist anxiety about the very medium of …
Must Desire Be Taken Literally
Racing Forms and the Exhibition(ist) (Mis)Match
It's no longer your Film
Art (5 works) · Aesthetics (3 works) · Cinema and Media Studies (3 works) · Epistemology (2 works) · Literature (2 works) · Philosophy (2 works) · Psychology (2 works) · Shakespeare, Adaptation, and Literary Criticism (2 works) · Subjectivity (2 works) · Androgyny (1 work)